amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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London

Last weekend was supposed to be RAW wine fair in London but it fell victim to the coronavirus pandemic, understandable but disappointing. Nevertheless, having booked trains and a hotel room I decided to go to London anyway and make the most of a bad situation. There’s always plenty to see and do and lots of wine bars and restaurants to enjoy. That makes me sound very provincial!

Highlights included visits to Noble Rot and The Remedy. Noble Rot has been a success story for the last ten years or so in the UK, its wine bar, restaurant and magazine becoming central to the wine scene. One of its founders Mark Andrews was the man who first imported Jeff Coutelou’s wines into this country and when Mark started Noble Rot Jeff was happy to supply wines. The food is excellent, the magazine witty and informative. I enjoyed a 2018 Tissot DD, the equal parts blend of Poulsard, Trousseau and Pinot Noir – the main three red grapes of the Jura. Lovely it was too, a good companion for food.

Continuing the Jura theme I enjoyed two further wines at Noble Rot. Macvin is a style of wine where marc (distilled lees) is added to grapes to stop their fermentation at around 18% alcohol. The resulting drink is similar to Pineau des Charentes, this had a nutty finish after dried fruit flavours and a little alcohol heat. Unusual but very enjoyable.

The other treat was a Chateau Chalon, a vin jaune made in the village of the same name. It must be made from Savagnin which is aged for a minimum of six years and three months in oak barrels which are not filled completely allowing a layer of yeast or flor to grow on the surface of the wine. The result is slight oxidation but the wine is protected by the flor, very much like sherry production but vin jaune is not fortified. One of my favourite wines of last year was a vin jaune and this Chateau Chalon was another delicious treat, and at 34 years old still in its youth. Nutty, fresh and special.

The food, service and wines made Noble Rot memorable, I will certainly return.

The Remedy was another success, good food, a great choice of wines at fair prices by the glass and bottle. It was good to meet Languedoc friend Sue Tigg there and we enjoyed a fresh, juicy Beaujolais Villages 2018 from Karim Vionnet. Afterwards a glass of Adelaide Hills Gewurztraminer from Ochota Barrels, dry and spicy. Best of all was a white from Tenerife. The Canary Island wines are beginning to make an impact on the wine scene and this proved why. Made from the Listan Blanco grape by Envinate it was dry, fresh and had lovely citrus flavours and texture. I’ll be hunting for more of these wines. Small, and friendly, buzzy and welcoming, The Remedy is another easy recommendation to make.

One chance discovery was Compagnie des Vins Surnaturels in Neal’s Yard. I called in to get a light lunch and found an interesting wine list including, to my surprise, more Coutelou wines. There was also a fun listing by the glass where you taste blind and if you guess it right then you get a bottle for free. Nice idea, I failed miserably to identify my least favourite grape Cabernet Franc. A group of sommeliers arrived on their day off and if they choose it, then that should be a recommendation too.

Add in interesting visits to The Photographers’ Gallery, Cartoon Museum and Heddon Street where Bowie posed for the Ziggy Stardust album cover and I enjoyed my trip, despite the obvious disappointment of RAW’s postponement. London was quiet, the immediate future uncertain but wine to the rescue.

From The Cartoon Museum


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More from RAW

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My last post described my overall impressions from RAW, interestingly the hybrid issue has been in the news elsewhere a little, a topic I shall pick up again. To follow up I shall describe a few of my favourite wines without too much detail. If you want more technical details then the RAW site has information on each producer and wine.

Gravner is one of the most celebrated of natural domaines, a true pioneer of skin contact wine from the Friuli region. I thought these shone out against the other big names such as Radikon and Cornelissen, though I liked their wines too. Star of the show for me was my first wine tasted in the whole RAW event, Bianco Breg 2010. A blend of grapes such as Chardonnay, Pinot Gris and Sauvignon Blanc the skin contact gave nice tannins and a firm finish but there was a lot of enjoyable white fruit flavour to add roundness.

