amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Tasting the 2017s

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Last weekend I should have been in the Languedoc with Jeff and attending a wine tasting at Latour De France. Sadly, a 48 hour bug put a stop to that.

Instead I reflected on a tasting we did at Jeff’s on October 3rd of all the 2017 wines in cuve. Regular readers will recall that they vintage is of high quality but low quantity. Quantities will be in short supply of what will be seriously good wines. There was a tinge of sadness about that as we tasted through the range.

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These were my notes on the evening.

  • Maccabeu / Grenache Gris – still some residual sugar. Fresh nose, Fruity, pears. Slight sweetness which will disappear. Clean and lovely.
  • Sauvignon Blanc – fresh apple, bright and zesty. A true Sauvignon character, refreshing.
  • Carignan Blanc – lovely, full, clean, direct – fresh and fruity. Very good.
  • Rosé – very pale, flowery aroma, fresh and clean, exactly what you’d want from a rosé.
  • Syrah (Ste Suzanne) – whole bunch, red fruit, round tannins, good finish, full, very good.
  • Cinsault – lovely, fresh and juicy red fruit, cherry, 13,5% but tastes lighter. Good.
  • Syrah (Segrairals) – amazing passion fruit nose which carries into taste. Fresh, citrus and lovely red fruit, a real star.
  • Syrah (La Garrigue) – La Vigne Haute (fingers crossed). Terrific, direct full tannnins, splendid fruit, full, long – stunner.
  • Flower Power – Maccabeu, Syrah (St Suz), Grenache (St Suz), Grenache Gris, Cinsault, Terret Noir and Flower Power – Despite the different assemblage this has the character of previous Flower Power – fruity, silky tannin and very appealing. Lovely.
  • Grenache – blend of Ste Suzanne / La Garrigue – 2015 St Suz provided 80hl, this year the 2 vineyards made 60hl. Lovely, fresh cherry flavours with a spicy finish.
  • Mourvėdre – crunchy, spicy good tannins and dark fruits. Very true to the grape. Good.
  • Carignan – top of the class. Lovely fresh red and black fruits, excellent balance of freshness and complexity. Star yet again.
  • Merlot – lovely fruit nose, fresh, touch of wildness which should settle. Nice.
  • Cabernet Sauvignon – still some sugar, plenty of fruit, easy to drink with classic blackcurrant notes.

We went on to drink a couple of the 2016 wines which were still in cuve, a very floral and spicy Syrah and an assemblage of Grenache, Syrah and Mourvèdre which had good fruits with a soft tannin finish.

Reflections on the evening? The quality of 2017 is clear it is up there with the 2015s, just such a shame that fewer people will get to drink them. The whites are very good but the reds shine especially the future La Vigne Haute and Flambadou. The wines had all fermented beautifully causing few worries. A vintage to cherish, can’t wait until it is in bottle.


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The wine lottery

 

So much of wine enjoyment is personal taste, but chance plays a role too. It is often ignored but some recent wine experiences brought the issue to mind.

A dinner with friends. I took one of my favourite wines, a chance to share it with others. Remove the cork, pour, swirl … alarm bells. There’s a dry, musty aroma. Sip, and yes, there it is: the wretched mushroom, wet cardboard taste of a corked wine. Previous bottles of this wine and vintage have been excellent, this was a one off. Sadly, it spoiled my evening, such a disappointment, expectations dashed by TCA.

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Two bottles opened in successive nights, a 1990 Chateau D’Angludet and a 2005 Cahors, Chateau de Cayrou. The last bottle of the Angludet I opened had been disappointing, showing its age, brown in colour and dried out. This one was dark red with a brown edge, fruit still to the fore coupled with interesting notes of nuts and dark plums. It was a lovely surprise, expectations had been low based on the previous bottle. These two bottles had been stored together, the bottle variation like chalk and cheese. If I had only tasted the first I would have a bad impression of this venerable wine. How many times must that have happened to me?

