amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Making Wine

En francais

Most of the focus of the posts on Vendanges 21 is on the picking and sorting of grapes, exploring the different varieties and how they are gathered and sent to tank. However, these are the early stages of vendanges and there is much work to follow, not so glamorous but just as important. I have heard a number of vignerons say that their job is to ensure that quality grapes which arrive at the cellar are allowed to express that quality and not to mess up their potential. So, what happens?

The making of wine begins with decisions about how to transform the fruit. The most obvious influence on how to proceed is the colour of the grape. There are some white wines made from red grapes but those are rare. Quality and quantity of the grapes will also determine decisions but let us start with that primary difference.

White grapes will go into white or orange wines. For white wines the grapes will be pressed (usually) soon after picking and the juice is sent to tank for fermentation. For dry whites the winemaker might seek to have only the alcoholic fermentation, not the malolactic in order to keep the freshness of the malic acid. Again, that is a decision for the vigneron. There will still be pulp and pips in that fermentation tank and after fermentation the lees or dried yeast cells will fall to the bottom of the tank after completing their work.

The young wine will be run off that rather dramatic looking sludge to avoid the danger of it spoiling the wine. The vigneron will then decide how to age the white wine, the type of container to use, stainless steel, barrel, amphora, egg, glass. The choice will again be based on the quality of the wine and what the vigneron wants to achieve, a commercial large scale wine or a smaller, more specialised or select wine.

I described the process of orange wine in a recent post. The white grapes will stay on skins to extract tannin, flavour and colour. The length of time will depend upon the preference of the winemaker. Again, the juice will be run off the skins either naturally or by press.

Orange wine

For rosé wines red grapes (perhaps combined with white grapes) will be used. They might be allowed to spend time on skins to extract more colour or they will be pressed directly for a lighter colour. (I recall Emmanuel Pageot in Gabian making a wine called 48h where its name reflected the time on skins to extract a dark pink/light red colour.) Rosé wines are mostly designed for freshness and early drinking so they will usually be fermented and then go to a neutral container to settle and then be bottled.

Red grapes give vignerons more decisions to make. Will they be destemmed totally, partially or not at all? The latter will be whole bunch fermentation and the stems will add a green, sappy touch to the wine. Whole bunch wines might be fermented using carbonic maceration, as in Beaujolais where the grapes ferment in the skins with carbon dioxide added to the tank. Jeff prefers a semi carbonic maceration, some of the grapes will be broken and will ferment as usual whilst others ferment inside their skins. Wines using carbonic maceration tend to have a more upfront fruit profile. That style might be what the vigneron wants to create or it might be that lesser quality fruit would not respond well to traditional fermentation.

Most red grapes at Coutelou are destemmed. Indeed, the new (2020) égraineur takes stems not just from the bunch but from every grape to reduce the amount of stalk in tank during fermentation (some will get through no matter what). The grapes will spend days in a fermentation tank. The red grapes with skins, pulp, pips and yeasts form a bigger quantity of material so Jeff uses the large cement tanks for this. The juice will be carefully monitored to ensure fermentation is happening. For red wines, winemakers want both fermentations to happen, malic acid would make them too tart. Malic fermentation usually happens alongside the alcoholic one or quickly afterwards. This year’s malic fermentation at Coutelou was the first time that it was slightly delayed, happily only a short delay but a surprise nontheless.

Fermentation tanks used for red wines

The bulky pulp has to be then sent to press. Ideally it would travel naturally by gravity but in most cellars a pump is needed, and a heavy duty one at that. The pompe à marc is powerful and noisy but does its work. The press then sends the juice to a tank or other container but usually a tank at this early stage. More tasting and analysis will determine what the winemaker thinks should happen next. Quality, quantity, commercial needs will all play a part in shaping that decision.

