amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Whole wide world

Picking up on the last post about the Edinburgh Wine Gang event. The disappointing show by Languedoc wines (and no show by Roussillon wines) was a real awakening to how little the region is known in the UK. Moreover, in supermarkets and in wine column recommendations are lots of cheaper wines, IGP pays d’oc wines or wines from the big négociants reinforcing the image of the region as a supplier of uncomplicated plonk, quantity over quality. Far from the truth as I know it but that seems to be the view from across the Channel.

Equally noticeable by their absence were natural wines. Indeed I encountered only one example and that almost by chance. I tasted a wine which I really liked and was then told by Master Sommelier Matthieu Longuere that it was Rkatsiteli 1011 from the Georgian Alaverdi Monastery made traditionally in qvevris*. (The date refers to the first date at which wine was made there). This is made without sulphur or any other additive as the monks see additives as impurities unworthy of God. It was a very natural style, hugely complex but beautifully fruity and direct. My wife did not like it at all but I loved it, up with the Cayetano del Pino Palo Cortado mentioned in the previous article. Again though, it was the exception to the rule that natural wines are making little inroads to the UK market outside London.

 

 

 

 

 

 

 

*for more information on qvevris and the monastery see this article or p306 of the winelist of Cave De Pyrène.

Oh, the Turkish wine mentioned in the previous article. Kalecik Karasi 2012 from Anatolia was Pinot like in its pale colour. However it had powerful structure, spicy aromas and almost chocolate flavours but quite tough tannins. Nice, (£9.50).

The highlight of the day however was the series of Masterclasses. There was an interesting one from the sommelier mentioned above about how a sommelier would select wines for various tastes, to create discussion and at different stages of a meal. Interesting insights.

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           Sommelier masterclass wines

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                   Matthieu Longuere

 

 

 

 

 

 

 

 

The other three featured very Anglophone wine producers. Wynns is one of the most highly rated of Australian wineries established in 1891 in the Coonawarra region of South Australia, famous for its Terra Rossa soils. We tend to think of Australia as hot and its wines as full, rich and powerful. Wynns is however in a cool region and the climate and soil are reflected in the freshness and more European style of its wines.

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 Wynns winemaker Sue Hodder

 

Sue Hodder the long term winemaker at Wynns, was present in Edinburgh to show the wines and explain their production and style. And there is definitely a house style. These Cabernet Sauvignon and Shiraz wines are balanced, restrained and for the long term.

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The full list of wines tasted is seen in the photo above. I found the wines quite austere especially the Cabernets but this was probably a sentiment created by expectation of a richer style. I did like the house style and its elegance but my favourite wines were undoubtedly those involving Shiraz.

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The Michael Shiraz 2012 was rounder and fruitier yet still restrained and with fine tannins. Even better was V&A Lane Cabernet / Shiraz 2010 with deep red fruits and spicier aromas. The grapes are fermented together and the aim said Hodder was to give a sense of place as well as cépage and the wine succeeds on all levels. Riddoch is the top wine of the domaine (Cabernet 100%) and the 2012 was still in its infancy. More interesting in terms of flavours, aromas and because of its age was Riddoch 1984 with black cherry notes and, of course, freshness. Definitely secondary or tertiary rather than primary fruits it was a real pleasure to taste this wine. A lovely tasting.

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Cloudy Bay from New Zealand is one of the most famous names in the UK market. Only 30 years old, in reality the winery soon established its name in the UK because of one wine, its Sauvignon Blanc with its revolutionary tropical fruits and upfront style compared to the Sauvignons of the Loire. Time was when this wine was rationed, I remember having to buy other wines just to be allowed one bottle of the SB! Expansion of the vineyards and competition from other NZ estates has ended that madness and the price remains around the same as it was 15 years ago. Its influence on Sauvignon Blanc around the world should not be underestimated however, even the Loire changed its style in response to the popularity of the newcomers.

