amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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February red wines

Let’s start with the Jeff Coutelou wines first. 5SO Simple 2018 has really found its feet now, which is probably too late for the vast majority of bottles opened as it is usually a wine opened for early drinking as a ‘glou glou’. Cinsault is light, the grapes tend to be large and juicy and not have too much acidity. Jeff likes acidity in his wines to help maintain their condition and health, without SO2 as a preservative the acidity can be a useful substitute as well as adding freshness to the wine. The acidity of this 18 bottle was calmed and the fruit was showing more roundness than the last bottle I had. It’s in a very good place, very enjoyable.

I opened two bottles of La Vigne Haute, my favourite wine. A 2013 was in excellent shape, the Syrah black fruit and spice still prominent, the tannins soft and the age was adding another layer of complexity and depth. No rush to drink up but definitely ready. However, the 2017 was on another level. I opened it on my birthday and it was a highlight of the month. It is ready to drink now and very enjoyable too but I’ll hang on to my other bottles a little while. The acidity is fresh but well balanced, the fruit is open and mouth filing. It has a youthful energy but it’s also round and enjoyable from the outset. On this evidence La Vigne Haute 2017 has the potential to be one of the best vintages of this great wine.

Amicis is the wine I made at Jeff’s in 2015 with grapes from Rome vineyard, the three types of Grenache. Aged in three different containers (old barrel, newer barrel and glass). You can read more here. I opened a bottle of the older barrel aged wine meaning the staves were tighter and so there was less exchange with air, the wine is more youthful than the wine in the newer barrel. Cherry red, fresh acidity and the residual sugar giving a sweetness. It is more an aperitif wine than a food wine and it will age for years.

Let’s stay in the Languedoc and near neighbours and friends the Andrieu family of Clos Fantine. Their vineyards are high in the Faugères hills and the vines are gobelet to give them a freedom and energy, described by Corine here. The Fantine reds need time, they have concentrated fruit and tannin which take time to marry and mature. Give them that time and the rewards are plentiful. This bottle of the traditional Faugères is non vintage. They had some Carignan from 2016 and 2017 which took their time to finish fermentation, they were a bit stuck. When they finally completed Corine added some Grenache and Syrah from 2017 and also some Cinsault and Mourvedre from 2019. The blending is therefore similar to what Jeff does with his L’Oublié bottle. The result was excellent, a full bodied, complex wine with a freshness from the 2019 wines. Power and elegance. I must order some more.

Still in the Faugères area and a young winemaking couple whom I first visited in the snow! Simon and Sara Bertschinger have a few hectares around Fos with unusual grape varieties for the region, the Armélot 2015 I opened contains Merlot and Petit Verdot, they also have some Sangiovese. Like the Fantine wine this is unmistakably Faugères, depth, power, freshness to the fore. The 5-6 years of age have brought a lovely maturity, another bottle at its peak. The Merlot adds a roundness to the wine, it is lovely.

Heading down towards Spain, Banyuls. I tasted La Cave des Nomades wines for the first time at La Remise in Arles in 2016 when Jose (Zé) Carvalho was the talk of the town. The wines were exciting and fresh with incredible depth. I haven’t had the chance to drink many since then and was pleased to find Camino Rojo 19 available. Grenache and Syrah (taken direct from pressing) produces a light coloured wine but it is packed with flavour, red fruits and cleansing acidity. More please.

Two examples of Gamay next, both French. I recall visiting and holidaying in the Forez region in central France many years ago and the local wines were a rarity and simply a quaffing wine in local restaurants. Some producers have worked hard to add quality to the region and the leading domaine is Verdier-Logel. They work organically and this Poycelan Cuvée des Gourmets 2019 is made from grapes grown on granite soils, they also have Gamay on volcanic soils. I enjoyed it, there is plenty of fruit though it was fuller and a little heavier than most Gamays. Interesting and good to try wines from less well known areas. More classic Gamay in the form of Beaujolais, indeed a Beaujolais Nouveau 2020. Guy Breton is one of the great producers of the region, I remember a P’tit Max I had in Paris a few years ago as one of the bottles which converted me to a love of natural wine. Cuvée Fanchon was lovely, round, soft red fruits – absolutely classic Beaujolais and Gamay – delicious.

