amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Odds and ends

As another year ends I wanted to add a few final observations to summarise it. This time last year we all were hoping that the horrendous events of 2020 would not be repeated and that we had something to look forward to. Well, 2021 was not as bad as that year but far from the renewal for which we had hoped, variants complicating the resumption of travel and ‘normal’ life. However, all was not lost.

September saw our return to France, the opportunity to renew friendships and, for the purposes of this blog, the chance to work with Jeff Coutelou once again for my seventh vendanges with him. Though the harvest was small because of the horrendous frost of April, I enjoyed the chance to work in the vines. How good it was to work alongside a lovely team and to share our work with you. I know from my statistics that vendanges brings more readers eager to find out about Jeff and what wines he will be producing as well as discovering the realities of grape harvest and winemaking.

If that was my personal highlight and the last blog post described my favourite wines of the year there were other good things wine related to enjoy too.

I was delighted to be one of those who helped to crowdfund Simon Woolf’s latest book, Foot Trodden, which he co-authored with Ryan Opaz, about Portuguese wine. I am happy to say that it is an excellent read, like his previous book Amber Revolution. It led me to seek out a range of wines from Portugal using their advice and some were very good indeed. It was also good to meet Aaron Ayscough whilst I was in France. His blog/journal Not Drinking Poison has provided me with fascinating insights about the natural wine scene across France and other countries as well as his personal story in studying wine. I would highly recommend a subscription at just $30 or £22 a year, a bargain. More good reading came on stream during 2021 with Trink reporting on German language wines and The Drop. However, please continue to read my blog too!

As we were planting all kinds of varieties of grape in St Chinian in September and began to enjoy wines from even more varieties which Jeff has planted it was pleasing to discover that across the world there is a drive to rediscover old grapes and revive their planting and use for wines. This follows on nicely of course from the topic of Portugal, a country rich in native grapes unfamiliar to most including myself. Field blends and grapes such as these are a continuation of the search to go back to old ways of winemaking and a desire for authenticity for regions.

In recent weeks I have had wines from grapes such as Aligoté Doré, Roter Veltliner and Savignon Gris. For those who enjoy ampelography like me it is the beginning of research into the varieties. It turns out for example that Roter Veltliner is not related to Gruner Veltliner, whereas Aligoté Doré is a clone of Aligoté just as Savignon Gris is a mutated clone of Sauvignon Blanc. So, a wine label can be the beginning of an enjoyable and fascinating journey, confusing at times too.

Christmas brought a more conventional line up of wines than I am used to these days. I bought a mixed case of bin end Burgundy wines a few years ago from The Wine Society. One of those was La Vougeraie’ Clos De Vougeot Grand Cru 2000, a wine I coould not really afford to buy these days. It was maybe just past its prime but still a real treat to enjoy a Pinot Noir from its real home in the heart of the Cotes De Nuits, the fruit dimmed a little but still showing dark and plummy backed by a depth of tertiary flavours. We had started with a champagne called Latitiude from biodynamic producer Larmandier-Bernier, pure Chardonnay and a refreshing, fruit led joy. Albarino D’ Fefinane from Palacios in northern Spain was the other Christmas Day treat, a fine example from a top producer

Most amusing discovery of the year was coming across a book from the 1960s called ‘Making Wines Like Those You Buy’. It was aimed at the home winemaking public, I do recall it being very popular in my youth and I know that there are still specialist shops now. Amongst the recipes were some for various classic wines such as Chianti, Madeira and the ones below. Not exactly the natural wine movement.

My favourite quote of the year came from US winemaker and pioneer of good vineyard practice Randall Grahm, famous for his Bonny Doon wines. “The absence of defect in wine does not necessarily equate to the presence of quality.” My experience of retrying some conventional wines this year showed the wisdom of those words.

Let us hope that 2022 brings us further towards a resumption of pre COVID times. I am sure I had similar wishes last year. Fortunately wine provided some highlights and I trust that the same was true for you too and that 2022 will be an even better one for you. Thank you once again for giving some of your time to my writing, I am truly grateful.


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Vandalism returns to Puimisson

En francais

I was in a positive mood about the blog yesterday, very high reading figures after my article about the St. Chinian vineyard. I had a post in preparation about the new Puimisson vineyards of Jeff Coutelou, especially the exciting project to boost nature in the Peilhan vineyard. This photo taken at the end of September shows the hedge and fruit trees which Jeff has nurtured there to bring biodiversity to an area which is very much a monoculture of vines.

