amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Vendanges Coutelou 21 – First Act

En francais

Jeff with a hefty bunch of Cinsault

The rather gloomy nature of my last post might have made you think that we’re all doomed and no good wine will emerge from the Coutelou vats this year. Of course, that is not the case, there are still 50% of the grapes and Jeff can conjure up magical wines from just about any grape juice. So, let’s be positive and report on what is happening here with the 2021 vendanges.

Jeff has assembled a big team of assistants, as he told me it’s rather ironic that should be the case in this vintage. Firstly there’s Matteo, from Rome, who has been in Puimisson with Jeff since January. He helped to prune the vines this year, together with Englishman Matt who I sadly did not get to meet. Matteo, therefore, knows the vines and vineyards well and leads the team equallly well. Steeve is a friend who has visited Jeff many times and done harvest before with us. From the Jura region, Steeve has decided to change career and is spending the next few months with Jeff to learn more about his new vocation. Gilles, an ebullient and cheerful local man, has been working with Jeff for some time, happy amongst the vines after having his own vineyards for many years. Louis is from Narbonne, did harvest here last year and has returned. He is hard working, cheerful and speaks excellent English.  Boris is another local who comes every year to help with vendanges, a lovely guy who works with nature conservation in his full time job.

We are also fortunate to have Jeff’s sister Catherine helping with picking and looking after us as well as her daughter Flora Rey. You will have seen photos from this talented artist on my blog before as shse has been recording the story of the vines and domaine through her photography and film. I urge you to have a look at this film which Flora put together showing the harvesting of Sainte Suzanne Syrah with music composed by Catherine. Consider subscribing to the Youtube site Vins et Spiritueux Coutelou for more great videos about events in Puimisson.

As I mentioned previously the first stage of the vendanges was to focus on Syrah, most affected by frost. Sainte Suzanne, the young vines of Segrairals and my beloved Syrah from La Garrigue were picked on August 30th and 31st. One third of the normal yield and quite concentrated, Jeff will have to consider how to use it in blending.

The glass on the far side contains Syrah from Ste. Suzanne, very good it was too.

I joined the team on September 1st appropriately in Rome vineyard, my favourite. We collected the Cinsault, Grenaches of three colours and some Muscat before heading to the last few bunches of the La Garrigue Syrah and then on to the complanation of 20+ grape varieties, known now as Flower Power, more correctly as Font D’Oulette. That the few of us picked those three vineyards in one morning is not good news. In the afternoon the Moroccan team went to Segrairals and collected some of the Cinsault grapes of the younger vines. These were full and generous and will add much needed bulk to the grapes from the morning. The Cinsault filled the tank though much of that is pulp and the quantity will fall as the juice emerges.

On September 2nd Jeff wanted some fresh white grapes to make into the PetNat (sparkling), Bobonade. Muscat, Macabeu and Grenache Gris from Peilhan were in good condition and then we moved to the new plantation at the bottom of Sainte Suzanne. These were newly planted when I saw them last but they have grown quickly. The young vines managed to twist themselves round the wires of the trellising so it wasn’t the easiest to pick but the Clairette and Macabeu were fresh and acidic, just what is needed for sparkling wine. They were sent direct to press.

And that brought the first act to a close. Pressing followed the next couple of days but picking resumed on Tuesday September 7th. So, until shortly after then, there will be an intermission.

Icare, the real boss


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2019 – favourite white wines

A year of classic regions for white wines. Let’s start outside of France with a wonderful Riesling from the Rheinhessen. I declare my bias as Rhine and Mosel wines were what sparked my first interest in and love of wines. Riesling would also be my white grape of choice for my desert island.

Weingut Schmitt Riesling M 2017 I tasted at The Real Wine Fair in May and it made a lasting impression. This is how I described it at the time, “Bianka Schmitt explained to me that this was picked slightly later than their other Rieslings and spends a year in old oak. It was a stunner. Aromas ranging from floral to citrus, initial flavours of zest, yellow and green fruitgums. However, what made the wine stand out was what happened next. The wine continued to release flavours even after I had swallowed the liquid (some wines you just do not spit). Lingering melon, grapefruit and even tropical fruits grew and developed for a full minute. I love Riesling and this was a truly special example of its complexity and generosity.”

