amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


1 Comment

A Tour Down Under, North Island NZ

Wellington from Mt. Victoria

If I stick to wine this will be a short post. Through a mixture of bad planning and the need to do holiday activities which are not wine related there were no wine trips on North Island. The wines of Martinborough and Hawke’s Bay (with or without its apostrophe) were not untasted of course but we headed from Wellington to Rotorua and then the north coast missing out those two venerable wine regions. Another time maybe?

As I said I have tasted wines from both areas whilst here.

From Hawke’s Bay:

  • Craggy Range Sauvignon Blanc and Chardonnay which were both good, plenty of classic aromas and flavours with more concentration than most
  • Church Road Pinot Gris, pleasant though not world beating
  • Pask Syrah and Declaration Syrah both of which had good fruit and full flavours, the latter being more concentrated. A sign of how the area of Gimblett Gravels does add more depth
  • Te Mata Syrah was ok, typical of the grape though lacking the style and finesse of its elder brother Bullnose. Te Mata Coleraine was the first wine from New Zealand which convinced me that great wines could be made here when I tasted it a good 20 years ago.

serine-syrah-2014

The wine which stood out for me though, and I had 2015 and 2011 versions, was Stonecroft‘s Serine Syrah. This was my favourite red of the North Island by far and yet it is far from the most expensive. Good red fruits, complexity from some oak age and very persistent combined to make this a very good glassful and good value. Apparently it comes from the oldest Syrah vines in NZ and was once thought to be from Serine, a Syrah clone though this is not the case. Gimblett Gravels again and the 2011 had plenty of life even though this is not intended as a wine to age too long. I would like to find more of their wines.

From Martinborough

  • Schubert Syrah and Sauvignon Blanc which were fine, good examples of each
  • Palliser Riesling which was nice and tangy, good and dry
  • Escarpment Pinot Noir had good fruit and less sign of age than many other examples I have had in NZ

However, North Island has been about the magnificent natural scenery and landscapes as well as the most friendly and attractive capital city in Wellington. The harbour, botanical gardens, cable car, Mt. Victoria and its views all make Wellington a perfect city to visit, its range of architecture and friendly greetings all add to its charm. Add in a magnificent national museum Te Papa with free entry including the outstanding Gallipoli exhibition, one of the best I have ever seen.


From there to the volcanic region of Rotorua, also showing many Maori villages and culture. Geysers, mud pools, hot water springs, steaming hillsides all have a mystery which captures the imagination and awes me.


The north coast of the Coromandel, Bay of Plenty and Bay of Islands are all superb, I have never seen a beach so enticing and beautiful as Cooks Beach whilst small towns and villages such as Whitianga as well as Russell (NZ’s first capital city) and Paihia on the Bay of Islands show colonial style architecture as well as charm, as long as the cruise ships have not landed! There were even some vineyards to look at too.

nether1
Finally I must mention Cult Wines in Wellington. I finally found some natural wines and this little shop has a good selection from New Zealand, Australia and Europe. We had a very good, juicy PetNat from Black Estate (Waipara) called Netherwood and a round no SO2 Pinot Noir from Escarpment (see above). It is interesting to see more domaines experimenting with making natural wines. These two were certainly successes. NZ’s fledgling natural wineries such as Hermit Ram and Cambridge Road were represented but travelling isn’t wine buying friendly.

P1030615

Kindeli Otono, Escarpment Noir, Kindeli Verano

I did buy two wines from Kindeli which is the work of Alex Craighead. He has his own vineyards and sources more grapes, all from Nelson. Verano was a delicious, juicy, fresh field blend of Sauvignon Blanc, Pinot Gris, Gewürztraminer, Riesling, Chardonnay, Pinot Noir and Syrah. A deep rosé in colour it was very good. Otono is a blend of Gewurztraminer and Riesling, it is distinctly natural in style but the Gewurz violets come through and there’s a nice saline, dry lick to the finish.


I would love to have visited Hawke’s Bay but if you get the chance then New Zealand, both islands, are must visits. Wherever we have been has been spectacular in its own way.

E noho rā.