This work had been disrupted back in 2016 and 2017 by the acts of a vandal who set fire to the first trees and plants which Jeff put in. That person also burned other parts of Jeff’s vineyards, destroying more trees, plants and vines. I was based in France at that time and spent much of my time with Jeff. I know how hurt he was by those attacks for doing something which he, and all right minded people, saw as helping to improve the area. Whether jealousy, bitterness or madness the acts of the vandal or vandals were criminal. Then things seemed to stop, there were no more attacks. Until yesterday.

The same scene yesterday

It was a shock to receive a message from Jeff in the afternoon that he had just returned from Peilhan to find 500m of the hedgerow destroyed and still smoking when he was there, 500 trees included. To burn that much plantation the criminal had planned their actions, using petrol to target the length of the hedge.

It is just sickening, I am angry and frustrated and I can only imagine how Jeff must feel at this attack on everything he stands for. The messages of support he has received will boost his morale but I can only hope that he feels strong enough to fight back.

Nature still resists

Quick update – Jeff just posted this photo, he will fight back and trust in nature


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March on March: (mainly) France

March seemed like a long month in lockdown though, after three months, the end of the month saw a family reunion in my sister’s garden. Together with beautiful Spring flowers in the garden that brought some optimism at last. Sadly, the news from France was not so good as they enter another lockdown to fight a third wave of COVID. Jeff keeps me up to date with what’s going on and his niece Flora has sent some lovely photos, I shall share both in the next week or so.

Let’s start with Jeff Coutelou and, after that opening paragraph, Flower Power 2015. This was, of I recall correctly, the first Flower Power made from the field plantation of Font D’Oulette with added grapes such as Castets from Peilhan. The wine received high praise in La Revue Des Vins De France magazine back in 2016. It was lovely, the 5-6 years of age bringing it to its apogee with fruit and complexity and lingering flavours of plums and blackberries. The tannins and acidity have softened nicely, a lovely bottle. Flambadou 2015 was also at its peak, classic Carignan notes with red fruit and then darker notes coming through. This is consistently one of the best wines from Puimisson and the 2015 is a fine example.

Jeff and Louis

L’Ostal “Plein Chant” has a connection with Coutelou too even though it is a Cahors through and through. There is no vintage clearly marked but it is a 2016. I have recounted how I first met Louis Pérot at La Remise in Arles where he was one of the new producers. I fell in love with his wines, praised them to the high heavens enough that he was able to get some listed in good restaurants. Jeff was also taken by the wines and the strict natural approach of Louis and Charlotte. They became friends and Louis has visited us many times. This pure Malbec (known as Cot locally) has deep berry flavours, the power of Cahors and benefits from decanting in softening out the tannins a little. I loved the wines back in 2016 and I still do.

Brigitte Chevalier of Domaine Cébène in Faugeres has become a renowned producer, praised widely in wine circles for the purity of her fruit and excellent work in the vineyard. I bought her wines from Leon Stolarski long before moving to the region and whilst there met Brigitte on a number of occasions including visits to her vineyards and cellar many times. These are precise, structured wines expressing the schist soils beautifully. Les Bancels 2016 is Syrah and Grenache and a classic example of why the Languedoc. and Faugeres in particular, is my favourite wine region. Fruit, depth, tannins, pleasure.

If you ever needed an example of how wine has changed during my lifetime then the Rieffel Pinot Noir Nature 2018 is it. I first started visiting Alsace 35 years ago or so and Pinot Noirs were largely thin, acidic and fairly undrinkable. Maybe I just didn’t find good examples but at several tastings I left shaking my head even from some famous producers. Nowadays I love Alsace Pinots in general, they have fresh fruit, usually red fruit flavours, they are softer and just enjoyable. I’d rather drink an Alsace Pinot such as this very good example of the grape, region and producer than most Burgundies of similar price. Very enjoyable. Climate change? Better vineyard and cellar management? Winemaking improvements? Probably a combination of all, but heartily recommended.

