amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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A Tour Down Under, Marlborough

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The most famous wine region of New Zealand, Marlborough, is found in the north East corner of South Island. No less than 77% of the country’s wine originates from Marlborough, around the towns of Blenheim and Renwick in particular. Factor in the fact that 85% of Marlborough’s grapes are Sauvignon Blanc and we begin to see the importance of this variety to the reputation of wines from the region and, indeed, the rest of the country.

Certainly, the region is very different to Nelson, the focus of my last blog. There the vineyards are part of a much bigger agricultural scene, fruit orchards, hops, cattle and sheep mix with vineyards in the Nelson area to create a true pastoral landscape, e.g. in the Moutere Valley.

Journeying into Marlborough across the hills from Nelson the vines do not appear until shortly before reaching Renwick. But then vines stand, row after row, mile after mile. Wineries which put the country on the world wine scene stand side by side, Wither Hills with its many vineyards, Hunter’s, Villa Maria are all producers which played a major role in my personal learning about wine and, especially, wines from New Zealand.

The winery which first drew attention to and recognition of the potential of Marlborough Sauvignon Blanc was Cloudy Bay. Named after the beautiful bay to the East of the vineyards. This winery now produces a number of different wines but it was the Sauvignon which really made its name and established New Zealand as a quality producer. Cloudy Bay Sauvignon Blanc is also the long time favourite of my wife so a visit was obligatory.

Cloudy Bay itself

A very professional tasting room and comfortable garden allowed us to taste the celebrated Sauvignon 2017 which was classic Cloudy Bay but also the oaked version Te Koko 2014 which wears its wood ageing well. In addition we were able to taste a rare old version of the Sauvignon, from 2005. There was still plenty of acidity, the wine had become a little flabbier but had a dry finish. Not many bottles of 12 year old Cloudy Bay still exist I’d imagine, it was interesting to see that they do age quite well though I would drink any bottles younger. Pelorus NV sparkling wine and the Pelorus vintage 2010 (only available at the cellar) were both pleasant enough, the latter definitely had more weight and flavour. Chardonnay 15 was wild fermented in barrel (82% of it at least) and the oak was subtly done, a good example of the grape.

Herbicides and machine harvesting but a lovely setting

On to reds and the Pinot Noir 15 was very good, one of the best Pinots of the trip so far, fresh, fruity, juicy with good length. The Pinot Noir 2010 had already gone the way of so many older NZ Pinots, all forest floor and mushroom. It obviously appeals to Kiwis but not to this Rosbif. Neither did the Central Otago sourced Pinot Te Wahi 15, there was some rose scented fruit but this was very oaky and tannic, again not my style. There was also a very good Late Harvest Riesling, good Riesling notes, acidity balancing the sweetness.

Interestingly, Cloudy Bay has made the decision to reduce the varieties it uses. Riesling and Pinot Gris are out, they will concentrate on Sauvignon Blanc, Chardonnay and Pinot Noir alone. Cloudy Bay owns 50% of the vineyards it uses to make its wines and works with growers for the other 50%. This is common in the region, growers provide the grapes, the winery gives instructions on how they want the vines to be tended.

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There are wineries which grow all their own grapes and I visited two, both organic producers. I had tasted Fromm wines before, notably a very nice Sauvignon Blanc La Strada 2016. On this visit we mainly concentrated on reds. Pinot Noir La Strada 16 was a little unforgiving to my taste, not much fruit showing. For once the older wine was more to my taste, the La Strada 10 being more open and balanced, red fruits and just a little earthiness. On to two single vineyard Pinot Noirs. Churton 16, more weight and concentration than the entry level, still very young and tight. Quarters 16 was different, more spicy and fruity, grown on more clay soils than the Churton. On to Syrah and I liked the La Strada 16 with its peppery, spicy notes and more friendly flavours. The Fromm Syrah 16 was more concentrated with rich pepper notes, quite tannic still, I am sure this will be very good. I must add that Syrah has been my favourite grape amongst red wines in New Zealand.

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Fromm vines

Two white wines to finish, the highlight of the tasting for me was the Riesling Spätlese 17, well named being very much in the style of a Mosel spätlese, lovely apple fruit with zingy acidity and a lick of sweetness too. Finally, a Late Harvest Gewurztraminer 15 had classic aromas of the grape, spicy and floral but the wine had very fresh acidity cutting through the sweetness. Apparently this variety suffered in 2018 but I liked this wine, very well made.

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My favourite visit of the day though was undoubtedly to Hans Herzog. The domaine is next to the Wairau river on one vineyard which the Herzogs have planted with lots of different grape varieties. They have planned this carefully so that sunnier aspects get grapes such as Montepulciano and Tempranillo whilst cooler areas are planted with white grapes and Pinot Noir. The plan makes for fascinating reading.