2 Comments

A Tour Down Under, Marlborough

P1030578

The most famous wine region of New Zealand, Marlborough, is found in the north East corner of South Island. No less than 77% of the country’s wine originates from Marlborough, around the towns of Blenheim and Renwick in particular. Factor in the fact that 85% of Marlborough’s grapes are Sauvignon Blanc and we begin to see the importance of this variety to the reputation of wines from the region and, indeed, the rest of the country.

Certainly, the region is very different to Nelson, the focus of my last blog. There the vineyards are part of a much bigger agricultural scene, fruit orchards, hops, cattle and sheep mix with vineyards in the Nelson area to create a true pastoral landscape, e.g. in the Moutere Valley.

Journeying into Marlborough across the hills from Nelson the vines do not appear until shortly before reaching Renwick. But then vines stand, row after row, mile after mile. Wineries which put the country on the world wine scene stand side by side, Wither Hills with its many vineyards, Hunter’s, Villa Maria are all producers which played a major role in my personal learning about wine and, especially, wines from New Zealand.

The winery which first drew attention to and recognition of the potential of Marlborough Sauvignon Blanc was Cloudy Bay. Named after the beautiful bay to the East of the vineyards. This winery now produces a number of different wines but it was the Sauvignon which really made its name and established New Zealand as a quality producer. Cloudy Bay Sauvignon Blanc is also the long time favourite of my wife so a visit was obligatory.

Cloudy Bay itself

A very professional tasting room and comfortable garden allowed us to taste the celebrated Sauvignon 2017 which was classic Cloudy Bay but also the oaked version Te Koko 2014 which wears its wood ageing well. In addition we were able to taste a rare old version of the Sauvignon, from 2005. There was still plenty of acidity, the wine had become a little flabbier but had a dry finish. Not many bottles of 12 year old Cloudy Bay still exist I’d imagine, it was interesting to see that they do age quite well though I would drink any bottles younger. Pelorus NV sparkling wine and the Pelorus vintage 2010 (only available at the cellar) were both pleasant enough, the latter definitely had more weight and flavour. Chardonnay 15 was wild fermented in barrel (82% of it at least) and the oak was subtly done, a good example of the grape.

Herbicides and machine harvesting but a lovely setting

On to reds and the Pinot Noir 15 was very good, one of the best Pinots of the trip so far, fresh, fruity, juicy with good length. The Pinot Noir 2010 had already gone the way of so many older NZ Pinots, all forest floor and mushroom. It obviously appeals to Kiwis but not to this Rosbif. Neither did the Central Otago sourced Pinot Te Wahi 15, there was some rose scented fruit but this was very oaky and tannic, again not my style. There was also a very good Late Harvest Riesling, good Riesling notes, acidity balancing the sweetness.

Interestingly, Cloudy Bay has made the decision to reduce the varieties it uses. Riesling and Pinot Gris are out, they will concentrate on Sauvignon Blanc, Chardonnay and Pinot Noir alone. Cloudy Bay owns 50% of the vineyards it uses to make its wines and works with growers for the other 50%. This is common in the region, growers provide the grapes, the winery gives instructions on how they want the vines to be tended.

P1030582

There are wineries which grow all their own grapes and I visited two, both organic producers. I had tasted Fromm wines before, notably a very nice Sauvignon Blanc La Strada 2016. On this visit we mainly concentrated on reds. Pinot Noir La Strada 16 was a little unforgiving to my taste, not much fruit showing. For once the older wine was more to my taste, the La Strada 10 being more open and balanced, red fruits and just a little earthiness. On to two single vineyard Pinot Noirs. Churton 16, more weight and concentration than the entry level, still very young and tight. Quarters 16 was different, more spicy and fruity, grown on more clay soils than the Churton. On to Syrah and I liked the La Strada 16 with its peppery, spicy notes and more friendly flavours. The Fromm Syrah 16 was more concentrated with rich pepper notes, quite tannic still, I am sure this will be very good. I must add that Syrah has been my favourite grape amongst red wines in New Zealand.

P1030581

Fromm vines

Two white wines to finish, the highlight of the tasting for me was the Riesling Spätlese 17, well named being very much in the style of a Mosel spätlese, lovely apple fruit with zingy acidity and a lick of sweetness too. Finally, a Late Harvest Gewurztraminer 15 had classic aromas of the grape, spicy and floral but the wine had very fresh acidity cutting through the sweetness. Apparently this variety suffered in 2018 but I liked this wine, very well made.

