amphora | amarchinthevines

Having talked about new varieties of grape planted at Jeff Coutelou’s domaine in Puimisson the last few days have been about a variety of different activities, vintages and grapes too. After the rain break on the 9^th, we restarted on Friday 10^th by spending the morning in the vineyards of Segrairals and Peilhan picking Cinsault and Carignan respectively.

***Cinsault, big bunches and those rejected***

The Cinsault often comes in large berries and bunches and, as a consequence, the open bunches can be prone to disease and ver de la grappe. As we picked, therefore, we took great care to conduct a triage on the spot leaving a lot of the grapes behind as you can see. To paraphrase the old John West advert, ‘It’s the grapes we reject that make Coutelou the best.’ Even in a year with much reduced quantity the emphasis has to be on quality, clean grapes if the wines are to be good.

***Carignan loaded straight into press by Matteo as Louis, Boris and Jeff look on***

Peilhan was quite badly hit by the April frost and the Carignan was particularly damaged. Some vines had no fruit, others still produced well. Again we sorted the grapes carefully in the vineyard. Both harvests went into the press directly. When grapes are not of the highest quality it is not worth destemming and fermenting separately as any taint will spoil the wine. Without the comfort blanket of SO² Jeff wanted to get the juice from the grapes quickly, likely to produce rosé rather than red after spending so little time on skins extracting colour.

In the afternoon, the Moroccan pickers moved on to the Mourvèdre back in Segrairals. Meanwhile I and some of the team were given a different direction altogether. Jeff had selected some of the best white Macabeu grapes of 2019 for ageing in barrel, they had recently been moved to stainless steel tank in the white wine section of the cellar. The juice was run off the top of the tank and then the marc (skins, pulp, pips etc) were brought to the basket presses.

Operating these presses was one of the first jobs Jeff gave me in 2014 and so I set about extracting more juice from the marc. The pressing must be light as the marc contains more tannins which might make the overall wine more bitter. It is surprising how much extra comes out of the marc, and even more surprising to see whole grapes still amongst it after 2 years. The final wine tasted great and I can’t wait to open a bottle and see how it develops further.

***Basket press loaded and extracting the rest of the 2019 white***

The following day, Saturday, brought more variety and a new job for me. Macabeu and Grenache Gris from Peilhan was brought to cellar and the first couple of rows of vines were sent to press. Jeff, however, decided that the rest was higher quality and wanted to use these grapes for fermenting and maturing in amphora. There have been 4 of these for a while now and Jeff is convinced they do improve the quality of some wines. However, he did not want anything but the grapes themselves in the amphora. Therefore, we used the égrappoir to destem the bunches but then had to pick through every grape to remove any remaining pieces of stalk or stem. Painstaking, meticulous work.

In the afternoon it was time to bring in the Grenache of La Garrigue. I identified this as the best parcel of the vintage in my first blog of this year’s vendanges, the grapes were of very high quality. You might recall that apparently this was hard hit last year and it was as if nature was offering compensation. The quality brought a smile to Jeff’s face and raised the morale of the whole team. The grapes went through the égraineur (which separates each berry not just the whole bunch like the égrappoir), and the juice already tasted especially good, confirmed by the technical analyses.

***Grenache from La Garrigue, best of the bunch***

Monday 13^th brought the longest and hardest day of the vendanges for me personally. It started in typical fashion with the remaining Grenache being sent to a separate tank for using with other wine. However, we then moved to the Carignan of Rec D’Oulette, the parcel which produces Flambadou in good years. Unfortunately, this is not a good year, unless you’re a fan of Grenache and white wines. Jeff decided that the Carignan should be made in whole bunch, carbonic maceration style. Instead of destemming the bunches, everything goes into tank and is protected by CO² which also kicks off fermentation in the berries themselves.

That meant we set up sorting above the tank which would hold the grapes. On a hot, sultry day that meant working inside and above the rising heat from the grapes. Matteo and I spent the best part of six hours processing the Carignan, it was back breaking, sweaty work and tested this 62-year-old man but I made it through. Just.