Let us not underestimate the commercial aspect of winemaking. The livelihood of the winemaker, their dependants and staff depend on selling the wine. Some cuvées will be made for easy drinking in large quantities, the wine will still be good quality of its type. Le Vin Des Amis and Classe are perennial wines from Jeff Coutelou and are always very good (try the 2020 VdA for proof) but they also provide a financial security. As well as covering costs of equipment, personnel, utilities etc the money helps to subsidise the smaller production wines which often also cost more to produce, eg barrels and longer ageing.

So, though my articles have focussed on the first stages of the vendanges, please don’t think that is the end of the story.


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Back To The Future

Version francaise

I promised two updates from Puimisson with news with Jeff Coutelou but, first of all, a follow up from last time. Jeff tells me that fine weather has held back any outbreak of mildew though more rain is forecast this weekend. He cannot touch the soils and the grass and flowers which have grown around the vines as that would certainly trigger the mildew spores which live in the soil. This growth will compete with the vines for nutrients and, if Jeff has to leave it in place all year, for fear of triggering disease, then it will lower the yields.

All is not bleak however. Jeff was enjoying the sunshine last week and the vines’ lush growth. He has also assembled an interesting team to help work in the vines, local people who can work safely without travelling. There is an ex seminarian, a teacher, a young man wanting to learn about winemaking, a scientist and others. Sadly, not me.

Fermentations finishing, 2020

Last years’ wines stalled towards the end of their fermentations at the end of 2019 but the warmer temperatures of Spring rectified that, reawakening the fermentations and the wines are now completed and settled. The various wines have been assembled into the blends which Jeff wanted for the 2019 cuvées. They will rest, be bottled in the next few months but not for sale until much later in the year.

Part of the blending record, giving nothing away!

Most exciting though, there has been a lot of looking to the future. A new plantation of mainly Aramon and Mourvedre with smaller amounts of Aramon Blanc and Servant, an old Languedoc variety which is very little planted. Yet another addition to the Coutelou catalogue, reversing the long term decline in plantings of the grape (down to just 75 hectares in 2011.)

Other work has been done to put up the stakes and wires for plantations from the last couple of years, for example in the parcel next to Sainte Suzanne which had been fallow for years and in Segrairals, shown in the photo below.

And Jeff has been looking still further into the future. When he retires Jeff intends to move to St. Chinian where part of the Coutelou family had their traditional home. The 4 hectares of vines which were there have been grubbed up and replanted with the varieties of the area (and no doubt some typical Jeff extras) as well as trees such as oak and olive, shrubs and plants too. This was a major task and timed for Jeff’s birthday too as plants and vines are what excite him.

So, the virus has undoubtedly altered the way that Jeff has had to do things but, happily, it hasn’t brought the domaine to a halt. The vines are growing well, there will be a 2020 vintage. And there is plenty to look forward to once we are past this.


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Coutelou 2019

A Coutelou update.

Every year Jeff sends out a New Year friendship card to regular clients and friends. The 2020 version highlights the ongoing protests in France about pensions, I particularly appreciated the mobility scooter with bottles in its basket. Inside is a résumé of 2019 and what happened in the vineyards and vendanges. Here’s a quick summary.

The winter of 18-19 saw a healthy rainfall of 400mm in October and November which went a long way to replenish the water levels. Budding began at the start of April, a normal date. Spring was colder and drier than usual and that slowed down growth and the date of véraison, when the grapes change colour. However, there was little or no disease other than a little coulure, where bunches have gaps. The major problem of 2019 came in June with an exceptional period of heat and the start of a very dry summer. This meant that as harvest began the grapes were struggling to reach phenolic ripeness when tannins are ripe and supple. Harvest lasted just over two weeks after starting a little later than normal at the start of September. The grapes were exceptionally healthy and clean, and very concentrated. “The winemaker is more than satisfied with the results achieved.”

The lack of rain (100mm from January to August) and the exceptional heatwave of June serve as a warning to what faces us with climate change.

