Learning about wine, vines and vignerons whilst living in the Languedoc

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A Tour Down Under, Little Things Mean A Lot


During our holiday in the Adelaide Hills we stayed with James Madden, Sam Bateman and their beautiful year old daughter Flo together with James’ mother Pat. James and Sam travelled in France a couple of years ago and visited Jeff Coutelou which led to James returning to Puimisson a year later to play a  major role in the vendanges of 2016, which is how I got to know him. He became a valued friend in that time and when I told him that we were heading to Australia he invited us to stay with them.

A lot had happened in that 18 months, the birth of Flo, the loss of his father and the establishment of his own winery, Little Things. With all those emotional pulls it would have been easy for his first vintage to be a learning curve, instead James smashed it. The wines he produced from 2017 are extremely good by any standard, extraordinary for a first year. I would understand if you thought me biased, (I am of course), but honestly these are terrific wines.

James’ background is in catering, working in a number of restaurants in Australia, for example Movida in Melbourne. He became fascinated by wine and started to work harvests in 2011 in the Adelaide Hills often with James Erskine of Jauma wines as well as in the Mornington Peninsula and, as I said, with Jeff in the Langeudoc. That experience has instilled in him a desire to make wine with minimal intervention, he is one of the very few in Australia who resists the safety net of SO2. As we recalled over a glass, Jeff used to tell him to believe in his grapes and let them express themselves. When Sam encouraged James to give it a go on his own he took the plunge and from Little Things big things will surely follow.

James sources grapes from trusted organic growers over quite a large area. Vineyard management is done by the growers though in consultation with James and in 2018 he has taken over the running of a couple of vineyards. Ideally the couple want to buy somewhere with their own vines but in the interim, as is the norm here, James buys in the grapes, harvesting them himself.


The Shed

When James poured me the wines from 2017 I expected to have to be polite and encouraging. Not that I underestimated him, just that it is hard to get things right first time around. There was no need for politeness. I was struck by the purity of the wines, the fruit is clear, pure and typical of the variety, it is not hard to identify Grenache, Shiraz or Chardonnay. Yet there is complexity, seriousness and everything you would want in your glass. As I said, he smashed it.

The wines are made in a shed he shares with Alex Schulkin (The Other Right). Pressing in small batches, maceration in small plastic containers and then the wine goes into old barrels. I recall that James was a master of cleanliness at Jeff’s and this is apparent in the way he works in his own winery. He has listened to advice, observed the right ways to work and made his own path with his own wines. He is still learning, playing around with fermentation techniques etc, and it will be fascinating to watch his, and the wines’, development. I only hope that we in Europe can get hold of some, importers take note.

The Sauvignon Blanc Pet Nat, Flo’s Fizz and the Chardonnay, Sweet Child Of Mine (there’s a theme here!) sold out quickly and it was not hard to understand why. The PetNat is just fresh fruit fun, goes down way too easily but at under 11% not too much danger. The Chardonnay is from 28 year old vines, whole bunch pressed, tank fermented and then aged in old barrels. It is a delight. There is a creamy note but a clean acidity runs through with lemon and spice notes. Seriously good wine.

Purple Patch Shiraz is dry grown Shiraz from Clarendon in the McLaren Vale, nice and light (just 11% abv) and very drinkable. I remember lots of good wines from this area when I first got into Australian reds and this would be a good example. More Shiraz, this time blended with Grenache (75/25%) in Sum Of Many, the fruity Shiraz being spiced up by the hit of Grenache. That Grenache was to cause a few problems for James as he discovered just before the 2018 harvest that there had been a spray on the vineyard and that it was, consequently, not organic. James decided to be open and honest about this and shared his disappointment with buyers. He decided the 2018 could not be used by him because of it not being organic, however he did find another winemaker who would welcome the grapes. In this way the grower, who had made an honest mistake, did not lose out and James will be able to use the vineyard’s grapes in future. I think that was an honest, commendable decision. The Grenache wine Comes A Time was inadvertently made from the vineyard in 2017, I found it a little more subdued than the others even before I found out about its history.