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This is a biodynamic domaine and only a small amount of SO2 is added at bottling, these would qualify as natural wines for many people though I was surprised that harvesting is mostly by machine. There is a beautiful restaurant in the gardens next to the vines, with a splendid trellis supporting lots of different grape varieties and notes to explain each one. A treat for those, like me, who love to study ampelography. The food was very good too.

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The Herzogs are Swiss and Hans comes from a family of winemakers of long standing. It was a young Swiss woman, Petra, who gave us a very generous tasting. Wild Gewurztraminer 2017 is named after its open fermentation and longer period on skins. It had vibrant aromas in the glass, spicy and dry flavours, a real treat and a sign of good things to come. Pinot Gris 16, 5 days on skins, was apple and pear notes, lovely and fresh.

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Very ripe Roussanne grapes 

The Sauvignon Blanc 15 was made on lees which are stirred and there was a yeasty aroma to the wine which was very dry and quite textural, one of those rare wines which actually tasted of …. grapes. Very good. A sparkling rosé wine to follow, Cuvée Therese made from Chardonnay and Pinot Noir with red fruit notes and a dry finish. Finally Gruner Veltliner 14, yellow in colour, pear and quince aromas and lovely texture and clean finish, lovely.

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On to the reds. Pinot Noir 2011 was macerated 18 days on skins, aged for two years in bottle. My favourite Pinot Noir of New Zealand so far, fresh, vibrant spicy red fruit with a balancing acidity and complexity and gentle tannins. This is how Pinot Noir should be in my opinion. Tempranillo 14 was a lovely surprise. This is not a grape I usually like that much but this example was just lovely. The light red fruity notes of a young Rioja but without any oaky notes even though it was aged in barrels for 22 months. Energetic, lively, smashable. Spirit of Marlborough 09 is a Bordeaux style wine made from Merlot and Cabernet Sauvignon, aged 26 months in barrel and then more years in bottle. Again this would not be my favourite style of wine but somehow this works. Finally, and definitely worth waiting for, was the Nebbiolo 2013. Petra told us that this was the wine which is opened as a treat at the end of harvest, only one barrel was made. It is a stunning wine, easily my favourite in this New Zealand trip. Aromas of rose and fresh tropical fruits (yes in a red wine) and then, amazingly, hints of peach and apricot as well as red fruits. Light in the mouth yet with concentrated, long flavours. I loved this wine and was very impressed by the range, there is a real energy and vivacity in them. So different to a lot of the more commercial wines produced in the area and, hopefully, a sign that quality will win through.

Ampelography lesson over lunch, perfect!


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Naturally RAW

As my last article said RAW promotes wine “in a natural state; not treated by manufacturing or other processes.” However, those vignerons who do work to make wine as naturally as possible might argue that wines with SO2 levels over 20mg/l are not truly what they would mean by natural. No doubt Isabelle Legeron would regard measures of one particular substance as not the whole issue about natural wine and she would be correct, especially regarding work in the vineyard. Nonetheless the RAW guide itself listed producers with no added sulphites, those with <35mg/l and the others. Some producers cross these boundaries making some wines with added SO2 especially at bottling whilst other bottles are sulphite free.

My favourite producers who mostly add no SO2 are described below, apologies to those I did not get to. I have included links to the excellent RAW website which has details of all the bottles. Have a look to at David Crossley’s articles, more detailed and descriptive than I can manage.

My favourite wines were those of The Scholium Project as I described last time, some of whose wines are sans sulfites. However, of those producers working wholly without sulphites, top of my list was the Aosta Valley producer Selve.

Azienda Vitivinicola Selve (RAW link)

Since this domaine was taken over by the Nicco family in 1948 they have been making wine naturally, in the early days selling it to local people on tap! Three generations later the wines continue to be made with respect to the terroir and nature. The grape here is Nebbiolo, one I often find difficult to like but here it was stunning, such vibrant, pure wines with structure typical of the grape but also delicious round dark fruits.

The main bottling is Picotendro. The 2012 was deep and complex but very drinkable even now. However, Jean louis also produced a 2012 aged in chestnut wood rather than oak and that was on a higher plateau altogether. Four years in old wood had softened and rounded the wine and added a nutty complexity,. In special years the family produce a cuvée called Pantheon and I tasted the 2003. Certainly there were signs of its 14 years, a brown edge to the colour but the wine was youthful, in good form and full of life ahead. It was simply delicious, balanced and pleased palate and brain. This is the domaine who showed me that their analyses show virtually no sulfites in the wine, less than 2mg/l mostly.

A great discovery for me, salve Selve!

Uva De Vida (RAW link)

I  had planned to taste more Spanish wines at RAW and I must admit I failed to do so. Of the half dozen I did taste Uva De Vida stood out a mile. Based near Toldeo, Carmen López and Luis Ruiz manage their vineyards biodynamically (Demeter certified) and I love their quote from the RAW biography, “The earth does not belong to man, but man belongs to the earth”. That should be the philosophy of every winemaker, indeed everyone.