After harvest things seemed to be going very well thank you. Plenty of nitrogen, good yeasts and healthy grapes, meant fermentation started well. But, there’s always a but, the wines have struggled to finish those fermentations. This has been the story across the region from other winemakers. Theories abound, the most likely is that the heat and dryness encouraged an excess of potash in the grape must, raising pH levels and so stopping fermentation. Soutirages, moving wine from the bottom of the tank to the top, helps to keep the tank clean and healthy and winter will help tartar to develop which will boost the fermentation when temperatures start to rise again.

The above means that it has been difficult to plan blending as even Jeff cannot be certain of how each tank will taste. However, there will be a wine of white and gris (Grenache for example) in amphora, an orange wine of Muscat d’Alexandrie, a Spring red and a Carignan, Castets and Morastel red wine. Plus the classic Coutelou cuvées with Syrah and Grenache to the fore.

These days the domaine is known as Vins et Spiritueux Coutelou so a word on the spirits. Gin, eau de vie, Kina will be joined by new bottles of an aromatic spirit and a mint based drink.

New planting of Clairette (right) and Macabeu

And in the vines? 200 metres of new hedgerows to replace those destroyed by malicious fires a couple of years ago, new olive trees planted too. A new parcel of Cinsault and a white parcel near Sainte Suzanne of Macabeu and Clairette were planted. So no retiring just yet!


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Oddities 2

En francais

This photograph was taken on September 5th, so fairly early in the period of the vendanges. It shows white wine being run off its lees after being in tank.

Regular readers will recall that to make a white wine the grapes are usually pressed immediately after picking. The resulting juice heads to tank and ferments. The juice will contain some pulp and various natural substances from the skins such as the yeasts which kick start the fermentation process. As it continues the exhausted and dead yeast cells fall down into the bottom of the tank, these are the lees.

You can see the wine still fermenting because of all the bubbles in the container as it is run off the tank. Leaving the wine on the lees too long can be self defeating, risking bacterial contamination. However, the lees can add a creamy depth to the wine so it is matter of judgement as to how long to leave the wine in contact with them.

I love the golden colour in the photo, offering promise and hope to the wine which will follow. Having tasted the wine I know that the promise will be fulfilled.

Red wines spend time on their skins to extract colour and flavour from them during fermentation. The wine is run off and the skins removed when the winemaker decides. In the photo the skins are being removed by Jeff. However, after that the process is the same. There will be lees in the runoff wine and they will settle as did the white wine lees.

The sludge with lees and some juice


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Harvest 2019 – We Can Work It Out

En francais

Team work

If Day 10 saw the eight different grape varieties harvested Days 11 and 12 were a contrast. Friday September 13th was all about Grenache and Saturday was all about Cinsault. These two varieties together with Syrah make up the bulk of the Coutelou production, important for the various wines which emerge each year and for the economic well being of the domaine.

The Grenache was from La Garrigue, planted facing south towards the sun. It copes well with heat, Spanish on origin and grown all around the Mediterranean (known variously as Cannonau, Garnacha, Alicante amongst others). Traditionally this parcel gives good quality fruit which is blended with other wine to make Classe for example.

I was feeling under the weather on the Friday but a day sorting good bunches of tasty grapes helps to improve the day. There was plenty of it too, perhaps the recent rain had boosted the yield a little. A quick tour of the remaining unpicked vines to check maturity also boosted the spirits with some attractive Mourvedre in the pipeline.

Mourvedre

Saturday (I must have been feeling better as I took more photos) and the Cinsault of Segrairals. These grapes are used for the 5SO cuvée as well as being blended with other wines, eg for the rosé.

Cinsault grapes tend to be big and the bunches can suffer a little as a result. The large grapes leave gaps in the bunch which leaves it vulnerable to disease and insects getting in, especially ver de la grappe. This moth lays its eggs in the bunch and the grapes are pierced by the resulting larvae. This causes the juice to flow in the bunch and attract rot.

Ver de la grappe cocoon emerging from a Piquepoul Noir grape

Sorting in the vineyard and on the table in the cellar needs to be thorough. That said 2019 has happily been a year of little or no disease.

