T.S. Eliot believed it was the cruellest month but my selection of April wines proved to be generous and pleasing. Here are my thoughts, including my early front runner for wine of the year.
My first real wine tasting was in a small village in the Rhine Valley called Bacharach, in 1982 I think. It is therefore a doffing of my proverbial wine hat to open a bottle from that village. Toni Jost is one of the biggest producers there, this 2009 Kabinett was a classic Riesling, dry with a nice streak of acidity but a sweet fruit finish. I do love German Riesling, my fondness steming from that first experience 37 years ago of how diverse wine could be. In truth this was fairly routine wine, nice enough without being noteworthy. The nostalgia quotient is my only reason for its inclusion here.
Compare that to the 2016 Bourgogne from Fanny Sabre. I often forget how good Burgundy can thrill the tastebuds like very few other regions. There is a reason why prices have gone through the roof and my hopes of tasting Romanée-Conti have sailed off into a horizon never to be reached. My brother in law was amazed that this was natural, it was a pure Chardonnay, classic buttery and hazelnut flavours and, quite simply, very satisfying. This is a basic regional wine, nothing special about the vineyards or terroir, yet it was very well made and I am on the hunt for more of the Sabre wines.
Catherine Riss is another winemaker attracting attention in recent years, this time in the Alsace region. This 2016 Riesling De Grès Ou De Force was a bright, zesty, joyful wine. Catherine’s vineyards are spread around northern Alsace including Nothalten home to Patrick Meyer (and another of my early holiday bases). Made from vines on sandstone (grès) it delivers pleasure and has a serious side too from the acidity, a winning combination. Last time I was in Nothalten talking to Patrick Meyer he praised Catherine Riss and bemoaned that there were not more young winemakers starting out in the region because of the high price of land. On this evidence his faith is being well repaid. I’d choose this every time over the Jost. Great labels too.
By contrast the wines of Jean Foillard are well established, he is one of natural wine’s pioneers and greats, one of the major factors in the renaissance of Beaujolais as one the world’s greatest wine regions. This 2014 Morgon epitomises those points. Foillard wines imprive over several years in my experience and this was at a peak. Delicious Gamay fruit supported by fine acidity and light tannins. This is classic Beaujolais made naturally as it used to be generations ago. Classic wine.
Two other great red wines need to be saluted on here. Louis and Charlotte Pérot make wines in Cahors and (disclaimer) are personal friends whom I admire greatly. I first met them in 2015 at La Remise in Arles, one of their first big wine tasting events and, proudly, I was one of the first to praise them. Understandably they have received many plaudits since and their wines get better and better as their vineyards respond to their care. The labels change annually based on book prints, a reminder of their previous work in Paris. L’Ostal is able to make Cahors’ Malbec (or Côt) into approachable, fruity, delicious wine but with the typical backbone and structure of that region. I love these wines, this was another April success.
Sylvain Bock’s wines from the Ardèche are one of my ‘go to’ picks for enjoyment and reliability. Neck is pure Grenache, ripe but with a serious side. I have seen reports that this 2016 was the best vintage of this cuvee and I can believe it because, like all the wines I have lauded in here, there is a combination of pleasure and reflection. By that I mean, there is a serious side which makes you look closely at the wine, and think about its making not just drink it unthinkingly. Lovely bottle.
The pleasures which April wines showered upon me were greatest from one bottle however. La Paonnerie is based in the Coteaux D’Ancenis in the western Loire. The Carrogets work naturally and I have enjoyed their wines in the past. However, the 2017 Vegyes was on another level for me. Golden in colour I was convinced that there must be extended skin contact but no. The colour is the result of vines over 100 years old which provide Chenin Blanc of great purity. The vineyards have been organic since 1997, the wines are made without anything added. The result was complex. Quince flavours certainly, other fruits too but with texture and classic Loire Chenin acidity. This was a great bottle of wine.