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Brand is a well established Alsace domaine which has taken a turn to natural wine as Philippe has taken the reins. I liked a lot of these wines, my favourite was the Gewurztraminer maceration Tout Terriblement 16. As I said last time I am becoming convinced that skin contact works best with aromatic grapes and this showed lovely Gewurz notes without any of its tendency to go over the top. Lovely fruit and a long finish. (Very low sulphites)

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AMI is a newish domaine in Maranges using bought in organic grapes to make natural wines. I liked all the wines here, red and white from the basic Bourgognes to a Hautes Cotes and a lovely Maranges Premier Cru. Top of my list though was the St. Romain Blanc 17, classic Burgundy with citrus, hazelnut, cream and a delicious freshness. Definitely on my shopping list.

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Chateau Le Puy I had tasted before and enjoyed even more this time. The main cuvee from various years was lovely but my favourite was the Barthelemy 2016, from the Francs Côtes De Bordeaux appellation. There was such a depth of fruit in the Cabernet / Merlot blend, classic Bordeaux with lift! (No added sulphites). Similarly Chateau Meylet showed a lovely 2014 of real quality, not something I usually say about a Cabernet Franc led wine. (very low sulphites)

Agricola Marino has just 1.5ha of bush vines in Sicily making just 6,000 bottles. The two wines were lovely, my favourite the Turi Bianco 18 a pure Catarratto of white fruit and texture. Lovely labels too. Please someone, support Salvatore and import these great wines.

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Karim Vionnet is a well known maker of very drinkable Beaujolais. Last year in a joint venture with Domaine Viret they produced Nous, a blend of Gamay and Syrah which was generously fruity but had a lovely tannic backbone to add complexity and length of flavour. Very good.

German wines were what first got me interested in the whole topic so it was a slight disappointment that only one producer was present. However, Andi Weigand compensated in quality for lack of numbers. Some lovely wines from the Franken region using grapes such as Muller Thurgau and Silvaner. It was the latter which made my favourite. The maceration wine Skin 15 was fermented in whole bunches for 8 weeks, kept in old barrels for 3 years then refermented using 20l of juice from 2018’s harvest. The result was a perfumed, peachy and clean, fresh wine, a real joy. Unusual winemaking with no added sulphites producing great results, bravo.

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The Morins of Touraize

Domaine De La Touraize is a Jura producer and the Morins showed a series of excellent wines reds, sparkling and white. I’d happily buy them all but top of my list would be the Savagnin 15, left for 2 years ‘sous voile’, i.e. under the flor of the yeasts, the method used in sherry as well as in the Jura. The result was nutty, stony, fruity – my notes simply read ‘gorgeous!’ Possibly my favourite wine of the whole RAW event. (very low sulphites)

I mentioned Thomas Niedermayr last time as I was impressed and intrigued by his hybrid grape wines such as the Souvignier Gris. However, my favourite was the 14 Solaris 2017, (the 14 refers to the year the vines were planted). Solaris was produced in 1975 by crossing various grapes in Czechoslovakia. The fruit was clean and fresh, white stone fruit, almost green and yellow fruit gum. These were fascinating wines from the Alto Adige.

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Also from that region was Grawü, and another exciting range of wines though from more classic grapes this time. Lovely Pinot Grigio, the Bianco with Sauvignon Blanc and Gewurz in the blend was excellent too. There was another Bianco (16?) with more Sauvignon Blanc which gave more open flavours and I especially liked, as I did the skin contact Gewurz.

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Finally I must mention the delicious Banyuls wines of Domaine Du Traginer. I enjoyed their Collioure table wines but the Banyuls were something else. A lovely Rimage 17, rich and delicious Grand Cru 08 as well as a lovely Blanc 15. However, the star was a Solera 2000 which was almost clear, light in appearance but with deep, full and fresh light fruits and a rich port like finish. A special wine.

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I could mention many other wines and I feel guilty for omitting some other very good wines. RAW showed that the world of natural wine is expanding and improving in reliability and quality. To counter the most common criticism of natural wines I should also mention that amongst the 350+ wines I tasted I only detected three with a problem of mousiness and one with a very slight cork taint. Any of the wines mentioned here would enrich your wine collection.

 

 

 

 

 


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dRAW conclusions

Vionnet (RAW link)

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I had heard good reports about Karim Vionnet’s wines and I enjoyed the lighter non-oaked versions in particular. Du Beur Dans Les PInards 2015 had well balanced fruit and depth, very good Beaujolais. The light, straightforward Chiroubles ‘Vin De KaV’ 2015 would please anyone, though added sulfites seemed unnecessary.