My biggest surprise of the month though was a Malbec from Argentina, Familia Cecchin 2019 no added sulfites. Argentinian Malbec has become very popular in supermarkets with a range of big, powerful wines – I usually find them too big and heavy for my taste. This, though, was a really pleasant surprise. There is a lightness and freshness to the wine as well as plenty of big flavours. Very good winemaking, a real deftness. I decided to try wines from further afield this year and this bottle really supported that decision, a genuine treat.

Wines were purchased: direct from producer, Leon Solarski wines, Buon Vino wines, Petites Caves, Little Wine


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Real Wine Fair #3 – the beat goes on

A final gathering of thoughts on the Real Wine Fair 2019. Enjoyment featured a lot in the course of the two days. Wine tastings can be pretty straight, serious events but there was a lot of laughter and appreciation going on in Tobacco Dock. The producers I spoke with said that it had been a successful event commercially and they too had enjoyed themselves. The variety of countries, regions, soils and grapes added to the enjoyment.

As well as all those producers and wines I recommended in the two previous posts I liked the following wines very much, described in order of their catalogue number.

Austrian wines have become a favourite of mine in recent years and they were to the fore. Grabenwerkstatt produce in the Wachau, I used words like pure, fresh, fruit for a number of their wines. Two which stood out for me were Wachauwerk Gruner Veltliner 18, the vintage adding depth to the wine. The other big hit was Ried Bruck Riesling 18, single vineyard, very dry but with a hint of residual sweetness.

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Other Austrian producers to impress included Jurtschitsch, Muster and Tscheppe, a favourite of many previous tastings. Andreas Tscheppe‘s wines are consistently top quality, characterful, pure, flavoursome and thought provoking. All of Tscheppe’s bottles are worth buying, my favourite three were: Blue Dragonfly 17, a fruity, round Sauvignon Blanc; Green Dragonfly 17 from a single, higher vineyard giving more direct, melon flavours; Schwalbenschwanz Muskateller 17, a skin contact wine with lovely character of the grape supported by a dry, grippy mouthfeel, lovely and another wine to convince me that skin contact often works best with aromatic grapes.

Tscheppe wines

 

The German contingent at RWF were of particular interest to me, I have already praised the Schmitt wines. Marto Wine from Rheinhessen was also the source of some good wines, especially their 2018 Pinot Gris. Another skin contact wine, another aromatic variety, another success. Spicy, fruity and with lovely texture.

Close to my heart now and Clos Fantine from Faugères. Declaration of interest of course as I consider the Andrieu family as friends and wrote about their beautiful vineyards and wines on here a few years ago. The 2017 Faugères Tradition was on top form, fresh, fruity and with a serious side too. The 2017 Courtiol of pure Carignan was big and bold with nice tannins backing up the dark fruits, a wine to keep for a few years and enjoy. Valcabrières, the white of Terret Blanc and Terret Gris was made from 2 vintages 2016 and 17 and is one of my favourite wines, rich, fruity but dry and spicy too. I include them here on merit believe me.

From Savoie I very much enjoyed the wines of Les Vignes De Paradis and especially the 2017 IGP Savagnin, a deceptively simple wine of clean fruit with a nice acidic backdrop. On to the Loire and another old favourite, Hervé Villemade from Cheverny. His Cour-Cheverny ‹Acacias› 16 was refreshing, clean, fruit gum and citrus. Made from the Romorantin grape which 30 years ago was so scorned and is now finding recognition – climate change, better vinification and probably other factors too make the wine world ever evolving.

TWR wines

To the Southern Hemisphere. Whilst in New Zealand in 2018 I tried to visit Te Whare Ra in Marlborough but they were closed that day. So I was pleased to get to know their wines at RWF with Anna Flowerday presenting them. They are lovely wines, freshness and fruit to the fore with nice complexity. Lots to recommend including Riesling, Gewurztraminer and Syrah. However, it was their 2018 Toru Single Vineyard Blend which I enjoyed most that day. A mix of Gewurz, Riesling and Pinot Noir are co – fermented and the result was a dry, clean wine with all kinds of fruit and spice.