The day showed how different sections of the vineyard differed in the quality of grapes. There were parts which gave slightly under ripe fruit but others which provided big, black grapes which tasted great to eat. Since 2019 has been so hot and dry much of the wine this year is very concentrated and high in alcohol. The under ripe grapes in the Cinsault actually served a useful purpose in providing lower alcohol and adding more acidity. Nature sometimes finds its own solutions.

Nothing wrong with this Cinsault

Meanwhile in the cellar there is increasing amounts of work to do. More and more of the tanks are full and needing remontage, batonnage or pigeage. The team has to work well together, fortunately this year’s does just that.

The amphorae, filled on Thursday also needed punching down to soak the skins. Fermentation has already started as you may see in this video.

With the Cinsault picked there are now just two main picks left to do in 2019, the Mourvedre and the Carignan. An intensive two weeks has gone by, much work still remains.

Days 11 and 12


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Vendanges 17 – the finishing line

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Version francaise

I started my coverage of the 2017 vendanges with racing terminology and, so, I finish in the same way.

It’s definitely over. Vendanges 2017 with all its quality, with so little quantity.

On September 27th the final press of the grapes was completed. It was the turn of the Cabernet Sauvignon, two weeks after picking. The skins, pips and other solids had done their work in giving up flavour, colour, tannins and so much more. The yeasts had started their work of fermentation. Now it was time to press before that grape must started to be problematic rather than beneficial.

The must was pumped from the cuve by the powerful pompe à marc directly into the press. Julien ensured that the press was filled in all corners and then the press began. It inflates a membrane inside which gently presses the must to extract the juice without releasing the more bitter, astringent tannins left in the skins and pips.

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Sediment after the must has gone to press

The grape variety (cépage) will determine the amount of pressure applied, Cabernet has small berries and thicker skins so needs a little more pressure than juicier, thinner skinned Cinsault for example.

 

The juice flows and is sent to another cuve to continue its fermentation, then its malolactic fermentation (which removes the more acid flavours). Indeed the analyses of the 2017 wines show that fermentations have gone through quickly, without fuss or problem. There is no sign of volatility or any other problem, the wines look on course to be as high quality as the grapes themselves. Which, of course, is the goal. Jeff believes in letting the grapes express themselves with as little intervention as possible. This year interventions are minimal, the grapes have done the work.

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Sadly, the quantities do not reflect the quality and that will bring a financial blow to the domaine and to virtually all domaines in the region. When you are asked to pay a few euros for a bottle of 2017 Mas Coutelou, I hope that you will recall all the work which I have described, the stresses and strains, the love and care which has gone into that bottle and you will consider it money well spent.


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Sparkling Coutelou

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Leon snaps, Jeff pops

Version francaise

With UK importer Leon Stolarski in attendance Jeff offered us the chance to taste through the 2016 wines which are largely still in tank. Fermentations have been slow from last year, some are still bubbling away gently, finally eating up the last sugars. Jeff thinks the very dry winter and spring and heat of July meant that the yeasts were perhaps weakened meaning fermentation has been slower. The key point is, how does that affect the quality?

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Even from when I tasted them a month ago they have changed in nature, more streamlined, less opulent, more complex. And, as always chez Coutelou, very drinkable. The whites show lots of fruit but restrained and serious too, the long maceration Muscat a definite highlight. Sadly, quantities are down, another result of the dry winter and spring. Reds show fruit and complexity, the Carignan beginning to emerge as a star (true of so many recent vintages) and the Mourvèdre continuing to shine bright.

In the afternoon a new treat. Bibonade is Jeff’s PetNat, a natural sparkling wine. The white and rosé version have been sitting in bottle for a while and it was time to disgorge them. Sparkling wines, including champagne, age in bottle rather than tank and as they do so they throw a sediment. Still wines do the same, the sediment (lees) falls to the bottom of the tank and the wine is then taken out leaving the sludge behind. In bottle the sediment also falls to the bottom, if the bottle is laid flat the sediment will coat the inside. To gather the lees the bottles are placed in special racks (pupitres) with the neck pointing down. By turning the bottle 90° every day the winemaker can ensure that the sediment doesn’t stick to the sides and all gathers in the neck above the capsule.

