amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Natural Alsace

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My last article explained the many virtues of Alsace as well as a slight misgiving about some vignerons though, it must be said, Alsace has the highest % of organic producers in France. There are some great winemakers amongst them and I was able to visit two of them during my visit.

The first was Patrick Meyer of Domaine Julien Meyer in Nothalten. This was a step back in time for me as Patrick is based just two doors away from a house where I stayed on holiday many years ago. Indeed it was around the same time as Patrick made his first natural wines in 1992, one of the pioneers. He has improved the soils of his vineyards growing plants and flowers which are rolled into the soil when they reach 30cm in height. The soils are fine, full of life and even smell fresh.

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Patrick showed us around hos cellars and we tasted many excellent wines. Some were collaborations with vignerons from around the country including Axel Prufer in the Languedoc, very good they were too. However, it was when we tasted the 2016 Alsace wines in the cellar and older vintages from bottle that the wines reached another level. Varietal wines were excellent, the Crémants too. The jump to Grand Cru however, brought amazing results. Layers of flavour, texture and complexity in every bottle.

The real surprise came with bottles which Patrick had opened not just days before but 2-3 weeks before. They were still fresh, still full of life – amazing. Despite having few wines to sell Patrick kindly found some bottles for me, I shall cherish them.

We moved on to Rosheim to meet Julien Albertus who runs the vineyards and winery of Kumpf-Meyer. I met Julien at Les Affranchis in Montpellier and was keen to meet him again and taste the wines once more.

Julien has moved the domaine on to producing some natural wines alongside the organic wines. They are in their early days and will improve on coming years but they are already full of flavour and life. The Pinot Noir and Crémants were the stars but these are serious wines and Julien is a real talent, an example of the the next generation after Patrick taking up the mantle.

Patrick spoke to me about the difficulty for young winemakers buying vineyards due to the high price of land in Alsace, so it is difficult for that generation to come through. However, Julien and  Catherine Riss, also based in Nothalten, are showing that natural wines of real quality will be made for a long time to come. Patrick and Julien are certainly producers to seek out alongside Binner, Schueller etc.

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A happy customer


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Alsace

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View from Sigolsheim Nécropole over Grand Cru vineyards

When I first started to develop my passion for wine it was the books of English writer Oz Clarke which guided my tastes and my visits to the wine regions of France. I recall an evocative piece he wrote about sitting in the Nécropole, the military cemetery, of Sigolsheim in the Haut-Rhin department of Alsace. The view from this hill over the vineyards showed him how the Grand Cru sites corresponded to their position on the slopes. I visited the cemetery (of men who died in the Colmar pocket battle in World War 2) again last week and Clarke’s words came clearly to mind.

During my 5 days in Alsace I was to taste wines from all over the region, from its vineyards on the plains and the Grand Cru sites. For some years I was unconvinced by the true premium of those sites but my recent experience suggested to me that vignerons are now truly extracting the best from these vineyards and that there is a real jump in quality. I am sure that is not true of all of them but certainly the wines I tasted supported Clarke’s opinion back in the 1990s.

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Two favourite grapes from Alsace, Riesling and Pinot Noir, both by Trimbach

One other main development from previous experiences in Alsace was how much drier the wines are being made. There was always a sweetness to many wines but producers seem to have realised that consumers were confused by the different levels of dry, medium and sweetness in bottles which appeared to be of similar wine. It was noticeable that some wine lists even listed some wines such as Gewurztraminer as ‘sucré’ (sweeter). I found this a welcome consistency.

Finally the other main development for me was the improvement in wines from Pinot Blanc and Pinot Noir. The Blancs were often simply neutral, lacking real character and flavour. I tasted a number last week which showed real white fruit flavours and a floral, attractive aroma. Similarly the green, thin Pinot Noirs I remember from a few years back are generally now replaced by red fruit, more body and very pleasurable drinking.

The region is arguably the most attractive in France and I do love it. Towns and villages full of colourful, beamed houses, storks nests and often overlooked by castles. The vineyards can be precipitous, alarming slopes falling down to the villages. Machines would find it impossible to operate on some of them, these slopes need careful manual attention.