Morgon 2018 from celebrated producer Jean Foillard was the wine we shared when my family met up again on the 30th. Morgon in Beaujolais is traditionally the most serious of the ten crus producing more structured wines than the typical regional light, juicy wines. This is usually attributed to the schist soils marked by red iron oxide and manganese, most famously on the Mont du Py. This wine is certainly in that tradition, probably opened a year or two early. The Gamay fruit is masked at first by the power though comes through, more ageing should release it sooner in the glass. Foillard is one of the natural pioneers of the region and a source of benchmark wines.

Finally, to balance out this post with a second I have added Franz Weninger’s Ponzichter 2018. Weninger is Austrian but his father bought some vines in Hungary when communism ended and this bottle is made from those vines. A blend of Pinot Noir and Zweigelt this was a lighter style with very enjoyable red fruit showing through and soft tannins to balance it and add a little depth. Very enjoyable and well made.

Garden Spring flowers, optimism for better times ahead.


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2020 hindsight

from Private Eye magazine

So, 2020. Next year has to be better, surely? There are so many negatives from the incompetence and corruption of the UK government on the big stage to the personal level with not one minute in France and spending time with my great friend Jeff, especially at vendanges. However, I am here to reflect on some of the better things.

Firstly, thank you to everyone who has connected to my blog over the course of the year, numbers have actually increased despite me posting much less. It could be that the two are connected but probably people have had more time to read.

This was the year that English (and Welsh) wines really made a big impression on me. I have had decent sparkling wines in the past, even good ones such as the single vineyard Nyetimbers. However, Davenport, Westwell, Ancre Hill and Laneberg have all proved to me during the last twelve months that great wines are being made in this country. I have liked Davenport for a number of years and they improve every year. Westwell, also in Kent, are pushing boundaries with field blend and skin contact wines amongst their portfolio and both of those are amongst my favourite wines of the year. I tasted Ancre Hill orange wine last year and was bowled over by it, it was a delight to find that their other wines are also top notch. The estate is up for sale and I hope that the buyer allows it to prosper on the path already taken. Laneberg is special because it is based in my native North East with grapes bought from further south. Elise is making very good wines and her Bacchus is a classic example of what makes English still wine so good. Please support these wineries and others, their progress is rapid and a delight.

With trips to wineries and merchants more difficult this year I have been immensely grateful to delivery companies and online merchants. I rarely buy from supermarkets or big wine companies as I prefer the wines of independent merchants and, as a student of Jeff Coutelou, of those who sell natural wines especially. French and Spanish merchants have been a big source for me, sadly the approach of Brexit makes this more difficult, and indeed, impossible for some time. However, there are many excellent independent merchants in this country who put their hearts into the wines they sell and, again, I urge UK readers to support them. I have listed some examples at the bottom of the page*. Meanwhile my thanks to them and the drivers.

I have written a lot over the years about Jeff championing traditional and rare grape varieties. As I write I am enjoying a glass of Couleurs Réunies, a blend of more than a dozen grapes, some of which even surprised the French treasury of grapes. Surprisingly, therefore it has been a year of traditional grapes for me. Riesling has featured heavily, in its many forms I adore the grape. Aligoté is another to have made a huge impression. A grape which was scorned for most of my life even in Burgundy, regarded only as an ingredient for a kir. I have enjoyed some fine examples this year, citrussy and fresh for some and round and creamy from others.

The other mainstay of the year has been sherry. I adore sherry, again often maligned. From fresh, cleansing Fino to nutty Amontillado to luscious Oloroso and Pedro Ximenex, sherry is a world of flavours. The sherry makers are rediscovering traditional methods and using techniques to get away from the damaging reputation of sweet cream sherry favoured by elderly ladies and vicars. Sherries which don’t involve fortification like Cota 45 (one of my wines of the year last year), others which have reduced filtration and fining (en rama) – the range of great wines is amazing and, no apologies, deserves your support.

Other quick mentions. Little Wine have raised the bar with their online coverage of the natural scene and have a great sales section too. Jamie Goode and David Crossley continue to provide must read material online. I thoroughly and belatedly enjoyed Max Allen’s book on the up and coming producers of Australia. I was unsettled, whilst still enthralled, by Jane Lopes’ book, honestly like no other I have read.

So, what about actual wines? Well, that’s for next time.