Riberach (RAW link)

The Roussillon is home to many excellent winemakers and I had seen some rave reviews about Riberach so it was good to taste their wines at last. Riberach is a collection of grower, winemakers and others with 20ha of vines certified by Ecocert. I liked the wines in general especially the white wines. Hypothèse Rouge 2011 had good fruit and mineral mouthfeel but top for me was the Hypothèse Blanc 2014. The red is based on Carignan Noir, the white on Carignan Gris – a Carignan whitewash for me.

Château Massereau (RAW link)

The highlights of the Montpellier tastings in January included Chateau Meylet from St. Émilion and, perhaps, Bordeaux based wines are making a comeback in my affections as Chateau Massereau based in Barsac was a favourite here. Certainly the Sauternes wines were a real delight (La Pachère lighter than Cuvée M) but the reds were the core wines, I liked them all but especially the Cuvée Socrate 2009, picked early for freshness which shone in the glass. A word too for a really good Clairet 2015, weightier than a rosé with 48 hours of skin contact, fruity, light and delicious.

Gut Oggau (RAW link)

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Another Austrian producer makes my list, it really is a source of some of the best wines at present. I presume Eduard Tscheppe is somehow related to the excellent Andreas whose wines I have praised so often on here. Together with his partner Stephanie they make very attractive and drinkable wines. So popular that they ran out of wine early on the Sunday so I made a bee line for them on Monday morning. The Theodora (weiss) 2015 was very mineral but plenty of fruit too, complex and good. my other favourite was Emmeram 2015 made from Gewurztraminer, not everybody’s favourite grape but this was long, fruity, exotic and just a touch of residual sugar to add a pleasurable finish.

Meinklang (RAW link)

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Tasting with my good friend David Crossley

More from Austria and amongst the best of its producers, another to run out of wine early. Delicious Foam White 2015, a petnat with superb freshness and depth after 15 months on lees. Graupert Pinot Gris 2015 had chewy fruit (2 weeks on skins) and a lovely clean finish. The two Konkret wines (raised in concrete eggs) were particularly good, proof that ageing wines in this style does work well. The white had lovely peachy aromas and long fruit, the red was clear, direct and long. The Zweigelt 2015 was a highlight, beautiful precise fruit and a mineral, clean finish. I should also praise the delicious Foam Cider.

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So much did I like the wines and cider from Meinklang that I immediately ordered some.

Batic (RAW link)

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I tried wines from quite a few East European producers and was a bit disappointed by them. However, Batic, a Slovenian producer, was outstanding. A lovely 2016 Cabernet Sauvignon but the real star was Angel 2011 a blend of 7 varieties complanted in the vineyard, 31 days on skins and 4 years in barrel. How does that make such a light, fruity, pleasurable wine? I don’t know but it was a terrific wine.

I Mandorli (RAW link)

Excellent Italian wine based on Sangiovese and Cabernet Sauvignon. Freshness was the hallmark of the wines. Particular favourites were Vigna Alla Sughera Rosso 2013, lovely sharp cherry flavours. The Vigna Al Mare 2013 had real Cabernet profiles of blackcurrant. Vino Rosso Base 2014 was a light blend of the 2 grapes and very drinkable.

Conclusions

A very good tasting offering the opportunity to taste wines from many countries. Natural wines are on the up, producers emerging not just in the traditional hotspots of France and Italy. One well-known wine writer recently suggested in a description of one wine that natural wine is a fashion. Apparently she is unaware that they have been made for almost 40 years, they are no fad. More producers, more customers, more restaurants – the demand for natural grows every month.

I remain unconvinced by amphorae, some producers are mastering the technique but there is a lot of clumsy, inexperienced use at present. Concrete eggs on the other hand do seem to be more sympathetic to the wine.

Most producers at RAW were certified organic or biodynamic. It is important that consumers should be confident that their wine is really natural. The wine described by the critic was made SO2 free but not organic, to my mind (and in RAW’s charter) that would not be a natural wine. I also did wonder why some producers continue to feel the need to add sulfites to the wine.

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Natural wines are here to stay, they will hopefully become known as simply very good wines. The wines described in the last 3 articles should help to provide many examples of such very good wines. And that is without covering the wines of such illuminati as Cornelissen, Gravner and Texier.