And yet..

Despite the many positives of Alsace wines it was disappointing to see so much use of herbicides, chemical sprays etc. I saw 3 spraying machines in use and every one operated by a vigneron dressed in plastic suits and masks to (rightly) protect them, these were clearly powerful chemicals being used.

Fortunately I was able to visit some of those who work in more environmentally friendly ways and I shall describe those visits next time.


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Ode to joy

 

This weekend was Real Wine Fair time in London. I did not attend as I am travelling to France in the next few days and didn’t fancy a long round trip followed by another. I would have loved to attend and taste more great wines from around the world, with an organic, biodynamic and natural core. I have already seen some interesting reports but as so often it was Jamie Goode’s which caught my attention because he touches on one very important aspect of wine tasting – pleasure.

I have attended many tastings over the years and very often they are held in hushed, reverent surroundings. Nothing wrong with that, it is easy to appreciate the wines and concentrate upon their strengths or weaknesses. However when I have attended tastings such as RAW, RWF, La Remise or Les Affranchis there is a much more boisterous atmosphere. People enjoy the wines and are not afraid to show that. There is laughter and pats on the back. As Goode says it must drive some natural wine haters nuts “to see consumers having such fun drinking these natural wines. The future of wine is bright, I reckon.”

He goes on to discuss the term ‘natural’ and how it has become divisive and argues that SO2 levels are a moot point. I don’t wholly buy the last point as I know it matters a great deal to many natural producers and I respect their choices and philosophy. Nonetheless, as I have said many times in these pages, the influence of natural wine on others is now clear.

However, Goode’s point about the sheer pleasure which people take from these wines is what I think deserves repeating. Wine is meant to be enjoyed, the younger crowds at natural wine fairs are not afraid to do just that. Good on them.


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Decanter’s first natural wine tasting

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A sign of acceptance in the mainstream wine world? Decanter magazine held its first tasting of natural wines recently. Simon Woolf, Andrew Jefford and Sarah Jane Evans were charged with the tasting and I think that is a very fair minded trio of experienced tasters.

The first issue they faced was how to classify a selection of natural wines and Simon explained on his very good blog themorningclaret.com how they adopted the rules of RAW, the natural wine fairs organised by Isabelle Legeron. That means organic/biodynamic production (preferably certified), hand harvesting, no modern techniques such as reverse osmosis, no fining or filtration and no cultured yeasts. Of course the issue of sulphites was central to discussion, as it so often is, and RAW’s rules allow up to 70mg/l so this tasting allowed the same. When I attended and reported on RAW this spring I made it clear that I view this as too high but that was the rule laid down here.

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122 wines were tasted mainly based on bottles provided by UK retailers. Interestingly, and inevitably, the three tasters produced very different results. Being a Decanter tasting they were required to give marks (which I increasingly dislike) but the comments and selections are well worth reading. The results and top ten wines for each of the tasters is available on Simon’s blog here along with a link for a pdf of the Decanter article. The full list of wines tasted is here.

I have obviously been drinking too much wine as I know the vast majority of these 122 bottles. Their top wine turned out to be La Stoppa’s Ageno 2011 and I have praised this domaine before as well as that wine, so no argument from me. My own views would differ from all three but that is the nature of tasting (and why marks make little sense to me). Kreydenweiss, COS, Occhipinti, Haywire, Meinklang, Muster, Sainte-Croix and Testalonga are all firm favourites of mine so, in fact, I would agree with many of the selections.

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I highlight this event because I think it is a landmark in that a very conservative magazine (I didn’t renew my subscription many years ago because of its very traditional bias) has brought natural wine on board. I believe natural wine should be willing to accept constructive criticism from such fair minded critics and so this is an important step in the right direction.

Also worth noting is the sheer spread of producers from all corners of the globe, natural wine is not going away it is growing in popularity with consumers and producers. Note too that some big producers are making  versions of natural wine, a trend mentioned on these pages before. Whilst I personally may not regard them too sympathetically at least it is a sign that the philosophy behind natural wine is winning support.