My favourite red though has to be Joy’s Wild Fruits Field Blend. The vineyard is next to the sea at Fleurieu Peninsula and most of the grapes are technically white, eg Pinot Gris, Savagnin, Chardonnay, but they are picked with the Pinot Noir, Merlot and Cabernet from the same vineyard, pressed together and left on skins for more than a week. This is heady wine; bright, light and mighty good. Fresh and zesty from the whites, fruity and spicy from the reds. I love field blends and this just works.

I am really excited for James and Sam that their venture is taking off. The bottles are selling well. Whilst in Adelaide and Melbourne we were in bars and restaurants with Little Things on the list (alongside Mas Coutelou in some places!). James can hold his head high whilst he mixes with James Erskine, Tom Shobbrook and Gareth Belton, his wines stand comparison and promise great things for the future. Proud of you mate!





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New Year, old favourites

Happy New Year to all of you who are good to enough to click on to my site, it is much appreciated. May 2018 bring you health and happiness.

The transition from one year to another is another excuse to open a good bottle or two and star of the show this time was, yes you guessed it, a Mas Coutelou wine. This time it was Copains 2013. This wine is based on grapes from my favourite vineyard, Rome, based on Cinsault grapes from those old twisted vines I love so much.


Rome’s Cinsault vines

It is still youthful, bright fresh cherry fruits to the fore and a nice backbone of tannin. Further proof of how well Jeff’s wines will mature if resisted in their youth. A lovely red, worthy of the occasion.


photo by amicalementvin

On New Year’s Day itself I opened an orange wine. 2017 had been the year which saw me converted to orange wines and also beginning to understand the value of using amphorae to age wines. The wine in question came from Casa Pardet in the Costers del Segre, Catalonia. This domaine produced one of the most stunning wines I have ever tasted, a Cabernet Sauvignon and is one whose wines I have sought out ever since. This wine was a Chardonnay 2014 and the fruit shone through as well as the characteristic tannins and dusty influence imparted from the amphora. Yet more proof of the skills of Mia and Pep Torres.


Amazing label of Casa Pardet

So 2017 ended and 2018 began with top class wines. May the standard be maintained!

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RAW too


And so to the wines at RAW which contain sulfites above 20mg/l, in other words sulfites added. Reading Alice Feiring’s book ‘Naked Wine’ she tells of how the founding father of natural wine Jules Chauvet used SO2 as do some of the movement’s well-known figures such as Foillard and Puzelat if they feel they need to do so in order to protect that particular wine. Natural wine is about more than just sulfites though its reputation seems to be bound with that additive. RAW’s own charter is worth reading on the subject.

I did enjoy many wines at RAW which are above my artificial 20mg/l mark. There are a dozen domaines worthy of mention so I shall be brief in describing them. Again I refer you to the RAW website for more information (via links) and also to David Crossley’s website for more detailed descriptions on some.

Vinca Minor (RAW link)


Sonoma Chardonnay (from domaine website)

Confounding all my prejudices about big, sweet California wines this domaine’s hallmark was freshness and a light touch. Whether a peach aroma Sonoma Valley Chardonnay 2016 or a juicy, red fruit Redwood Valley Carignan 2015 and even a Cabernet Sauvignon 2015 Santa Cruz Mountains – all these wines delivered everything you’d want in flavour and drinkability together with some complexity. Together with The Scholium Project I am converted to West Coast wines.

Okanagan Crush Pad (RAW link)

And Canada too. This is an interesting project where as well as making their own wine new winemakers are helped to make theirs too. Read more at the link above. Their Haywire wines were very good, providing an interesting contrast for me. As stated before I am not the biggest fan of extended skin contact wines, but here was a Free Form Sauvignon Blanc 2015 of 9 months maceration which was fruity as well as having texture, very good. I preferred it to a more traditionally made Pinot Gris. On the other hand the red skin contact was outshone by a beautifully fresh Water And Banks Pinot Noir 2015, classic grape character with red fruits and an earthy crunch. Lovely.