P1030567

My favourite visit of the day though was undoubtedly to Hans Herzog. The domaine is next to the Wairau river on one vineyard which the Herzogs have planted with lots of different grape varieties. They have planned this carefully so that sunnier aspects get grapes such as Montepulciano and Tempranillo whilst cooler areas are planted with white grapes and Pinot Noir. The plan makes for fascinating reading.

P1030556

This is a biodynamic domaine and only a small amount of SO2 is added at bottling, these would qualify as natural wines for many people though I was surprised that harvesting is mostly by machine. There is a beautiful restaurant in the gardens next to the vines, with a splendid trellis supporting lots of different grape varieties and notes to explain each one. A treat for those, like me, who love to study ampelography. The food was very good too.

P1030554

The Herzogs are Swiss and Hans comes from a family of winemakers of long standing. It was a young Swiss woman, Petra, who gave us a very generous tasting. Wild Gewurztraminer 2017 is named after its open fermentation and longer period on skins. It had vibrant aromas in the glass, spicy and dry flavours, a real treat and a sign of good things to come. Pinot Gris 16, 5 days on skins, was apple and pear notes, lovely and fresh.

P1030571

Very ripe Roussanne grapes 

The Sauvignon Blanc 15 was made on lees which are stirred and there was a yeasty aroma to the wine which was very dry and quite textural, one of those rare wines which actually tasted of …. grapes. Very good. A sparkling rosé wine to follow, Cuvée Therese made from Chardonnay and Pinot Noir with red fruit notes and a dry finish. Finally Gruner Veltliner 14, yellow in colour, pear and quince aromas and lovely texture and clean finish, lovely.

P1030557

On to the reds. Pinot Noir 2011 was macerated 18 days on skins, aged for two years in bottle. My favourite Pinot Noir of New Zealand so far, fresh, vibrant spicy red fruit with a balancing acidity and complexity and gentle tannins. This is how Pinot Noir should be in my opinion. Tempranillo 14 was a lovely surprise. This is not a grape I usually like that much but this example was just lovely. The light red fruity notes of a young Rioja but without any oaky notes even though it was aged in barrels for 22 months. Energetic, lively, smashable. Spirit of Marlborough 09 is a Bordeaux style wine made from Merlot and Cabernet Sauvignon, aged 26 months in barrel and then more years in bottle. Again this would not be my favourite style of wine but somehow this works. Finally, and definitely worth waiting for, was the Nebbiolo 2013. Petra told us that this was the wine which is opened as a treat at the end of harvest, only one barrel was made. It is a stunning wine, easily my favourite in this New Zealand trip. Aromas of rose and fresh tropical fruits (yes in a red wine) and then, amazingly, hints of peach and apricot as well as red fruits. Light in the mouth yet with concentrated, long flavours. I loved this wine and was very impressed by the range, there is a real energy and vivacity in them. So different to a lot of the more commercial wines produced in the area and, hopefully, a sign that quality will win through.

Ampelography lesson over lunch, perfect!


4 Comments

A Tour Down Under, Nelson and West Coast

1200 miles (1900km) in a week amongst some of the most beautiful scenery. Yes, a long way and with winding roads not a quick route but, my oh my, it was good.

We criss-crossed from Queenstown via Franz Josef to Christchurch, Hanmer Springs and then Nelson on the north coast of South Island. The Franz Josef and Fox glaciers were one of the main attractions and we did see them but we had the only day of heavy rain in a month and so could not get to them. Nonetheless the journey, through mountain ranges, rainforest and limestone valleys was spectacular.

Christchurch is a city recovering from earthquakes in 2010 and 2011 which caused 185 deaths and much damage. CCTV footage in the Quake City exhibition showed just how frightening things were. The Cathedral was the most prominent building to be damaged and it still stands looking forlorn, work will start in the next few months to take it down and then rebuild. Meanwhile an amazing ‘cardboard’ Cathedral is serving parishioners made from shipping containers, large cardboard rolls and plastic sheeting.