So, well done Decanter, and Simon Woolf in particular, for promoting this tasting.

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Wonderful wines which definitely pass muster with me

 


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Frost damage

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Chablis (tweet by Germain Bour)

Sad to hear reports of widespread frost damage to vines all over France and Italy on Tuesday and Wednesday nights. Temperatures plummeted to -6ºC in Chablis and the Jura for example. And at a time when vines have begun to bud and the leaves unfurl. The result, of course, is damage to these buds which will not produce grapes this year. No grapes means no money for the winemaker. And in some regions this is two years on a row. I was in the Loire at this time last year and saw the damage it can do for myself, some vignerons losing whole vineyards.

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Jura before and after the frost (Véroselles)

Two weapons have been deployed by some vignerons. Firstly, impressive photos from Burgundy and Chablis where, perhaps more wealthy, vignerons used fires amongst the vines to try to keep temperatures higher.

The other tactic, more counter intuitive, is too spray the vines with water so that the buds and leaves are immediately covered in ice and this protects them from further damage.

Large scale producers such as Roederer in Champagne are reporting losses of 10-20% of their vines for the year. Some smaller scale winemakers will have lost proportionally much more. I can only sympathise. Let’s hope things turn better for them soon.

Addendum 3.15 pm

I have seen some photos of the Languedoc being hit too.

It appears that hail also struck some areas last night too. The frost risk will last until Saturday.

 


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What’s in a bottle?

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Two bottles of wine from Spain. Both enjoyable to drink without setting the world alight. So what makes them worth a blog post?

The answer lies in the empty bottles. The Albet i Noya was a typical bottle, nothing unusual. Until I opened the other, a wine recommended from Lidl’s Easter range. The bottle was so heavy, so unusually heavy, that I decided to weigh it. 747g was the result, compared to 427g for the other bottle which is about average for others I weighed. (This involved huge sacrifice in drinking wines, I do hope you appreciate that. As well as slightly obsessive behaviour!).

In other words, 2 bottles of the Albarino weigh roughly the same as 3 more regular bottles. In terms of shipping and the environment that must come at a cost. The more serious point I am making is that whilst we campaign for environmental awareness in terms of vineyard practice we should also be aware of the environmental cost of the finished product. In this case there was no good reason for a heavy bottle, it was not sparkling wine under pressure which would require thicker glass. No doubt thousands of these bottles were transported around, using up extra fuel and creating more emissions.

I liked the wine but I would not buy another bottle because I think I am paying for unnecessary packaging. Unnecessary damage too for my pocket and the earth. There is simply too much cost involved, time to take a stand.

 

 


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Mas Coutelou 2016

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Tasting September 27th

It was a year of difficulties as I have reported on here many times. From a virtually arid winter and spring to a chilly early summer and then a very hot summer the vines had a struggle to cope with the bizarre climate. Add in a hail storm, snails eating away large numbers of grapes and mildew. No surprise then that the quantity of wine produced was much reduced, bottles will be much scarcer than previous years – so when you get the chance buy them. If quantity is down then what about quality?

I have had the good fortune to taste through the range of wines on two occasions. On September 27th the wines were in their infancy settling in tank, the team got together to gain first impressions. In late January and in February this year I tasted them again with a number of visitors. What I tasted was the wine from the different vineyards before it was then assembled into the various cuvées which Jeff will eventually put out. Therefore, my notes are about the ingredients rather than the finished dish.

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Tasting January 28th

I decided to simply publish my notes as I wrote them on the two occasions – no editing, just my personal impression at the time. Already these wines had changed a great deal after 4-5 months and they will have changed again even before being assembled into Le Vin Des Amis etc.  I have chosen only the main wines, there are several other cuves with other wines but these are the main wines of Mas Coutelou.