I tasted a number of Patrick Sullivan‘s wines in Australia, bottles such as Rain and Ada Chardonnay were much appreciated. This time though it was the 2018 Baw-Baw Chardonnay which stood out for me, a wine of real concentration and power but elegant and fine at the same time. A wine to keep and cherish.

I was fortunate to spend a good half hour with Julian Castagna of Castagna Wines. He has worked in films and now wines and made a success of everything. He’s a real character as were his two sons wowing the crowd and pouring generous samples. So many wines to enjoy here, a clear Savagnin 16, Segreto 16 of Sangivese and Shiraz for example. There were also magnificent vermouths and sweet wine too. Stars for me were 2017 Quasibianco Grower’s Selection in magnum, a delicious, full flavoured skin contact Riesling. Full yes, but elegant and refined too, bravo. And Genesis Syrah 2015, rich, round and full in a Rhone style, powerful but not heavy with flavours which lasted for ages. Top wine.

On to Italy finally. The wines of Dario Princic from Friuli are in the syle of Gravner and Radikon. I have a number of these bottles at home and was glad to taste even more at RWF. The use of skin contact has to be balanced to be successful in my view, too much and the wine can become hard and bitter. Princic consistently hits the sweet spot of extracting tannin and power whilst keeping fruit. I particularly liked his Jakot 2016, the Friulano grape. Ampeleia on the Tuscan Maremma coast is another well established natural producer, a collaboration of producers such as Foradori, Widmann and Podini. Their Unilitro bottles are a staple in my house, white and red. Here I want to end on a bombshell as my favourite wine was a Cabernet Franc, a grape I really struggle to like. 2015 Cuvée Ampeleia was a big, concentrated wine but the grapes from the highest of their vineyards have a natural freshness which enlivens the wine and never makes it tiring.

So many great wines, so many I no doubt did not get around to tasting. To taste so many great wines in all forms, red, white, skin contact, sparkling, sweet was a treat. Not to mention that wonderful Cota 45 sherry. Lessons? That there are many exciting young and new producers spreading the natural wine philosophy around the world. That more established producers should not be forgotten, their wines are often reaching new levels of excellence. That skin contact wines are appealing more and more to me, especially those aromatic varieties. That wine is fun and should be enjoyed as well as studied.

Thanks again to all who organised Real Wine Fair 2019 and to the producers for such a high standard. To the next time.

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Real Wine Fair 2019 #1

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One of the best wine tasting events I have attended, perhaps the sunshine and warmth put me in a good mood but I know that my thoughts were echoed by many others. Real Wine Fair is organised by Caves De Pyrène the merchant which has done so much to promote organic, biodynamic and natural wines in the UK. It took place in Tobacco Dock the same venue as a couple of years ago when I attended. There are two large halls offering plenty of space, break out areas for food stands and a useful shop as well as rooms for masterclasses. It was interesting to read tweets by Jamie Goode and Oz Clarke, probably the two wine writers who have influenced me most, praising the event, the enthusiasm of the producers and the way in which natural wines are continuing their growth and influence despite the expectations of some that they would fall away as a fashion trend.

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Chatting with the excellent Julian Castagna (more next time)

I tasted just under 200 wines from producers in 17 countries of the 23 represented at RWF. That such a broad spectrum gathered together is, I believe, proof of how wine is changing, producers are looking to make wine in as clean and environmentally sound ways as possible all around the world. Countries such as Germany, which were well behind the natural wine trend of France, Italy and Spain, were well represented. Interestingly most of the producers from these countries were young, enthusiastic and eager to learn.

One of the welcome sights of the Fair was to see the number of producers tasting around the stands of colleagues from different countries. I was privileged to be in a discussion with producers from New Zealand, Australia, and the Languedoc comparing their thoughts and methodology. I saw many other such exchanges. This can only be a benefit. A well known French producer lauding a German Riesling to its young producer was one more example.

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Gareth Belton

It was also good to catch up with friends. Corinne and Carole Andrieu from Clos Fantine and Gareth Belton of Gentle Folk are people I have visited with in recent times and got to know a little.

I do not intend to publish long descriptions of dozens of wines though I shall write about some of the many wines and producers which excited me. However, let me start with just 3 wines, my podium wines for the event. Bear in mind that I tasted with less than a quarter of the producers present, I imagine that I missed out on some other fabulous wines.