*

Caves De Pyrene

Little Wine

Joseph Barnes

Grape Britannia

Buon Vino

Vintage Roots

Whisky Exchange


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What a year

A March is definitely not in the vines this year. Sadly, the UK government’s introduction of quarantines for travel to and from France was the straw which broke the camel’s back. It was unlikely that I would have been joining Jeff Coutelou this year for vendanges but that is now definitive. I have worked the last six vendanges with Jeff but that run has come to an end. It is very sad.

On the positive side Jeff reports that the grapes are ‘magnifiques’, there is every hope that he will be making excellent wines. A silver lining to the cloud which is 2020. He has a novice team this year, my experience might have been useful but it is not to be.

Jeff has been busy and unable to take his usual break in the summer. Last year’s wines were slow to finish their fermentations, he had to wait for Spring for that to happen. He has given the wines time to settle and mature in the large tanks but, as harvest approaches, he needs those tanks for the 2020 wines. Therefore, the team has been busy bottling and the wines will sit and rest for a few months before they go on sale.

Last week he had a visit from Christina Rasmussen, one of the founders of Little Wine, the website I have acclaimed on here before. Christina sent me a lovely photo of them with Icare and I am looking forward to her report on the site.

Really sad news from the Languedoc with the death of Raymond Le Coq, former owner of the Cave St Martin in Roquebrun. He was the most generous and friendly of hosts and I spent many happy times at the restaurant and wine bar, including the harvest evening when local natural producers got together with magnums of their wines.

Raymond in the red shirt

On a positive note I was chatting with James Madden the other day. James worked the 2016 harvest with us and now has his own winery in the Adelaide Hills. I reported on this when we stayed with James and his family in 2018. At the time his wines were labelled under the name of Little Things but, due to a large company using that name on one of their wines, he had to change the name to Scintilla Wines. The good news is that a couple of his wines are being imported into the UK. Brunch Wine Bar in Liverpool is the wise importer. As James and I are both Liverpool FC supporters that seems very appropriate.

James tells me that last year’s harvest is his best yet, he has been busy pruning and is looking for more vines of his own. Exciting times for him and I hope that at some point not too distant I can return to visit him. Meanwhile I have ordered some of those wines!

Jeff will send me photos of vendanges and keep me in the loop. Hopefully I can still report on what is going on in Puimisson so stay tuned.


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Natural wine – a victim of its own success?

That natural wine has always been a source of controversy is a given. From the outset people have sniped at the term ‘natural’ wine (I lost count of the times I heard that old trope “wine doesn’t make itself”), the faults of the early wines, not being certificated etc etc. Many critics would now admit that faults are rarer and that natural wines have enthused many, especially younger wine drinkers. I am almost proud to be a 61 year old natural wine advocate, at last I am on trend!

Amongst a crowd of younger wine enthusiasts

The growth of natural wine across the world, the increase in winemakers and certainly in media attention (he writes) has been dramatic in the last few years. That growth brings its own problems however. Big companies using the term to promote wines which are really not natural (no certification makes that possible so something of an own goal to be fair) I have mentioned before. The large number of new winemakers rushing to join the trend often with little experience means that there have been some questionable wines, I have tried quite a few.

So why continue? Well the sense of drinking wine more reflective of the actual grapes with minimal intervention, the stories of the producers which are consistently more interesting than those of big brands) and the sheer excitement of many of the wines. I remain as enthusiastic for natural wine as ever.

However a couple of recent stories make me sad. In an article on the excellent Little Wine website (paywall I’m afraid) Jamie Goode reported how one of my favourite natural wines has reached alarming prices on the grey market. I was fortunate to taste a bottle of Domaine Des Miroirs’ Mizuiro Les Saugettes 2013 and meet its maker Kenjiro Kagami at a tasting in 2016. It was memorable for its razor sharp, precise Chardonnay, a joy. I have sought bottles ever since without luck.

Jamie reported that bottles were selling for £600 in bond (tax still to pay) on the Berry Bros & Rudd website. These are bottles people have bought and traded on for profit. Other big stars in the natural firmament are seeing huge mark ups too and this on top of prices which are often relatively high due to the extra costs involved of organic and natural winemaking.