Tom Cannavan did an excellent job in leading the tasting providing real insight and technical know how. The Sauvignon Blanc 2015 was a classic example with hallmark tropical characters and freshness. I did find most of these wines over expensive for the quality and rather too oak influenced. Sometimes the oak works such as Te Koko 2012, the oak aged Sauvignon, where the wood definitely adds some interest but the Pinot Noir 2013 and Chardonnay 2013 were both very oaky and lacked pleasure, £30 and £26 respectively!! The Central Otago Pinot Noir Te Wahi 2011 was much better and Burgundian but at £62.50 I could find better even in that expensive region. Best of the tasting was undoubtedly the Late Harvest Riesling 2009, with classic Riesling aromas and flavours wrapped around some the sweetness and leaving a freshness in the mouth. Very good, though £18 per half bottle.

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And so to the UK. There is an increasing buzz around UK wine, or rather English wine. Nyetimber was one of the pioneers of that interest and it has recently scored very highly in tastings of sparkling wine around the world, including in comparison with Champagne. I have tasted it a couple of times before but this was an excellent opportunity to taste the range with some older vintages included.

The Classic Cuvée was represented by 2010 and 2009, they are slightly different in nature, 2010 being Pinot Noir dominant and 2009 being Chardonnay dominant. I liked both though preferred the rounder toastier 2009. Both retail at around £29-30 so not cheap. We tasted three Blanc De Blancs, 2007, 2003 and 1998. That was a treat, to be given the opportunity to taste vertically but especially such old wines. I liked the 07, still fresh but perhaps a little too harsh for me. The 03 and 98 both carried very savoury, almost mushroom, aromas and flavours. The 03 settled in glass and filled out with some bready, autolytic notes. I did not like the 1998, just too savoury for me though many in the room chose it as their favourite wine of the tasting.

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The Rosé NV was too neutral for me, again others chose it as their favourite so this is a personal opinion. It was very dark, we were told by the Nyetimber representative that the winemakers (husband and wife team Cherie Spriggs and Brad Greatrex) blend by tasting in black glasses to ensure quality of flavour rather than colour. The Demi-Sec (100% Chardonnay) with 44g of dosage was fresh with a little sweetness.  Best of the lot for me was the Tillington Single Vineyard 2009. 79% Pinot Noir, it had real character, more fruit yet still clean and toasty after 3 years on lees. Very good, but sadly at £75 I won’t be rushing to buy it. I liked Nyetimber but confess to being a little underwhelmed in comparison with the hype and those prices!

Overall, a very good day. It was good to taste different wines from around the world rather than my usual Languedocs. The masterclasses were all very good and wines such as the Palo Cortado and Georgian wine were well worth the soaking given by the foul weather outside.

 


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The wider world of wine

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                                Splendid setting

Being in the UK for the last two weeks and for the next few weeks I thought it was time to write regions other than the Languedoc Roussillon, though I shall be returning to my first wine love soon. Incidentally apologies to my friend David Crossley whose excellent blog‘s name I have pilfered for this post.

On Saturday I attended the Wine Gang Fair in the Assembly Rooms, Edinburgh and it was an opportunity to taste wines from around the world including a first for me with a wine from Turkey. I have long been a member of the winepages forum and its founder Tom Cannavan is one of the Wine Gang along with other respected wine writers.

The tasting combined a walk around tasting, with stands from various merchants, supermarkets and specialist importers, but also some specialist masterclasses. In previous years I had tasted some of the most memorable wines of my life including some wonderful Charles Heidsieck champagnes and a range of Gonzalez Byass Palmas sherries.

In the walk around tasting I particularly appreciated the sherries (again) and a few port wines too. There were some good table wines too and these were my highlights.

Torresilo, Cillar de Silos, 2011, Ribera Del Duero, Spain – a big red, lots of structure and power but balanced with lovely red fruit. Expensive though (£37).

Kydonista, Theodorakakos, 2014, Lakonia, Greece – lovely round, harmonious white, fruity and clean, named after quince apparently though I didn’t detect any in flavour (£12.50)

Santorini, Gavalas, 2014, Santorini, Greece – dry, clean, yellow fruits, long (£13)

Most Wanted Albarino, 2014, Rias Baxas, Spain – I like Albarino wines from Galicia and this added some distinct peachy flavour to the clean, nutty dry nature of the grape. A good buy at £8 from the Co-op supermarket.