My wine of the event was a sherry, though not a typical sherry. Cota 45‘s Agostado Palo Cortado 2016 is not fortified as sherries are these days. Is it a sherry? Is it a wine? Whatever, it is brilliant. This is an old, traditional method of wine production and its producer Ramiro Ibanez Espinar explained to me that he is making wines rooted in history. I would add that he is making wines of immense quality. The other Cota 45 wines were excellent but Agostado stood out for me.

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A Palo Cortado in style but made from only 10% Palomino , the usual sherry grape. Older varieties make up the majority, grapes such as Mantuo Castellano and Perruno. That is music to my ears of course, being a devotee of rare grapes. The wine is made under flor but then allowed to age oxidatively, hence the obvious sherry style. Since it is not fortified though Agostado is lighter, fresher than other Palo Cortados, much as I love that style of sherry. This was a revelation to me but my ranking as wine of the Fair is based on sheer quality rather than novelty.

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Alice De Moor in demand

Alice De Moor has built an enviable reputation in the natural wine world for her excellent Chablis. I had tasted some before, I particularly enjoy her Aligoté wines. However at this event it was the Chablis which really shone and the Chablis 1er Cru Mont De Milieu 2017 in particular. The De Moors have suffered from frost damage a lot in recent vintages so this is a welcome example of their own skill in growing and making top Chablis. Fresh, zesty and mineral. Yes, mineral. I know the science says soils don’t make it into the flavour of wine but this Chablis reflects the limestone soils of the vineyard. It doesn’t make sense but it’s true. And then plenty of fruit and a round, almost creamy, nutty flavour. This will age well for sure and develop more complexity but it is a superb wine even in its relative infancy.

Schmitt

And completing the podium? Another white wine, the Riesling I mentioned above (which incidentally was being praised by the very same Alice De Moor). The wine was Riesling M 2017 from Weingut Schmitt. Bianka Schmitt explained to me that this was picked slightly later than their other Rieslings and spends a year in old oak. It was a stunner. Aromas ranging from floral to citrus, initial flavours of zest, yellow and green fruitgums. However, what made the wine stand out was what happened next. The wine continued to release flavours even after I had swallowed the liquid (some wines you just do not spit). Lingering melon, grapefruit and even tropical fruits grew and developed for a full minute. I love Riesling and this was a truly special example of its complexity and generosity.

I shall focus on more top bottles and ranges of wines in the next couple of articles. Interesting to note that my friend David Crossley selected the first two of these wines amongst his favourites, that gives me confidence that I made wise choices.

I should register my thanks to Doug Wregg and his team for such an excellent event.


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Loving Languedoc

After tasting wines from around the world at RAW I opened a bottle or two at home. By chance the bottles I reached for were from the Languedoc, my first love. And how richly I was rewarded.

First up was the Grenache Blanc, The Velvet Underschiste, from La Graine Sauvage in Faugères. The domaine is the work of Sybil Baldassarre and I have got to know her through Jeff Coutelou. Sybil is a trained oenologue who decided to show she can make wine as well as advise upon its making. This bottle had witty references to Velvet Underground all over the labels but the wine itself was What Goes On (sorry). Pure Grenache Blanc the 2016 had lovely tannins underpinning the apple and pear fruit. However, what made this wine stand out was how it evolved over the course of an evening. The last glass was the most delicious of all, the wine had opened out to reveal more fruit. This was a wine of real quality. I have been fortunate to taste other wines of Sybil and suggest that she is a real star to follow.

Next up was another white from Faugères, known more for its reds. Clos Fantine is a long time favourite of mine and I wrote an article about the Andrieu family and their work a few years ago after spending a couple of days with them. Their gobelet bush vines high in the Faugères hills provide clean, pure fruit. Valcabrières is their white wine from the rare Terret Blanc and Terret Gris grapes. More white fruit flavours, pears to the fore but with a clean, fresh acidity. Again this was a wine which opened up as we drank down the bottle, complex and delicious. This was a 2014 and I believe the wine would age much further but it was pretty perfect now.