Another Riesling, this time from just across the border in Alsace. Christian Binner is a long established natural producer and I enjoyed tasting through his whole range of wines, including some lovely Pinot Noir. However, my favourite was the Riesling Grand Cru Schlossburg 2016, lean, steely fresh but with a lovely apple and pear fruit on top. Superb example of the grape and also the value of a great vineyard site and its terroir.

Riesling GC Schlossburg centre

Whilst tasting the Schmitt’s Riesling I was alongside Alice De Moor and one of her wines comes next. Chablis 1er Cru Mont De Milieu 2017 was everything you would want from a Chablis. This outlying area of Burgundy is renowned for its steely, flinty Chardonnay and this wine provided all of those elements but wrapped around with fruit and a creamy nuttiness. Right at the top of my favourite white wines of recent years, showing again how good natural producers bring out the best of their vineyards and grapes.

Two other Burgundy whites reignited my love of that region. A basic Bourgogne Blanc 2016 from Fanny Sabre punched well above its humble label, classic Burgundy with freshness and generous fruit. I must seek out some of the domaine’s more celebrated wines as this showed great winemaking talent. As did AMI is a newish domaine which buys in organic grapes. I liked all their wines but best for me was another more humble label, St. Romain Blanc 2017. Citrus, creaminess, freshness and a hazelnut note – more classic Burgundy Chardonnay. These two show that excellent wine is still available at good prices in Burgundy.

The Jura has become a very fashionable wine region in recent years, very different to when I first visited 20 years ago. I love the wines though their popularity makes them increasingly expensive and difficult to find. I came across the wines of Domaine De La Touraize at RAW and they were a highlight of the year. Bets of all was the Savagnin 2015 which spent 2 years ‘sous voile’ i.e. under the yeast flor. The wine is nutty, stony and had lovely apricot flavours – all of which lingered long in the mouth. Exciting wine.

Jura stars

Two wines from outside of France merit mention here as I enjoyed them greatly. Patrick Sullivan makes wine in Victoria, Australia. I tasted some of his excellent wines in Australia last year and sought some out upon my return to the UK. His Baw-Baw Chardonnay 2018 had great concentration and power and, whilst still very much in its infancy, offers good fruit and drinkability already.

One of my favourite producers in recent years is Casa Pardet from the Costers Del Segre region in Catalonia. One of their Cabernet Sauvignons tasted 4 years ago was one of the greatest wines I have ever had. This year I revelled in their Chardonnay Amfora 2016. Almost an orange wine (perhaps it ought to have been in that section) it has lovely grip and dry, stone fruit flavours with almost liquorice afternotes. Great.

Finally to the Languedoc and the only domaine in Faugères producing only white wines. La Graine Sauvage is the domaine of Sybil Baldassarre. Sybil is an oenologue by profession but now has her vineyards and works with her partner Alexandre Durand whose red Dynamite I chose amongst my red wines of the year. A talented couple as well as being great people. Sybil’s The Velvet Underschiste 2016 shows off Grenache Blanc with apple and pear fruit flavours and a freshness from the schist soils of the Faugères. Lovely now but with long life ahead of it if I can resist drinking my remaining bottle for a few years. Excellent wine.

Reviewing my selections the predominance of Chardonnay and Riesling came as something of a surprise, the predominance of France perhaps less so. I found this the most difficult of all the categories to select a final list. There were so many great white wines which I was fortunate enough to taste this year and apologies to many other producers whose talents I could easily have highlighted on another day.


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Oddities

En francais

In the next couple of posts I am going to look at some photos taken during vendanges which highlight some oddities and insights into vines and wines which I have not covered in the story of the harvest.

This photo may look like a bunch of red grapes has been placed in amongst bunches of white grapes. The oddity is in fact that they came from the same vines. The grapes are mainly Grenache Blanc, the others are Grenache Gris. Grape varieties are basically variations of one another.

The Grenache family (Noir, Gris and Blanc) are all the same DNA, with the slightest mutation between them. This is also true of the Pinot family for example. In this case one or two of the Grenache Blanc vines has somehow produced one of the mutations in some of the bunches, the result is that a Grenache Blanc vine produced Grenache Gris grapes.

Grape breeding is a very inexact science. The crossing of grape varieties produces new varieties, eg Sauvignon Blanc and Cabernet Franc produced Cabernet Sauvignon. However, if I was to try to cross Sauvignon Blanc and Cabernet Franc it is unlikely that I would produce Cabernet Sauvignon vines, the original cross is a unique event.