Fermentation in bottle produces carbon dioxide which in turn creates the fizz in there. By opening the bottle, the release of pressure forces the sediment out of the bottle. Obviously this has to be controlled or you lose too much of the wine as well, so Jeff quickly covers the bottle as soon as he sees the sediment is gone.

The bottle can then be topped up from others and resealed.

It is a messy business, the small steel tank stops the capsule from flying off and the wine from coating the whole cellar. Jeff’s arms were quickly covered in flecks of lees. However, the result is delicious, refreshing and Bibonade is a firm favourite chez March.


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Vendanges 2016 #8 – from grapes to wine

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En français

The grapes are picked, how do we make this become wine? That has become the main objective now at Mas Coutelou.

The grape skins, pips, flesh and solids are with the juice in the tank (cuve) for as long as Jeff feels that they will benefit the juice. They give the juice chemicals such as anthocyanins which give colour to the juice (for rosé and red wines), tannins and flavour compounds. The solid parts of the mix tend to rise to the top of the tank and float on the juice. This cap must be kept moist, a dry must would give unpleasant flavours and is more prone to harmful bacteria. That is why remontage and pigeage have to be carried out, as explained before.

Jeff will taste from each cuve every day and samples are sent to oenologue Thierry Toulouse for analysis.

When he is happy that the right balance of sugars, acidity, colour and flavours is achieved it is time to press the wine. Some of the must is left behind in cuve and will be collected to use again, for example in distilling.

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Michel removing must from the cuve

The pressed juice goes into a new cuve and will continue its fermentation into wine. The yeasts on the grape skins and in the atmosphere of the cellar change the grape sugars into alcohol. The fermentation will have begun when the must was in contact but will continue when just the juice remains.

I wish I could convey the smell of the fermenting juice via the page you are reading. It is like walking into a boulangerie in the early morning,  bready aromas fill the air as the yeasts go about their work. One of the real highlights of the whole process.

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Fragrant, yeasty fermenting wine

Whilst that is all going on the equipment which has been used so much in the last month is checked over, taken apart and given a thorough cleaning. Not a pip, not a grape skin must be left in the sorting table, presses, égrappoir (destemmer) or anything else. No chance of bacteria gathering.

It is not straightforward. The process of grape juice to wine is a natural one and things can go wrong. Any vigneron who had a year where the process went without any hiccoughs would be either the luckiest alive or a liar. Yeasts can suddenly stop working, fermentations become too hot, bacteria (both helpful and harmful) are unpredictable. Jeff must be aware of every cuve and of their analyses, he must use his experience to tackle any issue which springs up at any time of day or night. He rejects the use of sulphur dioxide (SO2) to act as an antiseptic or stabiliser for the wine, therefore that experience is tested time and again. No wonder he wears an air of fatigue.

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Vendanges Diaries – #9 Dream

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Our last picking of 2015, Rome vineyard, October 9th; Michel, Cameron and Jeff

Version française

The very last week of vendanges, definitely.

Lots of work continued in the cellar during the week, pigeage and remontage as described in the previous post, and more wines which are now completing fermentation and being put into tanks to mature or to allow malolactic fermentation if it hasn’t already happened. This fermentation produces softer lactic acid which will make the wine taste more supple and fruity. The cellar is now much quieter and there is a sense of job done.

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                              Pigeage

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                      Carignan in tank

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Cameron cleaning tanks, cleanliness remains the priority

However, the final wine remained as grapes in the vineyards. Muscat grapes in Rome vineyard and Grenache in Sainte Suzanne have concentrated their sugars, developed a little noble rot even. So, on Friday October 9th Jeff, Michel, Cameron and myself ventured out to pick the Muscat and some of the Grenache. (The remaining Grenache was picked by the experienced Moroccan team on Saturday morning.) A beautiful autumnal morning cast shafts of sparkling sunlight on to the myriad colours of the leaves. It was incredibly peaceful and dreamlike.