And, for good measure, I opened a bottle of Jeff’s, Flambadou 2017. The pure Carignan has been a star of the Coutelou domaine for a number of years, certainly whilst I have been there in 2014. This bottle was very youthful, the wine bright purple in colour and full of fresh black and red fruits backed with soft tannins. I shall keep my other bottles for a few years to allow them to develop complexity but it is good to follow a wine’s progress. With every wine of 2017 I taste I become more convinced that it is an absolute peak vintage for Jeff, the fruit and freshness backed with tannin and depth of flavour, they are stunners. Flambadou is a great wine, this 2017 definitively so.

Make no mistake the Languedoc can produce top quality wine, these three bottles were absolute proof to me that it will always be the source of my favourite bottles. I urge you to try them and other wines from the region which is my other home.


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Real? RAW? Just very good

 

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At La Remise

In the last article I wrote about the young up and coming winemakers whose wines I enjoyed at Bédarieux, La Remise and The Real Wine Fair. Whilst this new wave are producing good things there are still many good tunes from the some of the ‘older’ fiddles. As ever there were many vignerons present who have been making natural wines for longer. Many of these began as winemakers on a family domaine and learned about winemaking in conventional form before deciding to go natural. Others have moved into the world of wine with the intention of making natural wine.

Natural wines developed a reputation for faults amongst traditional wine drinkers (especially some journalists). Some of these appraisals were genuine, others a matter of perception. There is no doubt that some wines are faulty, I have tasted them myself. Problems such as mousiness and brett are genuine faults. Other issues can be a matter of taste, eg skin contact.

In contrast, however, I visited a wine fair in Vouvray on Sunday May 15th. It was full of conventional producers, bar one converting to biodynamics. There were many dull wines, often with high sulphur. There were many faulty wines. So, j’accuse les vins conventionels.

Natural wines are, in fact, the way that wines were made for generations, over hundreds of years. The conventional wines of 2016 are the product of more recent methods, of modern science and technology. Going back to the traditional methods involves a leap of faith and requires very healthy grapes if you are to  abjure sulphur dioxide. As the natural wine movement has gained momentum in the last 20 years many of its producers have become more experienced in making wines without the safety net of modern science and technology. Standards are getting higher, the wines ever better. So, here are some that I enjoyed recently.

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With Fred Rivaton

At Bédarieux I was very happy to meet up again with Fred Rivaton from Latour De France (66) who makes many of my favourite wines. Blanc Du Bec and Gribouille, both 2014s, were delicious. In the last few weeks I have selected both as Wine Of The Week, and would do so most weeks when I was fortunate enough to open a bottle. One of the best.

Another of my WOTW selections was the Pinot Blanc 2010 of Gérard Schueller. He was present at Bédarieux too and his 2014 Pinot Blanc and Riesling were both excellent. Next time I visit Alsace he’ll be top of my list of domaines to visit. I bought both of those wines.

Philippe Valette‘s Macon wines were another source of quality, I especially liked his Chaintré 2012, a beautifully clear, zesty and round expression of Chardonnay. As a third generation winemaker, Valette is a fine example of my comments above.

Didier Barral (Domaine Leon Barral) is one of natural wine’s great stars. His wines at Bédarieux were proof of how justified his reputation is. They require time to be at their peak but are pleasurable, profound and priced accordingly but worth it. Barral is a model of biodiversity and philosophical winemaking, a must try. My favourites were the Blanc 14 made mostly from Terret with lovely melon, grapefruit flavours and great length, together with the Faugères 13 of stunning depth.

Nicolas Carmarans is living proof that talent and good winemaking can make very drinkable, quality wines in regions not usually associated with wine. He works in the Aveyron. There is a direct, mineral side to his wines married to fruit and length. Wines such as Selves 14 and Maximus 14 reflect local grape varieties such as Fer Servadou at their best.

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Clos Fantine is a domaine which features regularly in this blog and the 2015 wines which Corinne was showing at La Remise were the best of recent vintages in my opinion. La Lanterne Rouge and Faugères Tradition have pure fruit with structure, complexity and a beautiful expression of the schistous soils of the area.