The vines we see across vineyards worldwide are often cuttings propagated from successful vines which show characteristics favoured by the producer, such as quality or quantity of grapes. These clones are planted but, again, slight variety amongst the billions of cells in the vine means that they could well be different to the original vine, not identical clones at all.

Therefore, this case of grapes was fascinating to me. It is not that unusual for this to happen, but it certainly piques my interest as I learn more about grape varieties and grape growing.


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Loving Languedoc

After tasting wines from around the world at RAW I opened a bottle or two at home. By chance the bottles I reached for were from the Languedoc, my first love. And how richly I was rewarded.

First up was the Grenache Blanc, The Velvet Underschiste, from La Graine Sauvage in Faugères. The domaine is the work of Sybil Baldassarre and I have got to know her through Jeff Coutelou. Sybil is a trained oenologue who decided to show she can make wine as well as advise upon its making. This bottle had witty references to Velvet Underground all over the labels but the wine itself was What Goes On (sorry). Pure Grenache Blanc the 2016 had lovely tannins underpinning the apple and pear fruit. However, what made this wine stand out was how it evolved over the course of an evening. The last glass was the most delicious of all, the wine had opened out to reveal more fruit. This was a wine of real quality. I have been fortunate to taste other wines of Sybil and suggest that she is a real star to follow.

Next up was another white from Faugères, known more for its reds. Clos Fantine is a long time favourite of mine and I wrote an article about the Andrieu family and their work a few years ago after spending a couple of days with them. Their gobelet bush vines high in the Faugères hills provide clean, pure fruit. Valcabrières is their white wine from the rare Terret Blanc and Terret Gris grapes. More white fruit flavours, pears to the fore but with a clean, fresh acidity. Again this was a wine which opened up as we drank down the bottle, complex and delicious. This was a 2014 and I believe the wine would age much further but it was pretty perfect now.

And, for good measure, I opened a bottle of Jeff’s, Flambadou 2017. The pure Carignan has been a star of the Coutelou domaine for a number of years, certainly whilst I have been there in 2014. This bottle was very youthful, the wine bright purple in colour and full of fresh black and red fruits backed with soft tannins. I shall keep my other bottles for a few years to allow them to develop complexity but it is good to follow a wine’s progress. With every wine of 2017 I taste I become more convinced that it is an absolute peak vintage for Jeff, the fruit and freshness backed with tannin and depth of flavour, they are stunners. Flambadou is a great wine, this 2017 definitively so.

Make no mistake the Languedoc can produce top quality wine, these three bottles were absolute proof to me that it will always be the source of my favourite bottles. I urge you to try them and other wines from the region which is my other home.


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Stress and grapes – Vendanges 17

Day two and the weather remained overcast and humid, there were even a few drops of rain. Rain which has been sorely missed in the last two months, there has been no real rain since June 26th, almost two months now. Some vines have found that stressful and virtually shut down therefore not ripening the grapes as well as they ought to do. Others, with underground water supply more available, are more vigorous and channeling their energy into the grapes. Judging what to harvest and when, is therefore even more difficult and stressful for Jeff.

The picking today began in Peilhan where the Muscat À Petits Grains was golden, starting to raisin in places. The berries are a little smaller than usual, another sign of the lack of recent rain. Nonetheless they were sweet, ripe and ready, measuring 15° of potential alcohol. In the press the lack of juice means that even a decent amount of grapes will produce only one barrique this year.

Then on to Clairette Musquée, a couple of rows in Peilhan, next to the red grape vines. This cépage is so rare that an ampelography expert recently failed to identify it on a visit. Into the mix was added Grenache Blanc from La Garrigue, which has fared better than some in that vineyard with the drought. Indeed one berry seemed to have thrived as you can see in the following photo.

GrBl huge

Whilst Roxane, Max and myself picked the Grenache the others moved into the newer plantation of Peilhan and picked Riveyrenc Noir, Riveyrenc Gris, Piquepoul Gris and Morastel. This really was a day for ampelography fans like myself. All of these grapes with the Clairette will help to make the rosé for 2017 and the first glass, hot from the press, tasted very good indeed over lunch.

Friday lunch was leisurely, we were joined by the excellent Paco Mora of La Cave D’Ivry, and some good bottles opened including a fabulous Sauvignon Blanc 002 from Jeff, 15 years old and still in great shape. Julien opened his new cuvée (one of only 50 bottles) from Faugères (Grenache Blanc and Roussanne) which was very good too. Monday will see the start of more full on days, bigger quantities, more work and faster lunches – so allow us this convivial interlude. Meanwhile, Icare continued in his inimitable style.