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The Muscat was dried out in the main, the berries now like raisins with a lot of sweetness but not too much juice. The Grenache would give more juice to produce around 4.5hl of sweet wine in the end, which Jeff was happy with.

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                     My first bucket of Muscat

In the press the Muscat and Grenache were added one on top of the other in successive layers to give more complexity and allow the Grenache to fill out the Muscat. The juice was slow in emerging but eventually arrived in a lovely, light red colour with strong aromas of sweet raspberries.

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The following day, Saturday 10th, the Grenache arrived and the last cagette of 2015 grapes entered the press.

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                   Grenache in Saint Suzanne

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  The last cagette of 2015 grapes goes into the press

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     Pressing the button for the last time this year

It was a moment to breathe a sigh of relief, to feel a sense of pride in what has been achieved in the last 2 months and, a hint of sadness as the bonds of a team, which worked so hard and so well together, are gently loosened.

The relief also showed in recent days by getting together with other vignerons. An evening in Roquebrun at the excellent Cave St. Martin and then on Thursday a visit to Domaine Vassal, a conservatory of vines, with a who’s who of natural producers in the area. I shall write more about Vassal in a future post.

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Vignerons including Julien Peyras, Alain Castex, Axel Prufer, Yannick Pelletier, Jean Marie Rimbert, Carole Andrieu celebrate with Raymond Le Coq (red shirt) at his Cave St Martin

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l-r Rémy Poujol, Jeff, Yannick Pelletier, Julien Peyras, Joe Jefferies, Bernard Bellahsen (Fontedicto), Olivier Andrieu (Clos Fantine)

Then, on Sunday, team Coutelou gathered at Le Terminus in Cruzy, one of the best restaurants in the Languedoc. Jeff kindly paid for our celebration lunch together, the food and wine were excellent (including Clos Fantine and Julien Peyras wines) and the company could not be better. Cameron will be heading back to London this week though hopefully returning soon. So, it was an occasion to say ‘au revoir’ too.

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    l-r me, Cameron, Michel, Jeff – team Coutelou

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Jeff wondering how Cameron got a bigger glass! (It’s actually a decanter)

And to show that we really are moving into the next stage after vendanges Monday October 12th saw the first bottling of 2015 wines. Bibonade rosé is a sparkling, sweetish wine with 20 grams of residual sugar to produce 4 bars of pressure and, consequently, the sparkle. Jeff stopped the fermentation on Sunday and bottling under capsule took place this morning.

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           Bibonade rosé, bottled and stored

So 2015 vendanges is done, 2015 wines are on the way. Job very well done. It has been a joyful experience for me to take a full part, thanks to Jeff, Michel, Cameron, Carole and everyone else who has been part of the team. A dream come true.
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Vendanges Diaries #6 – Mystery, Mourvedre and Flambadou

Mourvedre 17th

Version française

The storms which brought so much rain to Puimisson and the Languedoc on Saturday meant that there would be no picking on Monday or Tuesday the 14th and 15th.

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             Preparations for cellar work

Instead Jeff, Michel and Cameron were hard at work in the cellar for the two days. There is lots to do there so it was an opportunity to get everything on track. Lots of remontage, sous tirage etc. On Monday the 14th the Syrah which was to be made with carbonic maceration was pressed after its few days in tank with the fermentation inside the skins.

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                     The Syrah being pressed

The video shows Michel in the cuve moving the grapes to the front where Jeff forks them into the pump. You will see the grapes moving through the pipe into the press.