From direct press to basket press, destemming single grapes to whole bunches, whites to reds and orange wine too, even grapes from an older vintage. This was a period of the vendanges which was all about variety.

***Sorting Carignan whole bunch, Flora stepped in for me for a few minutes***

September 19, 2019
by amarch34 Leave a comment

Harvest 2019 – We Can Work It Out

En francais

If Day 10 saw the eight different grape varieties harvested Days 11 and 12 were a contrast. Friday September 13th was all about Grenache and Saturday was all about Cinsault. These two varieties together with Syrah make up the bulk of the Coutelou production, important for the various wines which emerge each year and for the economic well being of the domaine.

The Grenache was from La Garrigue, planted facing south towards the sun. It copes well with heat, Spanish on origin and grown all around the Mediterranean (known variously as Cannonau, Garnacha, Alicante amongst others). Traditionally this parcel gives good quality fruit which is blended with other wine to make Classe for example.

I was feeling under the weather on the Friday but a day sorting good bunches of tasty grapes helps to improve the day. There was plenty of it too, perhaps the recent rain had boosted the yield a little. A quick tour of the remaining unpicked vines to check maturity also boosted the spirits with some attractive Mourvedre in the pipeline.

Saturday (I must have been feeling better as I took more photos) and the Cinsault of Segrairals. These grapes are used for the 5SO cuvée as well as being blended with other wines, eg for the rosé.

Cinsault grapes tend to be big and the bunches can suffer a little as a result. The large grapes leave gaps in the bunch which leaves it vulnerable to disease and insects getting in, especially ver de la grappe. This moth lays its eggs in the bunch and the grapes are pierced by the resulting larvae. This causes the juice to flow in the bunch and attract rot.

**Ver de la grappe cocoon emerging from a Piquepoul Noir grape**

Sorting in the vineyard and on the table in the cellar needs to be thorough. That said 2019 has happily been a year of little or no disease.

The day showed how different sections of the vineyard differed in the quality of grapes. There were parts which gave slightly under ripe fruit but others which provided big, black grapes which tasted great to eat. Since 2019 has been so hot and dry much of the wine this year is very concentrated and high in alcohol. The under ripe grapes in the Cinsault actually served a useful purpose in providing lower alcohol and adding more acidity. Nature sometimes finds its own solutions.

Meanwhile in the cellar there is increasing amounts of work to do. More and more of the tanks are full and needing remontage, batonnage or pigeage. The team has to work well together, fortunately this year’s does just that.

The amphorae, filled on Thursday also needed punching down to soak the skins. Fermentation has already started as you may see in this video.

With the Cinsault picked there are now just two main picks left to do in 2019, the Mourvedre and the Carignan. An intensive two weeks has gone by, much work still remains.

Jeff punching down the amphora grapes

Days 11 and 12

July 5, 2018
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The Boys Are Back In Town

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En francais

A morning in the cellars, a good chance to catch up with not just Jeff but Michel and Julien who I hadn’t seen since last October. The gathering was to do the assemblage of L’Oublié the cuvée made up not just of different grape varieties but different vintages of those grapes. Old Carignan and Grenache from ‘forgotten’ barrels includes years such as 2001, 2007 and 2010. Added to these are younger wines such as Syrah from 2014 and 2015, Copains 2013 and some 2017 Grenache amongst others. There is even some of the grapes often used to make La Vigne Haute, my favourite wine of all.

As always with work in the Coutelou cellar the priority is cleanliness, the safeguard which ensures that no added sulphites are added to the wines. Everything is cleaned thoroughly before use and after use, every time a piece of equipment is needed. It adds to the work load but it is vital for the wines to be pure.

The wines were then taken from the various barrels and tanks to one of the large fibre glass tanks to spend time blending and harmonising before it will be bottled at some point in the future. The resultant blend was excellent. I had coincidentally opened a bottle of the last blend of this cuvée just two days before and it was on fine form so this one has a lot to live up to. First impressions are that it will do just that, a new star is born!