Philppe Pibarot makes wines in the Gard. As well as encouraging his young assistant John Almansa, Philippe makes first rate wines. I loved both his white wines, Blanc and Clos Domitia 14 with Clairette, Roussanne and Piquepoul and the delicious red fruit freshness of Cante Renard 15 made from Cabernet Sauvignon with Languedoc varieties such as Carignan and Syrah mixed in.

Guy and Thomas Jullien are still young but I have enjoyed their Ferme Saint Martin Rhone wines many times and met them in Arles and London. I especially enjoyed the Ventoux wine Estaillades 14 (Grenache and Counoise) with round, spicy flavours and the Beaumes De Venise Costancia 14 a 50/50 blend of Grenache and Syrah, more structured but balanced with lots of delicious fruit.

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Italian producer Colombaia presented some lovely wines at La Remise, classic Tuscan wines with Sangiovese, Malvese and Colorino grapes. Lovely freshness and fruit were trademarks of the wines and I particularly appreciated their Rosso Toscano 12 from young vines.

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From Galicia in Spain I enjoyed the wines of La Perdida. Perfumed, spicy aromas in their wines, nicely balanced too – signs of good winemaking. The Godello 14 with 20 days maceration on skins was one of the best examples of longer skin contact white wines that I have tasted and the Garnacha (with 30% Mencia) was even better, full of deep spice and dark fruits and very aromatic.

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I could add other names like Yannick Pelletier, Julien Peyras and Alexandre Bain. Good producers all.

And, yes I am biased, there are the excellent wines of Jeff Coutelou. It is interesting to taste Mas Coutelou wines in the context of producers from around France and Europe. They more than hold their own, the 2015 freshness and restraint certainly lifting them to bear comparison with the best of the Rhone, Loire or anywhere.

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Jeff is a 5th generation producer, he learned winemaking skills from his family before branching out into ‘real wine’ production. He has a natural talent of course but he has learned from experience and his wines are improving in quality as a result of that talent and learning about his vines, his soils and his cellar work. And passing it on to the new wave of producers who come to spend time with him.

Terms such as ‘real’, ‘natural’, ‘living’ are often applied to these wines, but don’t get hung up about them. The cuvées and producers I have listed here are just very very good wines and winemakers.

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Over the first hurdle

IMG_2179Friday was a warm up, today (August 27th) was the real beginning. White grapes, mainly Sauvignon Blanc, and Syrah from La Garrigue vineyard were picked and pressed.

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 My first bucket full of Sauvignon Blanc

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Back to the cellar, straight into the press.

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The Syrah looks especially good this year with a good balance of acidity and sugars. Some were ready and so in they came today. Great quality, 2015 is looking good, let’s hope the next month confirms it.

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Coincidentally it was the official celebrations for the start of harvest in the Faugères appellation this evening with a ceremonial cutting of the first grapes. Good fun, especially getting to taste the wines of Clos Fantine again.
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Clos Fantine – I Dreamed A Dream

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Version française

I have visited hundreds of vineyards over the years but very few have stirred the same excitement and admiration as those of Clos Fantine, run by the Andrieu family of Corine, Carole and Olivier. With a helping hand from their New York importer Camille Rivière, who also imports Mas Coutelou wines, Corine asked me to visit on May 21st and I returned on June 11th.

There are around 30ha of vines around their base in La Liquière high in the Faugères hills. The soil is schist, Corine told me of 3 types, grey, blue and pink. This slaty soil makes it difficult for vines to send their roots down into the bedrock as it ends to lie horizontally, so they must seek fissures and faults for their roots to penetrate as the topsoil is meagre. This undoubtedly adds to the qualities of freshness and energy which mark so many of the best Faugères wines and certainly those of Clos Fantine. Corine explained that they do not try to fight this natural acidity but rather they work with nature, a philosophy which is fundamental to every aspect of the domaine. Nature rules, the Andrieus guide it perhaps.

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Schist soils

The three siblings took over the running of Clos Fantine from their father in 1997 and continued to work conventionally until 2000 when they began to use the natural yeasts of their terroir and then, in 2004, more confident of their vineyards and of themselves and of their ideas and beliefs, they stopped adding sulphites. This was no trendy whim on their part, they were certainly not riding a natural wine bandwagon. Corine is a qualified oenologue who reads widely around viticulture and agronomy. She used, and still uses, her scientific background to guide her winemaking as well as the philosophy about nature which she shares with her family. As she said to me, “You have 3 core tenets; the use of science, faith in what you are doing and the art in creating the wine.”