 


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200

 

 

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Version française

This is the 200th blog post of amarchinthevines.org. For the 100th post I wrote about the making of a wine which Jeff Coutelou encouraged me to make in celebration. It was based on the three types of Grenache (Noir, Blanc et Gris) which grow in Rome vineyard. The wine was then put into three separate containers; a younger barrel (60l), an older barrel (30l) and a 27l glass bottle.

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I have reported on their development in previous posts and, in particular, about the influence of the three containers. The older barrel has been used many times before and is almost  airtight, so, the fruit in the barrel is still youthful. The younger barrel shows more wood influence as the staves are less sealed and, therefore, there is more contact with the air. The wine tasted slightly less fruity and has a drier flavour. The glass bottle took much longer to finish fermentation and the wine tasted much more like new grape juice, full of fresh red fruits and still sweet as the sugars remained in the wine awaiting the completion of fermentation.

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Old and new barriques showing clear difference in October 2016

Well, on February 8th it was the day before my birthday and Jeff, as so often, was very generous in making  a bouillabaisse for our dinner and a lovely bottle of Boulard Champagne ‘Les Murgiers’ (the very cuvée I wrote about in my review of Les Affranchis in blog post 199!)

He suggested that we should re-taste the wine so that I could report on its development and make each century an update. So, as the hour approached midnight we were in the solera cellar and the tasting began. The wines tasted much rounder and more complete than the last time I tasted them in October, we discussed the possibility of bottling in early summer when I return to Puimisson. The two barrels showed the same influences, more fruit from the older barrel, more complex, secondary flavours from the newer barrel. The biggest change was from the glass bottle, still very fruity but much less residual sugar as fermentation has completed. This wine is now rounder, it is real wine rather than fermenting juice.

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The glass bottle

Then, in yet another act of incredible kindness, Jeff went into the family cellar and found a bottle of wine from birth year. The 1959 was a Muscat De Frontignan which Jeff thinks was gathered by his grandfather when he worked for an agricultural company, possibly the domaine of the owners of that company.

I have never tasted a 1959 wine before and when it was opened it delivered a delicious depth of old Muscat, deep brown in colour and deep, raisiny fruits which lingered long on the tongue. Just as the memories of a special night will linger long in my memory.

 


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Update on my Grenaches wine

In September I published my 100th blog post. To celebrate Jeff gave me permission to make a special cuvée. My wife Pat, friends Martin, May, Céline and Delphine helped me to pick Grenache grapes from my favourite vineyard, Rome. An assemblage of Grenaches Noir, Gris and Blanc was made.

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Since that lovely day the wine has been gently maturing in a variety of containers. Some went into a 60l barrel, more into a 30l barrel and the rest went into a 27l glass bottle. We tasted the barrel wines in November as they were still fermenting and it was already clear that there were differences between them. Further tasting in February revealed the differences more clearly with surprising results.

I had expected that the newer oak barrel would have a more pronounced effect upon the wine than the older barrel. Take a look at the two glasses in the photo, clearly one of the wines is a darker colour than the other. So is the darker colour from the older or newer barrel? (Answer lower down the page).

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On April 7th we carried out a soutirage to remove the dead yeast cells and other material which had served its purpose in the fermentation process but might now hinder the wine. There was actually little of that material as the pressing I made in September was a small scale one using the vertical press, meaning that the wine which went into the containers was actually quite pure grape juice.

I expected the older barrel to produce the darker wine but it was actually the reverse. On reflection I should have realised. The older barrel is more seasoned and the staves of the barrel are more saturated from years of wine, creating an effective barrier to oxidation. The newer barrel certainly doesn’t leak (thankfully) but allows more oxygen into the wine, producing the darker colour.

As to flavour and aroma. Well both barrel wines are both very pleasing. The older barrel certainly had fresh raspberry aromas with other red fruits, also a sweet edge which carried into the taste. It still has residual sugar but there is lovely red fruit and great length. The newer barrel gave a rounder flavour, still some sugar but there was a hint of spice and darker fruits.

The glass bottle was actively fermenting when we opened it. Take a listen.

Naturally the wine contained a little gas when we tasted it, but had very fresh aromas and flavours of red fruit with the sugar obvious due to the fermentation.