Component wines to make L’Oublié

Then more moving around of different wines to free up some of the tanks which will be needed for the 2018 vintage. Checks were made on all the wines in the cellar including the new amphorae. This is the second wine to be matured in them, the first having been bottled already. I tasted some of that first amphora wine and it was very impressive, a real stand out. Jeff kindly gave the three of us a jereboam of that first wine and it will be a very special occasion when it is opened. Offers for an invitation are welcome!

After the final clean up and a couple more tastings the morning’s work was completed, yes work – honestly. The team was back together, the wines are together. All is well.

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January 4, 2018
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New Year, old favourites

Happy New Year to all of you who are good to enough to click on to my site, it is much appreciated. May 2018 bring you health and happiness.

The transition from one year to another is another excuse to open a good bottle or two and star of the show this time was, yes you guessed it, a Mas Coutelou wine. This time it was Copains 2013. This wine is based on grapes from my favourite vineyard, Rome, based on Cinsault grapes from those old twisted vines I love so much.

Rome’s Cinsault vines

It is still youthful, bright fresh cherry fruits to the fore and a nice backbone of tannin. Further proof of how well Jeff’s wines will mature if resisted in their youth. A lovely red, worthy of the occasion.

photo by amicalementvin

On New Year’s Day itself I opened an orange wine. 2017 had been the year which saw me converted to orange wines and also beginning to understand the value of using amphorae to age wines. The wine in question came from Casa Pardet in the Costers del Segre, Catalonia. This domaine produced one of the most stunning wines I have ever tasted, a Cabernet Sauvignon and is one whose wines I have sought out ever since. This wine was a Chardonnay 2014 and the fruit shone through as well as the characteristic tannins and dusty influence imparted from the amphora. Yet more proof of the skills of Mia and Pep Torres.

Amazing label of Casa Pardet

So 2017 ended and 2018 began with top class wines. May the standard be maintained!

October 8, 2017
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Amphorae

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Version francaise

One of the winemaking trends of recent years has been a return to the learning of our forefathers. The revival of old grape varieties, use of horses for ploughing, many of the practices of natural winemaking are references to the past. As a historian these practices are very welcome to me.

Another welcome revival has been the use of amphorae for fermenting or ageing wines. Of course this was the methodology of the Greeks and Romans thousands of years ago but they had all but disappeared in western Europe. Certainly the practice survived in the East, especially Georgia, partly due to the poverty of Soviet times. The fall of communism and this search for the past has brought about a revival of interest in the amphora.

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The advantage is that clay is porous and allows an exchange of the wine with air/oxygen. This is why wooden barrels have been used but the advantage of amphorae is that they do not give the familiar taste of oak. Many producers who have used amphorae claim that they keep wines fresher than barrels.

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Earlier this year I reported how Jeff had been given a present by a diving friend who discovered a Roman (time of Julius Caesar) amphora in the Mediterranean. I had hoped that it could be used for winemaking but it needs a lot of reconstruction as well as disinfection. However, it seemed to inspire Jeff who went to Spain in order to buy two 400l amphorae. On September 29th it was time to fill them.

They had been filled with water for several weeks to remove dust but also to moisten the clay so that it would not soak up the wine. A cuve of Carignan and the very rare Castets was the wine to enter the amphorae which are about 1m50 high. Filled almost to the brim each was sealed with a stainless steel chapeau bought for the job. And so we await the results, regular tasting will allow Jeff to decide how long the wine will be aged.

A new departure, a return to the ways of the ancients.

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June 6, 2017
by amarch34 3 Comments

Brief return to Mas Coutelou

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Version francaise

After my sojourn in Alsace it was great to return to the Languedoc. Sadly I was already aware that due to a bereavement I would have to leave within a couple of days to return to the UK. However, I was able to spend one of my two days there with Jeff and amongst those vines which I had missed so much.

It was a great time to be there, the vines were in full flower, many already past that stage showing the new grapes, firstly with their brown hoods and then just the green baby berry itself.