 

By Wednesday 16th the weather had turned much clearer and good winds meant that the grapes and soil were beginning to dry out nicely and so picking recommenced. The centre of attention was Rec D’Oulette known locally as Chemin De Pailhès and the Carignan grapes which grow there. These are the grapes which make the excellent cuvée «Flambadou», perhaps the outstanding wine of 2013 (and Jeff tells me of 2014 too). The bunches which arrived were excellent in quality, so fingers crossed for another great wine.

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                         Picking the Carignan

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                                    Carignan

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                         The Carignan in tank

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          Analysing the Carignan

Meanwhile cellar work continued as Cameron carried out more remontages and analyses. Today one of the wines to be moved was the Merlot which was bright, fresh and colourful.

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                         Délestage of Merlot

As each wine is moved around the cellar, for example to take it off its skins, each cuve has to be cleaned thoroughly and then it will be filled with another set of grapes or fermenting wine. There is a seemingly never ending merry-go-round of wines and quite how Jeff keeps track of them all remains a mystery to me. Each move has to be planned to ensure that cuves are available, cleaned and big enough.

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                 Cleaning from the inside

As a former teacher it reminds me of planning a timetable fitting in students, teachers and classrooms into the correct combination. Add in working as a mechanic to keep all the machines ticking over and the work of a vigneron becomes more complex, the job description is long.

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              Maintenance of the égrappoir

Thursday 17th brought Grenache from Sainte Suzanne (Metaierie), again carbonic maceration was to be used so back to the top of the cement tanks. Thomas was back and he, Cameron and I shared duties up there filling the tank.

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        l-r Cameron, Michel and Thomas

Then cleaning of the cagettes ready for the next new cépage. Following the Carignan of Wednesday it was time to harvest the Mourvèdre from Segrairals. One of my favourite grapes, somewhat fickle in character but when grown by good producers it adds a complexity and depth with a hint of dark mystery. The bunches which arrived were certainly amongst the best of the whole harvest at Mas Coutelou.

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                            Magnificent Mourvedre

 

They were clean, big bunches, the grapes with thick skins and smelling already of spice and blackcurrants. Some of the bunches were very heavy and it wouldn’t take many to produce a bottle of wine, on average you need about 1.25kg of grapes to make the 75cl of a normal wine bottle. Sorting was quick and easy, the pickers had done a good job and the fruit was in such good condition. I look forward eagerly to finding out what Jeff has in mind for these grapes, when I have asked he simply smiles mysteriously, something is afoot!

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Friday 18th brought the rest of the Mourvèdre still in tip top condition. When the pickers reached some of the lower parts of that parcel the quality did begin to dip a little so these bunches were taken away to be used separately, possibly for a rosé wine. I say possibly because final plans are a long way from being ready. Other jobs included pressing the Cinsault grapes which will make a rosé (definitely!!) and more remontages and analyses.

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                           Remontage

We were joined today by Charles, a young Frenchman who works in a restaurant in Berlin, and whose mother was a former colleague of Jeff when he was a teacher in Paris. Coincidentally his boss in Berlin was a student of Jeff! Charles added a real sense of fun and worked hard.

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                     Charles fills the press

By Saturday I was ready for a rest and so the 19th was the work of the Jeff, Michel and Cameron as they processed the last red grapes from Peilhan. Some of these will be used for blending but amongst them was the famous Castets. This you might remember is a cépage produced by only two winemakers in France, Chateau Simone in Palette and Mas Coutelou. The first harvest was in 2014 and we had watched eagerly its development. In fact we have been drinking some during harvest lunches and it is very promising, brooding with deep, dark fruit flavours and a freshness to lift it. Only 3hl was produced again this year, the same as last year.

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                 Castets in tank

On Sunday 20th Jeff carried out a débourbage of the Cinsault rosé which was pressed on Friday. Débourbage means taking out the pips and skins etc to leave the juice on its own. The harvest is starting to slow down a little though much work remains to be done in the cellar. Jeff and the ‘Coutelou Gang’ will have certainly benefited from a little siesta in Sunday.

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Icare licking his lips at the great wine being made (maybe)