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January / February 17

  1. Muscat Petits Grains – 2 weeks maceration, fairly neutral nose but fresh Muscatty flavour with tannins / texture. Orange flavour in there – G

Nose is Muscatty and orange blossom. No real grapey Muscat flavours but a dry                   wine, fresh,  direct and clean. Little drying on finish but coming together well. – G

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  1. Carignan Blanc – little reduced on nose, nice fresh acidity and appley fruit. Still cloudy – G

This has improved, white flower aromas, fresh, white fruits, very long – VG

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  1. Maccabeu/Grenache Gris/ Muscat – Lovely pears and red apples. Fresh acidity, lovely. Full, nice texture – VG

Some residual sugar still but direct fresh fruit – pears and apples – G

  1. Cinsault (Segrairals) – assembled with marc from Syrah. Nice fresh acidity – OK

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5. Grenache Ste Suzanne – Little green, quite acid, some spicy after notes. A bit tart –             OK

 11.5%, light but fruity and grapey, lost its tartness, more round – QG

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Grenache just picked

6. Syrah Ste Suzanne – Nice, perfumed, red fruits, good acidity and soft tannins – G

Very attractive red fruit nose, has some heft yet only 12%, rich and easy to drink – G

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Syrah from Ste Suzanne

 7. Flower Power (plus others) – Round red fruits, lively, red fruit flavours – QG

Syrah and Cinsault in there too, nose is lovely, really attractive with red fruits and              floral. Nice round easy fruits – G

8. Syrah Segrairals – Still fermenting, quite a lot of residual sugar. Nice, fresh acidity,              red fruits – G

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9. Syrah La Garrigue – Slight acetate nose, Round dark fruits. Nice texture and mouth             filling – G

Dark, ripe round fruits on nose and flavour, plummy, a little closed, good tannins –             G

10. Grenache La Garrigue – Nice ripe cherry aromas, good acidity and texture. Ripe –                G+

Very fresh and open, round ripe fruits. A little residual sugar still – G+

11. Mourvedre – Very attractive floral aromas, some sugar still, raspberry fruit – G

Improved a lot, a little reduced but liquorice flavours, dark and how it builds in                  the mouth, could be a surprise star – VG

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Mourvedre I picked

12. Carignan – lovely dark fruit, very fruity and fresh flavours. Very clean finish,                      almost slatey minerality – VG

Still working, a little spritz. Quite acidic as yet but there are dark ripe fruits and                  these are playing together on the palate, will develop well – G

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Still fermenting

Overall, the general impression is of good quality with plenty of freshness and fruit to balance. Mourvedre could provide the star wine of the year which would be a surprise, though the Carignan will no doubt improve and be a star once again. The whites, in various styles, are again showing how good white wines can be in this region.  After a very problematic year it is surprising that the wines emerged so well, testament to healthy vines and a skilled winemaker.

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Celebrating 2016 with a lovely Bibonade rosé

 


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The first Coutelou of Spring

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It’s a while since I wrote about the happenings at Mas Coutelou, so time for an update. I am thankful to Jeff, Vincent and Julien for keeping me up to date in my absence.

The first few months of 2017 have been damp in the Languedoc, a contrast to the arid 2016. The photos by Julien above show water standing a week after rain and his feet sinking into the soil as he pruned. Jeff had planned to plant a vineyard of different types of Aramon at Théresette next to La Garrigue which has lain fallow for the last few years. However, the soil remains very damp and planting has not been possible, unless things change quickly the project will be postponed until next year. For the same reason, the first ploughing would have begun by now in most years, but is on hold for drier conditions.

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Pruning the last vines (photo and work by Julien)

Julien completed pruning (taille) around March 10th. He photographed the first budding (débourrement) amongst precocious varieties such as the Muscat. However, Jeff told me this week that, generally, budding is later this year, the damper, cooler weather again responsible. That is not necessarily a bad thing. Remember that frost can cause great damage to vines, especially buds, and the Saints De Glace (date when traditionally frost risk is over) is May 11-13. I recall visiting the Loire last April and seeing frost damage, whole vineyards with no production for the year.