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The vines were looking very healthy, plentiful rain in the winter and a sharp frost in early spring had allowed the vines to rest, to gather their strength for the season ahead – a sharp contrast to 2016. Greenery aplenty, wild flowers blooming and, during my visit to Peilhan, I saw a young deer running through the vines and a pheasant. Clearly the Coutelou vines attract wildlife to its oasis amongst the surrounding desert of chemically treated soils.

Flower Power

Flower Power May

Rome May

Carignan May

During the previous weeks the soils of Peilhan had been ploughed, by a horse. Gentler on the soils Jeff asked a local man to till.

Peilhan horse

He himself was giving the soil a light rotivation that afternoon, turning the plants and flowers amongst the vines into the soil, a natural composting. Icare, with an injured paw, and I watched on in the sunshine.

The only real problem this year has been the return of the snails. Last year they ravaged Font D’Oulette (the Flower Power vineyard) so that only a few cases of grapes could be picked. Fortunately, that vineyard has been spared this year but they are out in force in the largest vineyard, Segrairals. It was there that I also found Michel, Julien and Vincent working, tightening the wires of the palissage and removing side shoots etc from the vines.

In the afternoon we tasted through the 2016 vines and, they are so different even from February when I tasted them last. The whites are splendid, highlight a hugely successful long maceration Muscat. The reds such as the Carignan were very good and the top wine of the year will be the Mourvèdre, a silky, complex wine with huge depth of flavour – a treat for the short and long term. 2016 was a difficult year but Jeff has still produced some great wines.

So, I look forward to getting back to Puimisson as soon as possible, to follow the vintage further and see the latest progress. There is bottling to be done and plenty more besides.

The cellar is transformed, painted with the new office and floor and the stainless steel cuves plumbed in for temperature control. And perhaps, most interesting of all, there is an amphora. This is the trendy method of vinification around the world. However, very few winemakers have an amphora dating from the time of Julius Caesar with which to make wine. Jeff plans to use it this year, connecting his wine to those made 2,000 years ago. Wines with links to the past, present and future, Mas Coutelou has soul!

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March 15, 2017
by amarch34 6 Comments

The RAW and the cooked

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Version française

French anthropologist Claude Lévi-Strauss proposed that cultural commonalities and differences and similarities are based on everyday opposites such as raw and cooked. I was reminded of that in attending the annual RAW Fair in London March 12th and 13th. It too served up some opposite emotions, to mix my metaphors a game of two halves.

RAW was formed by Isabelle Legeron whose book “Natural Wine” would be the best starting point for anyone who wants to find out about low intervention wines. On its website it describes itself thus: “RAW WINE (rɔː) – adj in a natural state; not treated by manufacturing or other processes.”

There begins my reflection of opposites after attending. Yes there were many wines there which were not treated by manufacturing or other processes but there were also many which, to my mind, are about wines being manipulated by various techniques and by additives, as up to 70 mg per litre of added sulfites are allowed for RAW. Are these natural wines? As there is no actual binding definition then I suppose they are but I doubt that some of the wines at the Fair are truly in the spirit of natural wine. During the posts which I will write about the event, the most important Fair in the UK based on natural wines, I shall be writing about different categories based on the amount of SO2 used.

No added sulfites for Italian producer Azienda Vitivinicola Selve

The game of two halves? Well, that refers to the two days. Sunday was open to the public as well as press and trade and it was very, very busy. Crowds around the tasting tables, wines running out, no seats for eating, very warm conditions do not make sense of for an optimal tasting experience. Plans for the day (to taste everything bar France, Italy and Spain) were put aside as it was more a case of find a table where it was not necessary to barge through to the wine. The effect was that I was probably too harsh in judging the wines that day, my mood was affected. Monday was much more like it, more opportunity to access the tables, talk to the producers and, it was when I tasted my favourite wines of the weekend.

Sunday

Monday

Other opposites?