Now they are back in their various containers, topped with a little surplus Muscat to fill them. They will continue to eat the sugar and to develop their flavours. As this is almost the 150th article I hope that it won’t be another 50 before I get to taste them again. Thanks again to Jeff for allowing me to make this wine and to learn about what influences a wine and its development.

P1000761


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Centiment de Grenache

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Version française

No excuses for using a  French title and a misspelling too. This is the hundredth article on my blog and so a play on the word cent is justified. I mentioned to Jeff Coutelou that this post would be a landmark and he decided that it should be celebrated with something special. I had thought about a review of the previous ninety nine, a greatest hits if you will, but Jeff had something much more spectacular lined up; I should make a special cuvée from the Coutelou vines, and not just any parcel but my absolute favourite vineyard, Rome.

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This was such a lovely gift, in the middle of the harvest, a time of increasing pressure and stress, Jeff allowed me to take up time, grapes and equipment to make a special wine. How generous is that?

So it was decided to use the Grenache grapes from Rome a complanted vineyard of traditional, gobelet vines. The Grenaches were planted back in 1962 by Jean Claude Coutelou, Jeff’s father who told me about them at lunch on Friday, the day of the harvest and pressing. There are approximately 4 rows of Grenache Noir but mixed in there are quite a few Grenache Blanc vines and a smaller number of Grenache Gris. These would make a true assemblage of Grenache, a real feeling for Grenache, “sentiment de Grenache”.

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My wife Pat was persuaded to come along and do some picking along with our friends Martin and May Colfer, neighbours in Margon, and great people. They had expressed interest in finding out about the harvest and were to get first hand experience! I was also delighted that we were joined by Céline and Delphine, two nurses from Bordeaux who had come down to Puimisson to take part in harvest. It is a mark of how highly Jeff is valued by his friends that many come along to help out and I shall mention more in the next vendanges diaries. Céline had done some picking in the first week of harvest when she and her family were staying with Jeff and had clearly enjoyed it, returning with Delphine.

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It has to be said that none of us were the most experienced pickers and it took us around two and a half hours to harvest the four rows. One issue proved to be the complantation as mixed in with the Grenache Blanc were some Muscat vines and the Cinsault and Muscat Noir vines were easily mistaken for Grenache Noir. Fortunately my recent articles on ampelography meant that I was able to guide us into collecting the sought after Grenaches with just a few extras. It was made easier by the grapes themselves which were in excellent condition, really healthy. Mixed with Queen tunes and chatter we worked hard to pick and the first grapes were transported back to the cellar along with myself, there to start the pressing.

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As this was a small quantity of grapes they would be pressed in one of the small hydraulic presses and so I had to tread them first so that they would not burst in the press, squirting juice everywhere. Then into the cage and the juice began to flow, sweet, clear and weighing in at over 15º of potential alcohol.

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Back to the vineyards to rejoin my friends in order to complete the picking. At 11.45 we had completed all the Grenache vines. I have said before in this blog that I call the vines of Rome vineyard ‘centurions’, as they stand tall and proud. Roman centurions were older, were trained and gave everything for each other. These vines are exactly the same and making an assemblage of the different Grenaches seems appropriate, centurions stand together.

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Lunch beckoned and it was good to share together and enjoy some of the bottles of Mas Coutelou, coincidentally including a magnum of ‘Grenache, Mise De Printemps 2014’. As this is the 100th article it also made me think of a year ago when I sat around that table and Jeff told me his story of the <Chaud Doudou>, a fairytale with a moral of sharing and love, very much Jeff’s philosophy. Looking around the table with Jeff, Jean-Claude, Michel from Puimisson with visitors from the Loire, Bordeaux, UK, Ireland and Australia it was hard not to think that this was exactly what that philosophy is all about.

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In the afternoon I pressed the grapes three times in total. Between each one I carried out a rebeche, dismantling the gateau of grapes made by the press and rearranging them for the next pressing. The contrast between the black, pink and white grapes was beautiful to look at.

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The end product was only around 125 litres of wine after all that effort, this will be a true collectors item so send your bids in now! Jeff thought it would be interesting to see how the wine will develop in different containers, so some went into a 60 litre barrel, more into two, older 15 litre barrels and the rest into a big 27 litre bottle.