As we drove around the vineyards with their stunning setting there was a true feeling of well being. We met Olivier who was hard at work in one parcel strimming grass between the vines. The Andrieus do not plough the soil as they feel that this upsets the balance of it, and that the hot Languedoc sunshine and strong winds would dry the soil out too much if ploughed, leading to erosion of the already thin topsoils. Sunshine is not a problem in the region, water is and by not ploughing the family also help to preserve the water in the soil. Grass, flowers and other plants grow naturally and when the grass is fully grown and starts to seed they strim it to add organic matter to the soils and seed for the following year.

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Olivier strimming the grass

The grass also provides shelter for insects and spiders which in turn will help the vines by attacking grape parasites such as ver de la grappe. These are real living vineyards, illustrated by the discovery of two separate partridge nests, both filled with eggs, at the base of vines in that one parcel.

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Partridge eggs in their nest below one of the vines

Corine talked about how they see the land as between 3 stages, farm/grassland, garrigue and forest. They are seeking to keep their vines on the edge between the first two stages so that the vines are having to work a little to compete with flora and fauna without being overstressed. Meanwhile, Olivier also spoke about keeping good quality air around the vines, eg allowing the air to circulate freely around the vines to keep disease at bay and also about using the flowers and grass.

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The fresh air of La Liquiere

 

Disease, of course, is an issue at the domaine despite their hard work to minimise it. This is true of all vineyards. Mildew had hit when I was there in May, nothing too serious but a reminder that nature can also be cruel. Natural treatments available to them include the use of sulphur and copper which had been used for the first time in a few years. However, the vines were not in any danger, the mildew had been contained.

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Marcottage vine training, in fact this mother vine was attached to two offshoot vines

All the vines are gobelet, low to the ground. Corine described how they had recently bought a parcel of vines and their first action was to remove the palissage, the stakes and wires used to train the vines. The vines flopped and spread out as if relaxing, in Corine’s words, like a woman released from her corsets in Victorian times. Gobelet is the traditional method of growing vines in the Languedoc. The bushy vines have plenty of foliage to shelter the grapes from the sun but also have space to fan out allowing the air inside to stop humidity and defend against disease. The gobelets did give the impression of a vineyard which could have been from any period of the last few centuries, ageless.

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Gobelet vines

Corine used the word ‘energy’ a lot whilst I was there. She was referring to the soils and the vineyards. The nurturing of the soil and the vines is about channelling the energy of nature into those vines and ultimately the grapes and the wines through their management of soil and air. However, energy also describes the work of Corine, Olivier and Carole. They are relentless in their quest to improve the vineyards and the wines.

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Energy!

They read widely, for example Corine is an admirer of Jean Marie Pelt and his writings on plants and nature. She quotes science, history and nature readily and compares her wines to others in the region but also to wines and vineyard practices from the rest of France and internationally. Corine seeks to learn from these and we talked about viticulture in Australia and Chile, as there are little things done there which might help to improve wines, “we may never be perfect but we can try to be the best we can be.” This awareness of learning and the outside world is more widespread than it used to be in France but I have not come across that many vignerons who are so keen to learn from various sources.

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Corine, happy in her vines

At the start of this blog article I mentioned how happy and at ease I felt in the vineyards of Clos Fantine. The location, its touch of wildness and nature together with the philosophy of the Andrieus all rubbed off on me too.

At that point a wagon arrived to collect some palletts of wine to take to Belgium. As the domaine is up a narrow road Corine was going to have to transport the wines using the forklift down to the wagon in the village. I was actually quite pleased as it gave me the opportunity to return a few weeks later to visit the cellars and to taste the wines.

As a storm broke over La Liquière on June 11th it was a dramatic backdrop in which to return. The cellar has been designed to allow the grapes to be moved by gravity rather than pumping after being harvested by hand and gathered in small cagettes. The cement vats we tasted from were full of single variety wines busy fermenting. Corine uses no pigeage or remontage in the vats, something which was new to me, and as the weather cools down in autumn and winter the cellar doors are opened to allow the temperatures to drop and halt the fermentations naturally. These resume in spring as temperatures rise again. The result is a gentle, long and cool maceration with as little intervention as possible.