Hanmer Springs was a very relaxing spa village in the hills to the NW of Christchurch, we passed through part of the Waipara Valley wine region to get there. And, so, on to Nelson. A compact city with a central area containing restaurants and bars etc, I can recommend Urban for its modern, sharing tapas style but most of all The Cod & Lobster with an excellent value fish and seafood sharing plate.

Pinot Noir grapes still on vine

Nelson is a wine region but wine is not the only focus. This is a region of rich agriculture, fruit in particular, sheep and cattle too. Interestingly it is home to a rich tradition of growing hops for brewing beer and they have an excellent worldwide reputation. Wine is a relative newcomer to this farming and growing history but is making an impact already.

P1030536

I have bought cases of Neudorf wine in the UK and have always rated them highly. It was therefore, a good opportunity to visit the winery in the hills to the West of Nelson. We tasted a few of the wines, it was very busy being Easter Saturday and their restaurant was doing a roaring trade in the sunshine. I must blame Jeff Coutelou for changing my taste in wines. I found the wines very precise and well made but I wasn’t excited by them even the Rieslings which I have always particularly enjoyed. The older Moutere Pinot Noir 2010 was richer and more fruity than many of the Otago Pinots of the last week. These are good wines, undoubtedly, probably not my personal style these days.

I also went to visit an organic producer, Mahana Estate, also in the Moutere hills.  We tasted a good range of white and red wines as well as a Clairet style light red. The wines are unfined and unfiltered, made using biodynamic methods and only lightly sulphured at bottling. The wines had a freshness and energy which I have found lacking in many NZ wines. The estate is experimenting with techniques such as open fermentation to produce wines such as the ‘Feral’ white. The wines are made in a modern winery,  complete with grassed roof and using gravity fed cuves. We ate a delicious lunch in the restaurant looking over the hills and the vines covered, as ever, by nets.

P1030527

I tasted other Nelson organic wines from producers such as Greenhough and Richmond Plains which were quite pleasing but Mahana certainly hit the right notes more than the others, to my palate. Time to move on again, to the largest of New Zealand’s wine regions, Marlborough.


1 Comment

A Tour Down Under, Little Things Mean A Lot

P1030314

During our holiday in the Adelaide Hills we stayed with James Madden, Sam Bateman and their beautiful year old daughter Flo together with James’ mother Pat. James and Sam travelled in France a couple of years ago and visited Jeff Coutelou which led to James returning to Puimisson a year later to play a  major role in the vendanges of 2016, which is how I got to know him. He became a valued friend in that time and when I told him that we were heading to Australia he invited us to stay with them.

A lot had happened in that 18 months, the birth of Flo, the loss of his father and the establishment of his own winery, Little Things. With all those emotional pulls it would have been easy for his first vintage to be a learning curve, instead James smashed it. The wines he produced from 2017 are extremely good by any standard, extraordinary for a first year. I would understand if you thought me biased, (I am of course), but honestly these are terrific wines.

James’ background is in catering, working in a number of restaurants in Australia, for example Movida in Melbourne. He became fascinated by wine and started to work harvests in 2011 in the Adelaide Hills often with James Erskine of Jauma wines as well as in the Mornington Peninsula and, as I said, with Jeff in the Langeudoc. That experience has instilled in him a desire to make wine with minimal intervention, he is one of the very few in Australia who resists the safety net of SO2. As we recalled over a glass, Jeff used to tell him to believe in his grapes and let them express themselves. When Sam encouraged James to give it a go on his own he took the plunge and from Little Things big things will surely follow.

James sources grapes from trusted organic growers over quite a large area. Vineyard management is done by the growers though in consultation with James and in 2018 he has taken over the running of a couple of vineyards. Ideally the couple want to buy somewhere with their own vines but in the interim, as is the norm here, James buys in the grapes, harvesting them himself.

P1030298

The Shed

When James poured me the wines from 2017 I expected to have to be polite and encouraging. Not that I underestimated him, just that it is hard to get things right first time around. There was no need for politeness. I was struck by the purity of the wines, the fruit is clear, pure and typical of the variety, it is not hard to identify Grenache, Shiraz or Chardonnay. Yet there is complexity, seriousness and everything you would want in your glass. As I said, he smashed it.