Inevitably, with many natural producers farming just a few hectares the small scale production means that bottles are fewer in number. With demand having grown exponentially it often exceeds supply. I recall one merchant, having been told by Jeff Coutelou that he had no more wine to sell replying that Jeff should simply produce more, as if he could wave a magic wand or lower quality to achieve more bottles. This is the market sadly, good wines will cost good money. The task is to seek the next great producers before their bottles reach collector status. It is sad but inevitable.

Then last week another story. the actress Cameron Diaz has been linked with a wine which has been branded as ‘clean’. Interviewed she explained how many additives are allowed in wine, so far so good. The wine uses organic grapes and this has been verified, Penedes in Spain is the source, mainly Xarel.lo a variety I really like. Still all good. However, alarm bells ring when Diaz expressed surprise that grapes should be used which had not been washed. Grape skins bring yeast into the vat to help ferment the wine, washing them means that the wine uses commercial yeast. It is far from natural, they have carefully avoided the term, clean being an alternative which in these extraordinary times will resonate with many.

Unwashed Carignan heading into tank to ferment

Wines being linked with celebrities is not new. My wife recently tried a very ordinary, dull Provence rosé retailing at £10 due to being named after a celebrity. Some celebrities have vineyards making good wine, Sam Neill’s Two Paddocks in New Zealand is one example. As someone sceptical of anything celebrity I am not the target consumer but I really am uncomfortable with the ‘clean’ wine designation even if the intentions are good and especially when the wine costs $24 (£19).

I love natural wines, implore you to seek out the good ones (just not too hard or you’ll drive up the price!), Jeff’s being especially good though I may be biased. However, beware of imitations. Reliable recommendations can be found from many sources, including here I hope.


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10 things I think I think

As a fan of the writing of NFL journalist Peter King I have ‘borrowed’ the idea for this post from his FMIA articles.

1. An update from Jeff. Mildew hit badly in late May early June and Jeff sent countless hours treating the vines with his organic prophylactics and treatments. As was the case in 2018 it was the Carignan of Rec D’Oulette (Flambadou) and the Grenache of Ste. Suzanne which was most affected. This suggests the spores are well embedded in the soils there perhaps and Jeff must take extra care when working in these vineyards. Fortunately he reported to me last week that he seems to have mastered the outbreak and rescued the crop. Good news.

Photo from Jeff showing mildew on a leaf

2. I have read a few books about wine recently, here’s a couple of recommendations. ‘Vignette’ by Jane Lopes is one of the more interesting books. It made me feel uncomfortable at times as it is very honest and open about her own personal life but this was combined with recommendations, pictures and information about wines which were presented in a fascinating way. Max Allen’s ‘The Future Makers’ is not new at all but I found it a very useful guide to how Australian wines are shifting in light of climate change and the organic/biodynamic culture.

3. I am conflicted about the role of sommeliers, their influence seems to be ever growing in the wine world. I know some and they are passionate about their work. I recall one or two who improved restaurant experiences for me, a New Zealander at The Ledbury for example, but I have met some poor ones too. Sommeliers such as Pascaline Lepeltier are extremely knowledgeable and their writings teach me a lot. However, I have read some amazingly entitled social media posts from certain sommeliers (and writers to be fair) recently, for example demanding samples be sent in half bottles at extra cost to the producer.

4. Lots of wines tasted during this period, I have assembled a montage of photos of some but it is certainly not exhaustive. Producers such as Testalonga, Valle Unite in Barbaresco and Jeff have been regular sources of good wines. The Muster wines are always a pleasure.

I am very happy to report that English wine goes from strength to strength with Westwell and Davenport both reliable and exciting.

5. As we emerge from lockdown I hope that customers continue to support the local independent merchants who have gone out of their way to provide a service during these extraordinary months. Caves De Pyrene, Buonvino, Vintage Roots are three whose services I shall continue to use. Please give them your custom. One more I need to mention is Leon Stolarski. Leon is a friend (full disclosure) and it is no coincidence that he has Jeff’s wines in the UK. Leon has a very good range of wines and his service is second to none. New in are the Coutelou 2018s Couleurs Réunies, La Vigne Haute and L’Oublié. All recommended of course.

The two on the right came from Leon

6. Sherry continues to provide me with great drinking pleasure and value for money. The Gonzalez Byass Una Palma was a lovely rich fino with more depth than many other of that type. I tasted the full range of Palmas wines (special barrels) a few years ago and loved them but they are expensive and hard to get hold of. I especially enjoyed the Cesar Florido Fino En Rama. En rama sherries are very lightly filtered, if at all, and in my view, this leaves more flavour in the wine. It was delicious.