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Doors lead over the vats meaning the grapes can be moved by gravity

And the results… Well we tasted Carignan, Syrah, Grenache, Mourvèdre from the vats and each was clear, direct, mineral and oh so fresh with fruit singing out. They were also classic in their cépage typicity, it was relatively straightforward even for me to identify each one. They were excellent as was a Terret from a barrel which contained wines from a number of vintages, in other words in a solera type system. Complex, long, mineral and the slight oxidative notes were refreshing and interesting.

We then retired to the kitchen and tasted from bottle. The Terret, Valcabrières, was a delight. Great depth of flavour with zesty refreshment and white fruits such as notes of pear. Long in the mouth it was delicious. Recently bottled it was already very good but will improve as it settles in bottle. Lanterne Rouge is Aramon and Cinsault, very much Languedoc varieties and a wine I have described on here a few times as it is a favourite with lively fruit aromas and a deceptively light first taste which grows more complex in the mouth. The Clos Fantine Tradition is mainly Carignan and Grenache and has real depth of dark fruit flavours and great complexity and a refreshing, clean finish. It is classic Languedoc red wine but with added zest and liveliness. Finally Cuvée Courtiol is made from the best grapes of the millésime. Ripe, full and delicious with length and soft tannins that will marry into the wine with age. I really love these wines and when Corine said there was no obligation for me to buy any wines when I asked if I could, I hastened to reassure her that I felt no obligation, I wanted to buy some and will certainly want to do so again!

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I learned so much in my time at Clos Fantine with the Andrieu family and I admire and respect their work, their philosophy, their passion for learning and nature and, of course, their wines. I implore you to seek out their wines and drink them.


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Exploring the 7Cs – Day 4

Excellent map of Languedoc Roussillon wine areas by Quentin Sadler whose blog can be found at https://quentinsadler.wordpress.com/

Cabrerolles, Caussiniojouls

Version francaise

OK this is a bit of a cheat but I wanted to fit Faugeres into this post and these are two of the central villages to the AOP. As it happens the domaines I have really enjoyed recently are based in the communes of the two Cs. There is little doubt that Faugeres is on the march, a caviste I spoke to a few weeks ago was telling me he can charge at least an extra euro or two for Faugeres compared to wines of similar quality from other AOPs.

I should start with the wines of Didier Barral (based in Lentheric a hamlet in the commune of Cabrerolles) whose domaines is called Leon Barral, I believe named in honour of Didier’s grandfather. It was Jeff Coutelou who told me that Didier is “a star” and I finally tasted a couple of the wines and the judgement is accurate. These are great wines by any standards, produced in a natural way on a domaine where Didier grows other crops too and has cows pastured on the vineyards over the winter period. They are relatively expensive but not compared to wines of lesser quality from regions such as Bordeaux or Burgundy.

Domaine de Cébène  has been a favourite for many years, again after buying some from Leon Stolarski. Brigitte Chevalier was based in Caussiniojouls when I first visited her domaine though now has a new cellar in Faugeres. These are complex wines which age beautifully but are lovely to drink young too if you can’t wait. Brigitte has quickly earned herself a lot of top awards together with wide recognition. I remember a lovely afternoon touring her vineyards 4 years ago and she was planning how to improve the quality of the vineyards, a plan which is certainly bearing fruit. A book about the working of the domaine is being written by Janice Macdonald, I am sure it will be well worth reading, as you drink a Cébène wine, eg my personal favourite Les Bancels.

Brigitte m'explique son oeuvre

Brigitte talking to me in January

The other domaine which has captured my attention is Clos Fantine also based in Lentheric. This family run domaine works organically and produces delicious natural wines, fruity, long and complex. These are wines I shall be buying increasingly and I hope to be visiting the domaine next month.

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Faugeres is an exciting area with its soils of schist and granite as well as basalt and limestone. So many good wines from the AOP are available but these three are my selections from the ‘C’ villages. Look out elsewhere for the likes of Alquier, Mas Sibert (read more), Trinités and Ollier Taillefer.