The wines are made with the Graciano grape. It was the Latitud 40 wines which impressed me so much. The 2012 Crianza had real energy and the 14 months in old oak added spice to a red fruit profile. The Castilla cuvée was offered from 2014 and 2015. The 14 was bigger, spicier and had lots of power and depth but always balanced by fruit and life. I actually liked the 15 better, no oak and there was actually even more spice and complexity. Pure, well made wines.

Alexander Koppitsch (RAW link)

Austrian wines have rapidly become amongst my favourites in the last 2-3 years, producers such as the Tscheppes, Preisinger, Meinklang and Pittnauer have really excited me. The same was true at RAW and this was a new domaine to me. Low intervention, including virtually no use of machine in the vineyard together with no added SO2 is not an easy choice for a young winemaker but Alexander and Maria succeed in producing lovely fresh wines, white and red.

There were numerous cuvées on offer and all were good. My white wine highlights included a skin contact wine which still had plenty of fruit and zest as well as complexity (Welschriesling Maischevergoren 2015), a fascinating, lively field blend of varieties Gemischter Satz Maischevergoren 2013 again made with skin contact and best of all a beautiful Weissburgunder Unfiltriert 2016, loads of grapefruit, melon and long flavours.

My favourite reds were both from the St. Laurent grape, the Unfiltriert 2015 had beautiful clarity and fruit whilst the vat sample 2016 was as good if not better. 2016 was a harsh year for winemakers in Austria with yields well down and this St Laurent is testament to Alexander’s skill. My liking for recent vintages suggests that the wines are improving as the domaine progresses.

Rennersistas (RAW link)

Two sisters, Susanne and Stefanie, in the early years of their winemaking and already producing very good wines.My two favourite wines here were both called Waiting For Tom, in tribute to the two men with whom they learned about winemaking, Tom Lubbe and Tom Shobbrook. They clearly were good teachers and students. The rosé 2016 made from Zweigelt was one of the best rosés I have tasted, lovely aromas of fresh red fruits and citrus carried into the taste. Light, refreshing – a perfect rosé wine. The red 2016 combines Pinot Noir with Blaufrankisch and St. Laurent and has so much life, freshness and joy.

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Champagne Laurent Bénard (RAW link)

Champagnes formed many of the highlights of the January Montpellier tastings and again here at RAW. This domaine works organically (Ecocert) and uses horses to hoe the soils, no dosage, no added sulphites either. The Vibrato 2012 was lovely, slightly yeasty (which is how I like champagne). Refreshing, long flavours and bettered only by the 2013 where the fruit was even more prominent. I’d have these in my cellar every time.

Domaine Alexandre Bain (RAW link)

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I have sung the praises of this domaine a few tomes on this blog, Alexandre works biodynamically (Ecocert and Demeter) and adds nothing to the grape juice. His pure way of working has got him into trouble with authorities in the past even though these are the purest examples of Pouilly Fumé! All 3 cuvées on offer were excellent, my favourite the Pierre Précieuse 2015 with its clean fruit and , yes, minerality. I do think he is a winemaker at the top level.

La Maison Romane (RAW link)

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Oronce De Beler makes wines in Vosne-Romanée but is not a vigneron, he makes his wines from bought in grapes from organically grown sites. He works naturally with little or no SO2. Let’s face it when red Burgundy is made well there are not many better wines, hence the high prices these days. I liked all the wines here they showed good balance of fruit and complexity, promising long life in bottle as well as pleasure now. Favourites were the Fixin Les Clos 2015, tannins bolstering lovely fruit and a top class spicy Vosne-Romanée Aux Réas 2015 of great depth, all spice, red fruits but plenty of ripe tannins too.

Mas D’ Alezon (RAW link)

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I admit to some partiality here as I know these wines well, they are amongst my favourite Faugères wines and, if you know this site you will know that Faugères is my favourite Languedoc region. Catherine Roque made wines at Clovallon (now run very well by her daughter) and acquired Mas D’Alezon in 1997. Demeter certified and working sans sulfites has added zest to the wines and the classic Faugères is lovely but the wine which wowed me here was a new one to me. Le Presbytère 2016 has Cinsault and Carignan but also Lledoner Pelut as the major part. I only know of a few domaines working with the grape and, if winemakers drink this bottle, they will be clamouring for the vines. Delicious, drinkable, clean red fruits but with a depth and coffee notes on the finish. One of the wines of the tasting.

I should mention Clot De L’Oum in the Roussillon and Domaine Rapatel in the Gard who also offered some lovely wines. Also special mention to Olivier Cohen whose excellent wines I described here from a previous tasting.