7. Hybrid grapes are being discussed more and more. The effects of climate change are bringing more examples of disease and heat stress and winemakers are exploring grape varieties which are bred and engineered to resist these problems. Many have proved to be pretty undrinkable with odd flavours, I have tasted a few myself. However, there are signs of promise with other hybrids. One to watch. These articles might offer you more insight than I can provide at present, by Simon Woolf and Shelby Vittek.

8. Good to see Jancis Robinson leading the way in addressing the Black Lives Matter issue. At Jeff’s we are used to seeing people from all backgrounds, races and religions but that appears to be unusual. Robinson wrote an article for The Financial Times highlighting the under representation of black people working in the wine industry. I was shocked and saddened to read some of the comments from readers. There is a long way to go.

9. A website to recommend. Little Wine is the work of Christina Rasmussen and Daniela Pillhofer. Packed with articles, interviews and sales of natural wines in particular it is beautifully presented and well worth the £24 annual fee. I am finding a lot of fascinating information there including one article to which I shall return soon. There is free content too, so have a look.

10. On a personal note. Thank you for the various emails asking whether I am ok due to the length of time since the last article. It is appreciated that you show concern. And what joy with the 19th league win for Liverpool. I was fortunate to witness a number of league wins in person but after 30 years of poor teams and near misses it finally happened. I ought to have opened a German Riesling to honour Jurgen Klopp who has transformed the club but what else would I choose? La Vigne Haute 2018.


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Looking to the future

No particular theme to this week’s article, more a blending of various thoughts and ideas. I will be updating from Puimisson in the next article as Jeff Coutelou keeps me up to date with all that is happening there, which makes me happy but also sad not to be there.

Yesterday was one of those occasions when I had an article pretty much ready to run and then I clicked on a website and found someone had pretty much beaten me to it. This time it was an interesting article by Hannah Fuellenkemper on The Morning Claret website, which is one I follow and heartily recommend. It follows up the issue of natural wine certification by looking at not just what winemakers need to be doing for that (and whether it is worthwhile) but what they should be doing extra. I was thinking along similar lines, as we go through this pandemic crisis surely we should take the time to reflect on how we live and what we can do to make the world better in future. The world of wine included.

Getting every tiny part of every piece of equipment clean uses a lot of water

Fuellenkemper tackles issues such as the use of water, certainly an issue in the Languedoc that I have highlighted before. Jeff recirculates water and has his own well but that is not common. Water usage is high in winemaking, especially natural wines where equipment has to be thoroughly cleaned to eliminate any risk of contamination. She then criticises the use of cleaning chemicals which I understand but, believe me, pips and bits of grape skin get into the tiniest spaces and need to be cleansed. Sometimes a small amount of chemical might be needed to sterilise machinery, though it is then washed intensively with water to get rid of residues.

Heavy bottles, use of plastic are issues I have covered before, why some wines have glass weighing almost 1kg is beyond me. Sparkling wines do need thicker glass because of the pressure within but I have had far too many still wines in heavy bottles for no good reason other than to give an air of quality, not always matched by their contents.

Vines stretching everywhere, Oic Vissou in the background

One further issue raised is that of monoculture. Living in the Languedoc it still amazes me that there is such an expanse of vines, they cover a huge surface area, 223,000 hectares. Jeff is unusual in having planted many hectares of trees, shrubs and flowers to provide diversity and a shelter for beneficial wildlife such as bats. It has made him the target of vandalism in the past when in fact it is the way that vineyards need to be.

One bottle I drank recently also made me think of diversity. La Vigne d’Albert from Tour des Gendres in the Bergerac region has Merlot and the two Cabernets like so many wines from there but it also has Périgord (aka Mérille) and Abouriou, a little Cot (or Malbec) and Fer Servadou.

This no sulphites added wine was big and bold, a glass on the third day after opening still had tannin and an earthy, red fruit profile. However, it was the use of the obscure grape varieties which made it a noteworthy wine for me. Mérille / Périgord is only planted on about 100 hectares in the world, mainly in the Bergerac and Fronton areas. Abouriou has more planting (470ha in 2006), is another south western native grape and possibly has more impact on the wine than Mérille with greater tannins and colour as well as some of those red fruit aromas I detected.