The wines are made in a shed he shares with Alex Schulkin (The Other Right). Pressing in small batches, maceration in small plastic containers and then the wine goes into old barrels. I recall that James was a master of cleanliness at Jeff’s and this is apparent in the way he works in his own winery. He has listened to advice, observed the right ways to work and made his own path with his own wines. He is still learning, playing around with fermentation techniques etc, and it will be fascinating to watch his, and the wines’, development. I only hope that we in Europe can get hold of some, importers take note.

The Sauvignon Blanc Pet Nat, Flo’s Fizz and the Chardonnay, Sweet Child Of Mine (there’s a theme here!) sold out quickly and it was not hard to understand why. The PetNat is just fresh fruit fun, goes down way too easily but at under 11% not too much danger. The Chardonnay is from 28 year old vines, whole bunch pressed, tank fermented and then aged in old barrels. It is a delight. There is a creamy note but a clean acidity runs through with lemon and spice notes. Seriously good wine.

Purple Patch Shiraz is dry grown Shiraz from Clarendon in the McLaren Vale, nice and light (just 11% abv) and very drinkable. I remember lots of good wines from this area when I first got into Australian reds and this would be a good example. More Shiraz, this time blended with Grenache (75/25%) in Sum Of Many, the fruity Shiraz being spiced up by the hit of Grenache. That Grenache was to cause a few problems for James as he discovered just before the 2018 harvest that there had been a spray on the vineyard and that it was, consequently, not organic. James decided to be open and honest about this and shared his disappointment with buyers. He decided the 2018 could not be used by him because of it not being organic, however he did find another winemaker who would welcome the grapes. In this way the grower, who had made an honest mistake, did not lose out and James will be able to use the vineyard’s grapes in future. I think that was an honest, commendable decision. The Grenache wine Comes A Time was inadvertently made from the vineyard in 2017, I found it a little more subdued than the others even before I found out about its history.

My favourite red though has to be Joy’s Wild Fruits Field Blend. The vineyard is next to the sea at Fleurieu Peninsula and most of the grapes are technically white, eg Pinot Gris, Savagnin, Chardonnay, but they are picked with the Pinot Noir, Merlot and Cabernet from the same vineyard, pressed together and left on skins for more than a week. This is heady wine; bright, light and mighty good. Fresh and zesty from the whites, fruity and spicy from the reds. I love field blends and this just works.

I am really excited for James and Sam that their venture is taking off. The bottles are selling well. Whilst in Adelaide and Melbourne we were in bars and restaurants with Little Things on the list (alongside Mas Coutelou in some places!). James can hold his head high whilst he mixes with James Erskine, Tom Shobbrook and Gareth Belton, his wines stand comparison and promise great things for the future. Proud of you mate!

P1030312

 

 

 


Leave a comment

A Tour Down Under, Adelaide wine

P1030328

Adelaide Hills vines

We were fortunate to be staying for a few days with James and Sam in the Adelaide Hills for a few days (5* on Trip Advisor definitely) and they ensured that we were able to travel around the wine areas and meet some of the new wave producers who are making this possibly the most interesting wine region in Australia. What follows is necessarily an impressionistic approach but I hope that my enthusiasm for the area will persuade many to try wines from South Australia and especially from the winemakers I mention.

Let me start with the Barossa Valley, the iconic region for Australian wine for those of my generation who were essentially brought up on Shiraz and Cabernet Sauvignon from producers such as Wyndhams, Seppelt, Wolf Blass and Penfolds. Some of those are based elsewhere but source grapes from the Barossa. It was interesting, therefore, to drive into the region and see it for myself. What a surprise in many ways. I expected it to be dry but with a large central area of vines as might be seen in the Rhone for example. Not at all. It was dry certainly, indeed arid in parts. The vineyards shone out like oases of greenery set amongst the brown, parched landscape. Irrigation is important, indeed vital, to these producers.

We visited Seppeltsfield, home to Seppelt of course. There was a tremendous cellar door experience with tasting rooms, restaurant and lots of craft shops. Visitors are made to feel very welcome, this is how wine tourism should be. The wines are not necessarily my thing but I have to admire the people who established wineries in such uncompromising conditions and went on to make such a success of it.