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Julien photographed some early buds

The weather conditions are favourable for something, sadly not good news either. Snails, which ravaged large numbers of buds and leaves in Flower Power and Peilhan last year, have found the damp much to their advantage. They are a real pest, a flock of birds would be very welcome or we’ll see more scenes like these from 2016. Of course, one of the reasons why birds and hedgehogs are lacking is the use of pesticides by most vignerons in the region.

In the cellar the new office and tasting room is complete. Our friend Jill completed a montage of Mas Coutelou labels which we gave to Jeff as a gift. Hopefully that may decorate the walls of the new rooms.

The floor which was half covered in resin last year has been finished all over and another new inox (stainless steel) cuve has arrived. (photos by Vincent).

On March 22nd the assemblages of the 2016 wines took place. Or at least most of them. One or two cuves still have active fermentation with residual sugar remaining but otherwise the wines were ready and the conditions were favourable. I won’t reveal what cuvées are now blended, that is for Jeff to unveil. However, I can say that the reduced harvest of 2016 means fewer wines are available and fewer cuvées made. In the next article I shall be giving my thoughts on the 2016 wines from tastings in October and February.

Finally, there was an award for Jeff himself. On March 30th he was made an official ambassador for the Hérault by the Chamber of Commerce of the département. This was an honour for Jeff himself and the generations of the Mas and Coutelou families who made the domaine what it is. Founded in the 1870s at 7, Rue De La Pompe by Joseph Étienne Mas who planted vines and kept cows after he had fought in the Franco – Prussian War of 1870-1. Five generations later Jeff is an ambassador for Puimisson, vignerons and the Hérault and with his wines he is really spoiling us.

 


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dRAW conclusions

Vionnet (RAW link)

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I had heard good reports about Karim Vionnet’s wines and I enjoyed the lighter non-oaked versions in particular. Du Beur Dans Les PInards 2015 had well balanced fruit and depth, very good Beaujolais. The light, straightforward Chiroubles ‘Vin De KaV’ 2015 would please anyone, though added sulfites seemed unnecessary.

Riberach (RAW link)

The Roussillon is home to many excellent winemakers and I had seen some rave reviews about Riberach so it was good to taste their wines at last. Riberach is a collection of grower, winemakers and others with 20ha of vines certified by Ecocert. I liked the wines in general especially the white wines. Hypothèse Rouge 2011 had good fruit and mineral mouthfeel but top for me was the Hypothèse Blanc 2014. The red is based on Carignan Noir, the white on Carignan Gris – a Carignan whitewash for me.

Château Massereau (RAW link)

The highlights of the Montpellier tastings in January included Chateau Meylet from St. Émilion and, perhaps, Bordeaux based wines are making a comeback in my affections as Chateau Massereau based in Barsac was a favourite here. Certainly the Sauternes wines were a real delight (La Pachère lighter than Cuvée M) but the reds were the core wines, I liked them all but especially the Cuvée Socrate 2009, picked early for freshness which shone in the glass. A word too for a really good Clairet 2015, weightier than a rosé with 48 hours of skin contact, fruity, light and delicious.

Gut Oggau (RAW link)

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Another Austrian producer makes my list, it really is a source of some of the best wines at present. I presume Eduard Tscheppe is somehow related to the excellent Andreas whose wines I have praised so often on here. Together with his partner Stephanie they make very attractive and drinkable wines. So popular that they ran out of wine early on the Sunday so I made a bee line for them on Monday morning. The Theodora (weiss) 2015 was very mineral but plenty of fruit too, complex and good. my other favourite was Emmeram 2015 made from Gewurztraminer, not everybody’s favourite grape but this was long, fruity, exotic and just a touch of residual sugar to add a pleasurable finish.

Meinklang (RAW link)

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Tasting with my good friend David Crossley

More from Austria and amongst the best of its producers, another to run out of wine early. Delicious Foam White 2015, a petnat with superb freshness and depth after 15 months on lees. Graupert Pinot Gris 2015 had chewy fruit (2 weeks on skins) and a lovely clean finish. The two Konkret wines (raised in concrete eggs) were particularly good, proof that ageing wines in this style does work well. The white had lovely peachy aromas and long fruit, the red was clear, direct and long. The Zweigelt 2015 was a highlight, beautiful precise fruit and a mineral, clean finish. I should also praise the delicious Foam Cider.