As readers will know one of my favourite things about Jeff’s vineyards is the huge number of grape varieties, thirty or more. As well as complexity and variety I think that different types of vine has to be good for the vineyard, diversity and the fauna of the countryside. Moreover I believe there is a need to seek alternatives from the main grape varieties which dominate the world of wine but which may not suit vineyard regions in future because of the effects of climate change.

This table shows how the Languedoc has actually increased plantings of those dominant varieties this century at the expense of more indigenous, regional grapes, commercial demand winning over common sense and the future of a healthy vineyard region. So, I applaud Tour des Gendres, Jeff and all those seeking to put the earth and diversity first not the supermarkets.

Finally at a time of lockdown I have been pondering on travel and carbon footprints. Travel is one of the greatest pleasures and privileges of life, I have been fortunate to meet winegrowers in Australia, New Zealand and across Europe with other journeys not featuring wine (I know!). I read wine writers who are constantly on the move flying to countries for assignments, commissions and competition judging. Is that sustainable? Is it compatible with demands on winemakers to be more environmentally aware? Whenever and however we emerge from this crisis I do think we should all consider just how much travel is sustainable.

In the meantime I wish you all good health, stay safe.


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To certify or not to certify (Part 2)

In the last article I described the new, INAO approved, certification plan for natural wines in France. Building on previous efforts to certify and define natural wine this initiative seems to have support based on the popularity of and respect for the leaders of Le Syndicat de défense des Vins Nature’l. In this article I want to set out arguments for and against certification.

I found a recent podcast by Real Business of Wine very useful in helping me and recommend it to you. The first 50 minutes or so deal with the certification issue including contributions from Jacques Carroget of La Paonnerie in the Loire, one of the leaders of this Syndicat. Robert Joseph introduced the broadcast with contributions from Alice Feiring, Simon Woolf, Emma Bentley and Eric Asimov, an excellent line up. The discussion moved on to other issues around natural wine in the last half hour. Well worth a watch or listen.

Arguments against certification revolve around the philosophy of natural wine. The movement began as a reaction to the ways in which modern winemaking had developed with techniques to homogenise wine. Natural producers wanted a return to the simple wines of the past from ancient Georgia to the beginning of the 20th century where the wine was simply fermented grape juice. This revolt against industrialisation is an idea and philosophy, not something which can be certified. Those who led the new wave of producers were rebelling against the strictures of the very government bodies which are now seeking to regulate them. Moreover those bodies have made life difficult for some natural producers, rejecting wines from AOP status, for example those of Sebastian David, one of the leaders of the Syndicat.

I could also add an example I am familiar with when Jeff Coutelou was forced to alter the name of the domaine from Mas Coutelou by authorities who said the word Mas was not permissible in Vin De France. Though Jeff pointed out that it was his mother’s family name and that Mas Coutelou was, therefore, the product of two families coming together, he was forced to change something which had become his trademark. This happened at large expense for packaging etc. Why would producers then seek approval from such heavy handed bureaucracy? *

Another issue is one of probity. The Syndicat offers two marks one for wines without added SO2, the other for wines with up to 30mg of SO2 (ie 30 parts per million in the wine). For the latter how would it be proved when the SO2 was added? The rules say it can only be added at bottling but how would analyses of bottles prove that, the addition could have been used on grape must which is prohibited in the rules?

Emma Bentley raised the question of inspections and whether they would be required as happens now when authenticating organic status for example. (Described here at Coutelou). Carroget explained that 1% of cuvées will be selected at random and analysed (indeed 3% in the early years) and the winemaker will be asked to provide traceability and provenance of those cuvées to guarantee that methods conform to the rules. Is this enough to satisfy those who are suspicious of natural wines? If not then certification is meaningless.

Arguments in favour were well set out by Carroget. The aim is to protect producers who are working within the philosophy of natural wine. Those who do not produce grapes organically for example will not be recognised. He explained that last year an analysis of 34 natural wines was done by a wine magazine and 2 of those were found to be based on non organic production, thus undermining the other 32 in the eyes of consumers. If the wine was certified then the consumer knows that there have been no shortcuts in the vineyard or cellar, the wine is what the label and certificate says.