Amphorae. It is THE most trendy winemaking technique, ferment and age your grapes in clay amphorae, usually 800l or bigger. I have tasted and enjoyed quite a few amphorae wines but generally I am not partial to the drying effect they have on wines (in my opinion). They do seem to give a sense of licking the clay container before drinking the wine ( a description given to me by my friend David Crossley). Winemakers do add a manufacturing process to their wine and quite rightly experiment to make the wines they want, but I don’t necessarily always enjoy the results. I prefer my wine truly raw rather than cooked earth.
Young and old. The natural wine movement is growing. Producers from all around the world, traditional producers experimenting with lesser amounts of sulfites (it was interesting to see a big name from Burgundy at RAW) and most of all amongst younger wine drinkers. It seems to be true that younger wine drinkers, perhaps less weighed down by conventional expectations of what makes good wine, are attracted to natural wines. Those who predicted its demise are being defied by this growing band of supporters. I heard accents and languages from all around the world, long may it continue. And, meanwhile, older wine enthusiasts like myself can appreciate the energy and life in the wines and the people linked to them.

One older drinker enjoying his wine

Faults. Critics of natural wines most often levy accusations of faulty winemaking. I tasted several hundred wines during RAW and I found faults in less than a dozen, mainly mousiness and two corked wines. Some are a little volatile and acidic but personally I enjoy such wines if the volatility is not completely out of control. The winemakers should be praised for their skill, the % of faulty wines was certainly a lot less than the % of dull wines I taste at many conventional wine tastings.

The two days were very enjoyable overall despite the crowding on day one. I was able to get round most tables and to taste some excellent wine. The next posts will describe some of those and some conclusions I drew from the event. The RAW website has excellent profiles of the producers and the wines on show, I will provide links to this site whenever I can. Let me start with my favourite range of the weekend which epitomises the feeling of opposites I had after RAW.

The Scholium Project (California) RAW link

Abe Schoener is a winemaker who pushes the boundaries, restless in trying to improve his wines. The wines are superb, very drinkable yet with great complexity. They made me smile, gave me great pleasure but also made me think. By accident as much as design it was found that by not topping up the barrels and not using pigeage the juice protected itself, the cap of skins helping rather than hindering. Indeed the Chardonnay, Michael Faraday 2014, developed a flor like sherry does. The result was pure juice, no hint of off notes either in aroma or taste. I liked all four wines on show, but especially the 26 day skin contact, no SO2 added Sauvignon Blanc, The Prince In His Caves 2015, and the Petite Sirah, Babylon 2013, which spent 3 years in barrels, again not topped up. I would normally be put off wines aged for so long in wood, I am not a great fan of too much skin contact yet here the wines were full of life and energy. Truly outstanding wines.

See what I mean about contradictions and opposites! RAW played with my expectations and prejudices.

Next time: the sulfite free wines which pleased me.

March 26, 2015
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Exploring the 7Cs – Day 2

Cabrières

Version francaise

Excellent map of Languedoc Roussillon wine areas by Quentin Sadler whose blog can be found at https://quentinsadler.wordpress.com/

Just over the hill from Caux is the AOP Languedoc Cabrières vineyard and village, protected by the stunning Pic de Vissou. This is a village which until recently was best known for its Cave Cooperative, its rosé wine and seemed to be living on past success. However, new blood has revitalised the village’s wines.

Véronique Atout (on the right) explains the wines of Mas Coris at a tasting in November.

Mas Coris, run by Véronique and Jean Attard, use organic methods and modern technology to produce a series of good wines in their small cellar in the heart of the village. A new Clairette has come on stream this year. This was a grape for which the village used to be renowned and I know that the Atouts went to great lengths to ensure that theirs has the AOP label. The story of the domaine is really interesting and it is well worth reading about it on their website, as well as buying the wine!

Mas Coris wines 2015

Another domaine making waves from Cabrières is Clos Romain, which also produces olive oil and rents out ecogites. Their vineyards are run along organic lines and Romain Cabanes is experimenting with vinification in amphorae. I will be visiting the domaine in April and will report back, but the domaine has received some very good reports including in La Revue des Vins De France.

So, if you want to discover a wine village which is on the up and off the beaten track,head to Cabrières. I’m sure you won’t be disappointed.