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So much did I like the wines and cider from Meinklang that I immediately ordered some.

Batic (RAW link)

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I tried wines from quite a few East European producers and was a bit disappointed by them. However, Batic, a Slovenian producer, was outstanding. A lovely 2016 Cabernet Sauvignon but the real star was Angel 2011 a blend of 7 varieties complanted in the vineyard, 31 days on skins and 4 years in barrel. How does that make such a light, fruity, pleasurable wine? I don’t know but it was a terrific wine.

I Mandorli (RAW link)

Excellent Italian wine based on Sangiovese and Cabernet Sauvignon. Freshness was the hallmark of the wines. Particular favourites were Vigna Alla Sughera Rosso 2013, lovely sharp cherry flavours. The Vigna Al Mare 2013 had real Cabernet profiles of blackcurrant. Vino Rosso Base 2014 was a light blend of the 2 grapes and very drinkable.

Conclusions

A very good tasting offering the opportunity to taste wines from many countries. Natural wines are on the up, producers emerging not just in the traditional hotspots of France and Italy. One well-known wine writer recently suggested in a description of one wine that natural wine is a fashion. Apparently she is unaware that they have been made for almost 40 years, they are no fad. More producers, more customers, more restaurants – the demand for natural grows every month.

I remain unconvinced by amphorae, some producers are mastering the technique but there is a lot of clumsy, inexperienced use at present. Concrete eggs on the other hand do seem to be more sympathetic to the wine.

Most producers at RAW were certified organic or biodynamic. It is important that consumers should be confident that their wine is really natural. The wine described by the critic was made SO2 free but not organic, to my mind (and in RAW’s charter) that would not be a natural wine. I also did wonder why some producers continue to feel the need to add sulfites to the wine.

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Natural wines are here to stay, they will hopefully become known as simply very good wines. The wines described in the last 3 articles should help to provide many examples of such very good wines. And that is without covering the wines of such illuminati as Cornelissen, Gravner and Texier.


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RAW too

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And so to the wines at RAW which contain sulfites above 20mg/l, in other words sulfites added. Reading Alice Feiring’s book ‘Naked Wine’ she tells of how the founding father of natural wine Jules Chauvet used SO2 as do some of the movement’s well-known figures such as Foillard and Puzelat if they feel they need to do so in order to protect that particular wine. Natural wine is about more than just sulfites though its reputation seems to be bound with that additive. RAW’s own charter is worth reading on the subject.

I did enjoy many wines at RAW which are above my artificial 20mg/l mark. There are a dozen domaines worthy of mention so I shall be brief in describing them. Again I refer you to the RAW website for more information (via links) and also to David Crossley’s website for more detailed descriptions on some.

Vinca Minor (RAW link)

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Sonoma Chardonnay (from domaine website)

Confounding all my prejudices about big, sweet California wines this domaine’s hallmark was freshness and a light touch. Whether a peach aroma Sonoma Valley Chardonnay 2016 or a juicy, red fruit Redwood Valley Carignan 2015 and even a Cabernet Sauvignon 2015 Santa Cruz Mountains – all these wines delivered everything you’d want in flavour and drinkability together with some complexity. Together with The Scholium Project I am converted to West Coast wines.

Okanagan Crush Pad (RAW link)

And Canada too. This is an interesting project where as well as making their own wine new winemakers are helped to make theirs too. Read more at the link above. Their Haywire wines were very good, providing an interesting contrast for me. As stated before I am not the biggest fan of extended skin contact wines, but here was a Free Form Sauvignon Blanc 2015 of 9 months maceration which was fruity as well as having texture, very good. I preferred it to a more traditionally made Pinot Gris. On the other hand the red skin contact was outshone by a beautifully fresh Water And Banks Pinot Noir 2015, classic grape character with red fruits and an earthy crunch. Lovely.