The second bottle comes from a stellar vintage in Cahors and a domaine with a good reputation. The result? Meh. It was OK, nothing more. Little character, no charm. A food wine some would call it. Which to me is a wine lacking fruit and personality. I bought that bottle many years ago on recommendation, was it a disappointing bottle like that first Angludet? Or was it just a dull wine? Would I spend my money to buy another and find out the answer, certainly not. There are Cahors wines which appeal far more, notable from Charlotte and Louis Pérot’s Domaine L’Ostal.

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Wine drinking is personal taste, this bottle of 2009 Faugères was one my wife enjoyed but I found dull. However, before being definitive let us admit that sometimes fortune can influence our wine experience.


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Amphorae

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Version francaise

One of the winemaking trends of recent years has been a return to the learning of our forefathers. The revival of old grape varieties, use of horses for ploughing, many of the practices of natural winemaking are references to the past. As a historian these practices are very welcome to me.

Another welcome revival has been the use of amphorae for fermenting or ageing wines. Of course this was the methodology of the Greeks and Romans thousands of years ago but they had all but disappeared in western Europe. Certainly the practice survived in the East, especially Georgia, partly due to the poverty of Soviet times. The fall of communism and this search for the past has brought about a revival of interest in the amphora.

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The advantage is that clay is porous and allows an exchange of the wine with air/oxygen. This is why wooden barrels have been used but the advantage of amphorae is that they do not give the familiar taste of oak. Many producers who have used amphorae claim that they keep wines fresher than barrels.

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Earlier this year I reported how Jeff had been given a present by a diving friend who discovered a Roman (time of Julius Caesar) amphora in the Mediterranean. I had hoped that it could be used for winemaking but it needs a lot of reconstruction as well as disinfection. However, it seemed to inspire Jeff who went to Spain in order to buy two 400l amphorae. On September 29th it was time to fill them.

They had been filled with water for several weeks to remove dust but also to moisten the clay so that it would not soak up the wine. A cuve of Carignan and the very rare Castets was the wine to enter the amphorae which are about 1m50 high. Filled almost to the brim each was sealed with a stainless steel chapeau bought for the job. And so we await the results, regular tasting will allow Jeff to decide how long the wine will be aged.

A new departure, a return to the ways of the ancients.

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Vendanges 17 – the finishing line

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I started my coverage of the 2017 vendanges with racing terminology and, so, I finish in the same way.

It’s definitely over. Vendanges 2017 with all its quality, with so little quantity.

On September 27th the final press of the grapes was completed. It was the turn of the Cabernet Sauvignon, two weeks after picking. The skins, pips and other solids had done their work in giving up flavour, colour, tannins and so much more. The yeasts had started their work of fermentation. Now it was time to press before that grape must started to be problematic rather than beneficial.

The must was pumped from the cuve by the powerful pompe à marc directly into the press. Julien ensured that the press was filled in all corners and then the press began. It inflates a membrane inside which gently presses the must to extract the juice without releasing the more bitter, astringent tannins left in the skins and pips.

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Sediment after the must has gone to press

The grape variety (cépage) will determine the amount of pressure applied, Cabernet has small berries and thicker skins so needs a little more pressure than juicier, thinner skinned Cinsault for example.

 

The juice flows and is sent to another cuve to continue its fermentation, then its malolactic fermentation (which removes the more acid flavours). Indeed the analyses of the 2017 wines show that fermentations have gone through quickly, without fuss or problem. There is no sign of volatility or any other problem, the wines look on course to be as high quality as the grapes themselves. Which, of course, is the goal. Jeff believes in letting the grapes express themselves with as little intervention as possible. This year interventions are minimal, the grapes have done the work.

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Sadly, the quantities do not reflect the quality and that will bring a financial blow to the domaine and to virtually all domaines in the region. When you are asked to pay a few euros for a bottle of 2017 Mas Coutelou, I hope that you will recall all the work which I have described, the stresses and strains, the love and care which has gone into that bottle and you will consider it money well spent.