In this way imitations of natural wine, simply sticking the word natural on a label of any old wine for example, can be avoided. This might also stop carpetbaggers (the word used in the podcast), large commercial producers who are trying to muscle into the popularity of natural wine. On the other hand any move to organic production by any producer, no matter how large, is to be welcomed.

One point I thought worthy of consideration is that wines sold as organic in the USA have to be sulphite free. If producers sell there then their wines have to be certified organic, is this initiative any different?

USA label for organic wine

After listening to Carroget my initial scepticism was somewhat alleviated. I tended to side with Alice Feiring who said that whilst in her heart she remained a rebel she believed that the best natural producers are being undermined by bandwagon jumpers and imitators who are making lower quality wines. Certification might add authenticity to those working cleanly and prove its worth, a point supported by Woolf. Having spent much of the last six years immersed in natural wine I know many of the best producers who are authentic. However, for those who just want to buy a bottle of natural wine without knowing much about it the certificates and logos of the Syndicat might be a welcome guide.

* I have related this story before on the blog, but it is my own question I ask here I am not citing Jeff himself who has made no decision or even thought about the certification.


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To certify or not to certify

During the current lockdown I have bought a few cases of wine, including a fascinating dozen from Westwell Wines in Kent. However, a bottle from a different case brought to mind an issue which has been much discussed in the wine media recently (the current situation meaning that people have more time to discuss such issues).

The Niepoort Redoma Branco 2018 was very enjoyable with fresh, citric flavours from old vines in the Douro. The grapes were from typically unusual Portuguese grapes such as Rabigato and Codega and aged in barrel for a short time. The oak was subtle and added complexity. Overall, a good wine in my opinion, one I would be happy to purchase again.

The wine was described as natural by the merchant and the informative, detailed technical data from Niepoort allows me to examine that description. In doing so I see a total of 87mg of total SO2 which is very high for a ‘natural’ wine, for example the RAW charter allows up to 70mg. In addition though I have scoured the Niepoort website I can’t see any evidence that this was made with organically grown grapes, to be fair the bottle did not claim it to be and Niepport are gradually moving towards organics. For me those two things mean this cannot be described as natural. But there lies the problem. What is natural wine?

The natural wine movement began in the Beaujolais and Loire as a rebellion against the modernisation of winemaking with its techniques to filter, pasteurise and homogenise. Over the last 30 years the natural wine world has expanded exponentially with like minded producers across the world. And yet there is no agreed definition of what constitutes a natural wine. This frustrates many wine drinkers, I know some myself. They would like to know what is in the bottle, how it was produced.

Are the grapes organic for example? How do we know? Some producers say they are working organically but have no certification to prove it. Jeff Coutelou for example goes through rigorous testing every year by Ecocert to guarantee his organic methods, as I described here. Jeff goes much, much further in his vineyards as readers will know, working to ensure biodiversity and better soils without synthetic products, use of sulfur and copper (allowed under organic production) is way below the levels permitted and only in extremis. However, how do I know that a bottle without certification is produced organically? How do I know that a producer claiming to make natural wines does not add more SO2 than expected unless there is analysis?

Frustration with these blurred lines has persuaded some producers to attempt to draw up a certification for natural wine on a number of occasions. The breakthrough recently however is French government support for the work of the Syndicat de défense des Vins Nature’l. With names like producers Carroget, David and Binner and the wine writer Antonin Iommi-Amunategui the Syndicat has heft and credibility for its work. So what are their rules?

  • Grapes from certified organic vines (from 2nd year of conversion)
  • Hand harvesting
  • Natural, native yeasts only
  • No additives
  • No manipulation of the natural grapes
  • No techniques such as reverse osmosis, flash pasteurisation (described as brutal and traumatic in the charter)
  • No SO2 added before fermentation, though up to 30mg may be added before bottling
  • A separate logo for wines with no added SO2 is available
The logos for certified wines

One hundred natural producers have so far signed up to the Syndicat, ot will be fascinating to see how this develops. Many have welcomed the move, for example Simon J Woolf a writer whose opinions I greatly respect wrote an article in favour in his Morning Claret website. Others such as Jamie Goode, another writer I respect greatly, have generally argued against it. I shall set out these arguments and opinions in the next article.