Vins Du Jura Thill (RAW link)

Jura wines are very on trend and with good reason, there are many excellent wines being produced there. I visited the region 20 years ago when Jura wines were hard to find because nobody was interested, now they are hard to find because they are in demand. I have had the good fortune to taste many excellent producers before including La Pinte, present at RAW. This domaine was new to me however, and another name to add to my list of must buys.

The Crémant Cuvée Adrian 2014 would certainly fit nicely into any occasion, refreshing tasty sparkling Chardonnay. The Chardonnay Sur Montboucon 2015 was even better with round , green and yellow fruits, great character. Perhaps my favourite wine was the Poulsard 2014, very light like a rosé in colour but packing dense rose and red fruit aromas and long red fruit flavours. One of my wines of the event. A word too for Vinum Paléas 2015, Éric’s straw wine with a slight honey note but dry and refreshing. Skilled winemaking.

Yves Duport (RAW link)

I don’t recall drinking wines from Bugey before. I will again. Again wines marked by a freshness and pure fruit . A lovely, fresh Chardonnay les Côtes 2016– more direct and zesty than the Jura style but a good food wine. The Pinot Noir Tradition 2016 made another comparison with the Jura and again it was more direct, good red fruits, ripe and clean. My favourite was the Altesse De Montagnieu “en Chinvre” 2016 which is quite a mouthful! Roussette is the grape and there was a grapefruit, citrus attack with a soft finish, really good.

It really is good to see a region fighting back led by a producer who lets nature speak.

Le Vignoble Du Rêveur (RAW link)

I was delighted to bump into Mathieu Deiss again. I have met him at a couple of tastings before when he was showing the wines of the family domaine with his father at the helm. I love those wines and their philosophy of place rather than grape. He is a passionate young winemaker and I am happy, but not surprised, to say that his own wines are crackers too.

Singulier is a blend of various white grapes, mostly Riesling made by carbonic maceration. The 13 was nice but the 15 was even better, singing with zesty fruit and character with mo SO2 either. It was another skin contact wine which made sense adding that characteristic texture to the fruit. Vibration 2013 was a Riesling with quite the best aromas of any wine at the Fair. Classic Riesling, zesty and long fresh flavours which grew in the mouth. Pierres Sauvages 2013 is a blend of Pinots; Blanc, Gris and Noir but made as a white wine so no long skin contact with the Noir grapes. This filled the senses, it is still developing in bottle I would say, lovely.

Hauts Baigneux et les Tètes (RAW link)

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To the Loire, that hotbed of natural wine and another new domaine to me based in Azay Le Rideau. I liked the reds but Loire reds are often a blindspot for me and it was the white wines which really stuck out, based on Chenin Blanc. The Azay Le Rideau ‘Les Chênes’ 2015 was a classic Loire white with zest and minerality, textured and fruity. I also liked the Blanc Chenin 2015 made in concrete eggs which seemed to have a richer depth. More young winemakers making an impact, the future looks good.

Chandon de Briailles (RAW link)

I have bought wines from this domaine in the past and was pleased to see them here at RAW. This is a classic Burgundy domaine and I love good Burgundy. No disappointments here, lovely Savigny and Pernand Vergelesses but there were two stand out wines. Corton Blanc 14 was a reminder of why Chardonnay in Burgundy can be just about perfect. The aromas and flavours seemed to have limitless depth, from apple and green fruits to rich, round hazelnuts. A stunner. And the Corton Bressandes Grand Cru 2014, just makes me smile thinking of it. Still a baby, but delivering forest aromas, dark red fruits, earthy notes – it’s one of those Pinot Noirs which just says this is as good as red wine gets. Tannins aplenty still but in a few years? I would love a supply of these to follow the wine’s progress. Top class biodynamic wine with producers cutting back on sulfites too. Love it.

Wines from classic old world regions and new world upcoming areas too. The world of wine is embracing natural wine.

Final selections soon.