P1030306

The Seppelt restaurant

I was aware that there are producers such as Tom Shobbrook, based in Seppeltsfield, who farm biodynamically and embrace natural styles. I have met Tom before and was happy to do so again when we came across him at The Summertown Astrologist. This is a restaurant/wine bar run by some local natural producers in the Hills notably Anton von Klopper of Lucy Margaux wines. Tom’s wines are always interesting, often very good. Given the terroir, my admiration is increased enormously.

I knew there were a number of producers making natural style wines in the Adelaide Hills. We met Tim Webber, who makes Manon wines with partner Monique Milton. Over coffee he explained that they farm other crops, vegetables and animals as well as making wine. All on sound organic principles. Favourite wine of Manon that I tasted was the Pinot Noir Love Lies Bleeding 2017. Interesting to hear that as well as the usual Australian grapes there was Garganega and that Tim and Monique are interested in different varieties. He is unusual in having his own vines, many such as James, buy fruit from growers with input about how they want the vines looked after. It can be difficult to source quality grapes, especially organic. James has to travel up to an hour from his winery to get to some vines.

James Erskine with James and checking progress of some Grenache

James Erskine, of Jauma wines, is somewhat of a mentor to James and he was brilliant to visit. He is an enthusiast, embraces life and was keen to share wines from tank and bottle even in the midst of a harvest afternoon. I have been fortunate to taste Jauma wines before and thoroughly enjoyed the chance to taste in situ, they are very good indeed.

Gareth Belton and some of his barrels

Gareth Belton is the producer behind Gentle Folk wines. I was familiar with his wines before but they really stood out here. Again generous with his time mid harvest Gareth let us taste wines from barrel and bottle. There were many excellent wines, Pinot and Chardonnay stood out but I could list a dozen. The fruit stands out, it is clean, expressive and long lasting on the palate but there is good use of barrel, especially on the whites, adding lovely complexity. One wine I really loved was the Scary White. Named after the vineyard Scary Gulley rather than anything scary about the wine itself, it is a field blend of Chardonnay, Sauvignon Blanc, Riesling and other white grapes. I do love field blend wines, they do offer a sense of place and this was one of my favourite wines of the trip so far. A gently spoken man, Gareth’s passion for his wines is evident and I heartily recommend them.

Alex Schulkin makes wines under the name The Other Right. I liked his Pet Nat rosé and his Chardonnay in particular, a very good Shiraz called Love Potion was also enjoyed. Alex has the shed where James now makes his wine, they help each other out a lot, indeed Alex’s father was picking for James on the day we left. Alex is also a scientist who works in wine research and I enjoyed chatting to him about closures, yeasts and other topics. I love the strap line for The Other Right, ‘Untamed Wines’.

Interestingly the Chardonnay which Alex, Gareth and James all make comes from the same vineyard and is made in pretty much the same method. Tasting the wines from all three did show a great similarity in profile, a true sense of terroir as well as common shared values in winemaking.

There is a real sense of community in the Hills between this group of winemakers, they help each other, advise each other and work for each other. When visiting Gareth’s lovely place in the beautiful hills three other winemakers arrived to chat, share stories and experiences. I found that truly inspirational, I was very much reminded of the groups of natural producers in the Languedoc.

Australian wines fell off my radar many years ago when the big, blockbuster style began to tire me out. French subtlety and elegance became my preference. It seems that many Australians share that view and some are now producing wines of the style which would please any Francophile whilst still retaining distinctive Australian character. This was a memorable time with some excellent wine producers. Adelaide Hills and the Barossa, I salute you.

 


3 Comments

Wine tasting, tell the story

Having written about my concerns with wine tasting notes, medals and competitions it is time to offer my more positive thoughts. Wine tasting is fun, the chance to try wines from known or new producers, to learn more about wine, to find the familiar and the unexpected. Professional tasters are doing things differently I accept but the fun element is sadly missing far too often. Most wine drinkers are not interested in technical details and in-depth descriptions, indeed they deter most people from thinking of wine as anything but elitist, poncey as we might say in Britain.