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Solera, oh oh

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Version francaise

Many visitors to Mas Coutelou would cite their time in the cave des soleras as the most memorable of all. This, for new readers, is the cellar where barrels are stored containing Muscat and Grenache from many vintages. There it ages gently to make Vieux Grenache or Muscat, or a blend of course.

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The system works with new wine being put into barrique as normal but the older wines are blended with wines from previous years. Evaporation and bottling means that some of the wine in the barrels disappears each year so they need to be topped up with younger wines. Gradually, as the years pass, the wines become older and more concentrated and are passed on to older barrels. Some of the wine in the oldest barrels is 100 years old blended in with slightly younger wines.

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Archimedes principle to move wine from cuve to barrel by gravity

On September 20th it was time to clear space in the cellar; barrels topped up, new wine added to the system. Some of the barrels were given a soutirage, emptied of their wine leaving behind the sediment in the bottom. The barrel is then cleaned, the wine returned and topped up.

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Matthieu fills the barrel with water to clean it ready for refilling with wine

Two days later we were back and amongst the barrels being refreshed was one containing the Grenaches (all three varieties) wine I made in 2015. Time to taste. This was the new barrel which permits more oxygen into the wine than the more seasoned barrel. There was definitely a sherry influence to the wine, the effect of the oak and air but still there was good fruit and length. It will soon be topped up with wine from the older barrel which should add more fruit to the profile. The wine in the 27l bottle will be even more fruity and fresh, the blending should be an interesting time.

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Refilling the Grenaches newer barrel

The cellar is a true treasure trove of great wines, and I don’t mean mine. Time spent there is always time well spent. And the guard dog of all guard dogs ensures it is well protected.

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Vendanges 17 – Presentation

Version francaise

On Tuesday I was delighted to be asked to give a presentation on the 2017 vendanges at Mas Coutelou and the problems of the vintage which had been widely reported. Around 60 people were in attendance at The Tuesday Club in Pézenas and I gave a talk about the events of the vendanges, the decisions which must be made by Jeff as well as a report on the problems nationwide and Puimisson. This was followed by a tasting of Bibonade, Flambadou 2015 as well as two samples straight from tank, Cinsault and Cabernet Sauvignon to demonstrate the change in structure and taste after fermentation.

I have uploaded the presentation as a video to Youtube which you can see here.

Or simply click below.

 

 


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Vendanges 17 – briefing

Yes that is Jeff Coutelou in his briefs. Why?

It’s a simple explanation honestly. The tank of Mourvèdre was ready for remontage. That is where juice from the bottom of the tank is pumped over the cap of grape skins, pips etc (the must) which rise during fermentation. That cap becomes hard and there is a risk of bacterial infection plus the whole idea of having the skins in there is to extract tannins, colour and flavour so it’s pointless having them separated from the juice.

A normal pigeage

You may recall that this was the tank where Jeff had to improvise last Monday when the érafloir broke down. Some of the bunches were destemmed, others went in whole bunch. There is therefore a higher than usual amount of solid material in the tank. This had formed a solid cap and Jeff needed it to be pushed back into the juice. A fork was used at first as is normal (the process called pigeage), but the crust was too firm. So, Jeff took off his boots and socks and climbed in.

This is dangerous for two reasons. He could fall through the cap and into the juice and, secondly, there is a lot of carbon dioxide coming from the fermentation which, as I found out, can make you ill. So hanging on to the sides and with myself and Matthieu ready to catch hold Jeff pushed down with his feet onto the cap.

He described the cap as cold but underneath the fermentation meant that the juice was hot. As Jeff pushed down the cap it was fascinating to see the gentle bubbling of the fermentation process, sadly it was too dark for the camera to pick up. As he pushed the cap down, Jeff needed to push lower so, off came the trousers. Moving around the tank the cap began to sink bit by bit.

Out he came and a normal remontage took place though in his briefs!

And the wine? Well it tastes very good, perhaps with more legs in the glass than usual.

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