Vins Du Jura Thill (RAW link)

Jura wines are very on trend and with good reason, there are many excellent wines being produced there. I visited the region 20 years ago when Jura wines were hard to find because nobody was interested, now they are hard to find because they are in demand. I have had the good fortune to taste many excellent producers before including La Pinte, present at RAW. This domaine was new to me however, and another name to add to my list of must buys.

The Crémant Cuvée Adrian 2014 would certainly fit nicely into any occasion, refreshing tasty sparkling Chardonnay. The Chardonnay Sur Montboucon 2015 was even better with round , green and yellow fruits, great character. Perhaps my favourite wine was the Poulsard 2014, very light like a rosé in colour but packing dense rose and red fruit aromas and long red fruit flavours. One of my wines of the event. A word too for Vinum Paléas 2015, Éric’s straw wine with a slight honey note but dry and refreshing. Skilled winemaking.

Yves Duport (RAW link)

I don’t recall drinking wines from Bugey before. I will again. Again wines marked by a freshness and pure fruit . A lovely, fresh Chardonnay les Côtes 2016– more direct and zesty than the Jura style but a good food wine. The Pinot Noir Tradition 2016 made another comparison with the Jura and again it was more direct, good red fruits, ripe and clean. My favourite was the Altesse De Montagnieu “en Chinvre” 2016 which is quite a mouthful! Roussette is the grape and there was a grapefruit, citrus attack with a soft finish, really good.

It really is good to see a region fighting back led by a producer who lets nature speak.

Le Vignoble Du Rêveur (RAW link)

I was delighted to bump into Mathieu Deiss again. I have met him at a couple of tastings before when he was showing the wines of the family domaine with his father at the helm. I love those wines and their philosophy of place rather than grape. He is a passionate young winemaker and I am happy, but not surprised, to say that his own wines are crackers too.

Singulier is a blend of various white grapes, mostly Riesling made by carbonic maceration. The 13 was nice but the 15 was even better, singing with zesty fruit and character with mo SO2 either. It was another skin contact wine which made sense adding that characteristic texture to the fruit. Vibration 2013 was a Riesling with quite the best aromas of any wine at the Fair. Classic Riesling, zesty and long fresh flavours which grew in the mouth. Pierres Sauvages 2013 is a blend of Pinots; Blanc, Gris and Noir but made as a white wine so no long skin contact with the Noir grapes. This filled the senses, it is still developing in bottle I would say, lovely.

Hauts Baigneux et les Tètes (RAW link)


To the Loire, that hotbed of natural wine and another new domaine to me based in Azay Le Rideau. I liked the reds but Loire reds are often a blindspot for me and it was the white wines which really stuck out, based on Chenin Blanc. The Azay Le Rideau ‘Les Chênes’ 2015 was a classic Loire white with zest and minerality, textured and fruity. I also liked the Blanc Chenin 2015 made in concrete eggs which seemed to have a richer depth. More young winemakers making an impact, the future looks good.

Chandon de Briailles (RAW link)

I have bought wines from this domaine in the past and was pleased to see them here at RAW. This is a classic Burgundy domaine and I love good Burgundy. No disappointments here, lovely Savigny and Pernand Vergelesses but there were two stand out wines. Corton Blanc 14 was a reminder of why Chardonnay in Burgundy can be just about perfect. The aromas and flavours seemed to have limitless depth, from apple and green fruits to rich, round hazelnuts. A stunner. And the Corton Bressandes Grand Cru 2014, just makes me smile thinking of it. Still a baby, but delivering forest aromas, dark red fruits, earthy notes – it’s one of those Pinot Noirs which just says this is as good as red wine gets. Tannins aplenty still but in a few years? I would love a supply of these to follow the wine’s progress. Top class biodynamic wine with producers cutting back on sulfites too. Love it.

Wines from classic old world regions and new world upcoming areas too. The world of wine is embracing natural wine.

Final selections soon.