Jeff Coutelou always tells me that wine is for sharing (see above) and he is right as usual. Wine tasting is by nature a solitary exercise in that wine tastes differently to different people because of physiology, mood and preference. However, my favourite tastings have been where I can then share my thoughts with others to garner those different views. That fun element again, and I make no apology for referring to the f word again. If those of us fascinated by the subject really want to educate others to appreciate wine then my first lesson would be, let them speak. Encourage people to say what they think about the wine, not just in terms of fruit and flower comparisons but just whatever comes to mind. If they like it because it tastes good then that is an effective wine note to my mind. If they can explain further then all the better but let’s not get hung up on it all. I was interested in the comment on the previous post from my friend Graham Tigg that he runs a tasting class for elderly people and sees it as a social gathering rather than a teaching process. Is there a better reason to hold a wine tasting?

One of my favourite tastings, La Remise gives the chance to talk with producers

My favourite wines have often emerged from tastings. Almost every time they have been tastings with the producers themselves. Why? The story. What marks a wine as special to me is that I know something about it, its origin and the people behind it who have worked so hard to bring me that wine. Yes I can taste wines and appreciate them without knowing the story but the special ones are the wines which have an attachment. Years of travelling in France meant that when I went to Alsace I would visit Martin Schaetzel in Ammerschwihr because of a first visit there where he patiently shared the story of his wines. In Beaujolais we came to get to know and love Louis Champagnon, who was always so kind and generous with his time.

wpid-20150630_162216.jpg

With the wonderful Louis Champagnon

In the Languedoc I have been lucky to get to know so many wonderful people and therefore, their wines mean more to me. Most importantly, of course, was getting to know and become firm friends with Jeff whose wines would always be first choice for me.

Not every wine drinker wants to travel in France or other wine countries, many would be deterred from visiting producers because of language barriers. The task is to share the story, make the wine personal to the consumer. It will mean more. Achieving that is no easy matter, back labels are often a missed opportunity for example. Blogs, media columns, youtube videos all demand more interest, piquing that interest is the challenge. I am convinced that is the crucial point. Stories sell wine.

 


1 Comment

Coutelou, news on 2016, 2017 and 2018

En francais

Cartes des voeux 2015 and 2016

thumbnail

Carte des Voeux 2017, election year

Every January Jeff Coutelou sends out to customers a Carte Des Voeux, a New Year’s card, in which he sends out information about the previous year’s events in Puimisson, thoughts about the vintage and general news. The card is always fronted by a striking, witty image and this year’s was no exception.

1

2018

 

The main headlines from this year’s card concerning the wines were:

  • The difficulties of the 2017 vintage, the extremely hot weather and drought and how only a timely wind from the sea (brise marine) saved the harvest
  • The small harvest, though one of very good quality
  • Details of the likely cuvées which Jeff blended in November, these include regulars such as 7, Rue De La Pompe, Vin Des Amis, PM Rosé, Classe, Flambadou, Flower Power and the Blanc but also the Amphora wine from 2016 and …… La Vigne Haute! (Happy writer here)
  • New products, spirits and ‘tonics’. Gin, Fine and Grappa together with a Kina (a wine flavoured with plants) which is delicious.

Other news headlines:

  • The 2016 vintage as proof of how nature decides. The wines were slow to develop and, so, Jeff decided to sit on up to 75% of them rather than commercialise unready wines. (That said, the 2016 bottles which I have opened recently have been very good indeed, well worth waiting for. Good news for the customer with patience, less so for Jeff’s turnover).
  • Problems in the vineyards due to heavy rain in late 2016 meant that new plantings had to be postponed.The problems caused by vandalism in autumn 2017 have damaged the work and progress of biodiversity in the vineyards, eg hedges and trees burned.

Perhaps most startling of all the Domaine will, in future, no longer be named Mas Coutelou. The authorities informed Jeff that a domaine releasing wines as Vin De France rather than AOC or IGP is not permitted to use the term Mas. In Jeff’s case this seems daft as that is the family name of his mother and founders of the Domaine. No matter the logic and common sense, the wines will now simply be called Coutelou.

As for 2018.

The plantations foreseen for 2017 will, hopefully, take place this Spring, eg next to Ste Suzanne where traditional and older grape varieties will take their place amongst the dozens already planted across the domaine.

P1020252

The sodden vineyard which could not be planted in 2017

Jeff intends to bring back to life the parcels in the Saint Chinian area which belonged to his father. They will be tidied, replanted as necessary and improved with biodiversity as a core principle. In ten years we can look forward to a whole new range of Coutelou wines from this renowned region.