First pressing

First pressing

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Second pressing, slightly darker in colour

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Delphine and Karim checking my work

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During the whole process other parts of the cellar were busy as more Grenache from Sainte Suzanne were brought in. Yet Jeff gave me his time, advice and encouragement through it all. What can I say? I am a very lucky man to have been able to share my experiences with you all through this blog and I am grateful to very one of the 10,000 people who have read my words in just over a year. It has been an exciting and hugely enjoyable time and hopefully this cuvée will embody the sentiment of sharing and love and represent the beautiful Rome vineyard and the amazing generosity and talents of its owner.

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                                             Santé

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Vendanges Diaries (2)

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Version française

Aug 30th was a Sunday so no picking but Jeff was still in the cellar working. The early wines needed to be checked and moved as necessary.

Monday 31st dawned cloudy again and it was time to tackle the biggest of the vineyards at Mas Coutelou, Segrairals. The Syrah was ready to be picked and Jeff had decided to use carbonic maceration to ferment the grapes which are probably not of the same top quality as those from La Garrigue or Sainte Suzanne which were picked last week.

Grapes which are pressed like those described last week ferment in tank as yeasts react with the juice to change the sugar to ethanol, ie alcohol. The yeasts are natural from the skins of the grapes and the atmosphere of the cellar. In the case of Mas Coutelou and many artisanal winemakers this is the case though other winemakers will buy yeasts some of which are designed to add particular flavours to the wine. None of that in Puimisson, these are natural wines.

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        Carbon dioxide pumped into the tank

Carbonic maceration means that the whole bunches go into the tanks, grapes and stalks alike. The tank is filled with carbon dioxide which permeates the grape skins and starts the fermentation within the cells of the berry. Some of the berries at the bottom of the tank will be crushed by the weight of the grapes and so there will be some conventional fermentation too.

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Whole bunches in the tank

All the grapes are given a light crushing later by which time ethanol will have formed inside the skins and so the resultant juice is ready made wine. The result is often more fruity and juicy wine.

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Grapes arrive through the little back door above the cement tanks

To achieve this the tanks are filled from above so we worked in the space above the cement tank with the grapes arriving at the back door which is a level higher than the front door. The space is smaller and the heat from the grapes was high. It was hard work, believe me. Sorting still had to be done before the grapes could go into the tank, quality comes first.

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                 Some of the rejected bits

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 The pipe carries the CO2 into the tank

And after 9 hours of back breaking lifting, carrying and sifting it was, as ever, time to clean everything from top of the cellar to bottom as we see here with Jeff and Michel.

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        One visitor from the vineyard

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The boss letting us know we should get a move on

The night of the 31st brought a big storm with lots of rain, not the ideal conditions for harvest at all. Rain can cause rot and problems. However, it could have been much worse as news arrived of huge damage caused by hail in the Chablis region. For all the forecasts of how the harvest might turn out it is only when the grapes are safely in the tank that a vigneron can be assured of the quality of wine they might make. Commiserations to the Chablis producers.

September 1st was a quiet day as the rains from the storms meant the grapes were too wet to harvest. In the cellar more checking and remontage, the process of pumping the wine over the cap of skins and must. Further analysis of the wines showed that the yeasts are acting quickly and the fermentation is progressing very well.

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      Hard work!

Today, September 2nd, the remaining white grapes, Grenache Blanc, from La Garrigue. Then on to Peilhan to gather some of the white grapes there, Maccabeu, Grenache Gris, Carignan blanc and Clairette Musquée.

Grenache Gris

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Carignan Blanc

                                  Clairette Musquée

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      Michel

The core team of Jeff, Carole, Michel, Cameron and myself were joined by Matthieu who has worked the harvest before here. There were some lovely bunches though the wet weather has caused some rot inside some of them, Careful sorting took place in the vineyard to take only the best grapes which tasted really sweet and juicy, the Clairette was especially tasty.

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Cameron especially pleased with this bunch of Clairette

The white grapes were taken back to the cellar and placed in tank after being destemmed. It is possible that Jeff will make his first orange wine with them. An orange wine is a white wine made like a red wine, ir the wine is fermented on the skins thus extracting more colour, texture and flavour from them and giving the wine an orange tint. However, analysis and the next few days will be needed before the final decision is made.

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In tank and the future might be orange

In the afternoon, Matthieu, Jeff and myself did more remontage of the Syrah grapes harvested in the last week, which is already tasting well, with very healthy technical analysis and beautiful aromas. And, then, as ever, the cleaning.

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              Matthieu carrying out remontage

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  Remontage, the juice flows over the cap of must

Syrah from Ste Suzanne

    Beautiful colour of the Syrah from Ste Suzanne

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