Carinena 3c, 2014, Grandes Vinos y Vinedos, Spain – Lovely red fruits and freshness, easy drinking but plenty of long lasting flavour from The Wine Society at £5.25! I noticed this was chosen in the Telegraph as an essential Christmas wine, so I am not alone in liking it.

Berry Bros & Rudd Grand Cru Champagne, Mailly, France – Lovely, real depth with toasty aromas and yeasty flavours, very Pinot character. Real complexity (£27)

Wine Society’s Champagne Brut, Gratien, France – well balanced, clean and dry with plenty of toasty, bready flavour, nice but not as good as the BB&R wine. (£28)

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Talking to the representative from The Wine Society

A word of praise for Aldi, a supermarket whose wines were interesting and well priced. I enjoyed the Clare Valley Riesling, Sancerre, both 2014, and Chateauneuf Du Pape from La Père Papite 2013. In particular the own label Maynards 40 year old Tawny Port was well balanced, rich but dry, a little oak but lovely. £30 but for a 40 year old wine of such complexity that is a good price.

Sadly, the Languedoc was only represented by two wines both of which were awful and the Roussillon had no wines on show. It remains a mystery to me how my region is so poorly represented so often in the UK.

Good port came from Berry Bros & Rudd’s 20 year old Tawny, Quinta da Noval which was fresh, dry but carried dark fruits and richness, very long flavours and a treat. (£27). Equally good was Krohn’s Colheita 2001, part of a masterclass, which was dry, nutty balanced with a little fruitiness. This was aged in barrels for 13 years and not topped up as some evaporated leading to its oxidative style. Very nice . (£20)

Sherry was well represented though nothing of the standard of the beautiful Palmas wines tasted three years ago. Puerto Fino from Lustau was lovely, fresh and bone dry, perfect aperitif wine (£16.49). Vina AB Amontillado from Gonzalez Byass was even better but then I love Amontillado sherries. This starts life as Tio Pepe but then given extra age as the flor dies and becomes, darker coloured, nuttier and a lovely saltiness to refresh. (£13.50). Pedro’s Almacenista Selection Oloroso was very good, nutty and dry (£13.49). Even better in a similar style was Olorosa Solera 1842 VOS, Valdespino. Intense, nutty, rich and so long and refreshing, lovely wine though £39 sadly.

Best of all and probably my wine of the day was the Palo Cortado Solera, Cayetano del Pino. Nutty, round, fresh and full, this was really intense and beautifully balanced. Loved it and at £14.50 from The Wine Society this is well worth seeking out, you’d struggle to find a wine of this quality at such a price elsewhere.

I shall report on the Masterclasses in my next post, with notes on Nyetimber, Wynns and Cloudy Bay.

 

 

 


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Latour De France

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                    Portes ouvertes, well most

Latour not Le Tour. It is a village in the Pyrénées-Orientales with an unusual profile in terms of winemaking as nearly all the vignerons make natural wine. La Bande de Latour is their open day and it was such a fun event last year that we decided to return again, the date was in the diary for a long time.

Unbelievably the event took place on the only bad day’s weather in the last 3 weeks, low cloud, mist and dampness prevailed though the event was far from spoiled and more than compensated for the weather. The vignerons of Latour invite others from around the Languedoc Roussillon and further afield, but there is a common bond of natural wine. In recent weeks there has been much discussion in the world of wine about whether natural wines should be certificated and what direction the wines should take. I intend to address these issues in the next articles but it was a good opportunity to see what lessons could be learned at such a gathering of producers.

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The first thing to say is that there were wines which did not appeal and which seemed a little lacking. I believe that natural wines are moving on and that with more experience of not using sulphites, for example, winemakers are learning how to tackle the process of making clean, fresh and healthy wines with a minimum of faults despite not having the safety net of additives, interventionist winemaking etc. However, there were some winemakers present who, in my view, are either new to the approach, haven’t learned or have not moved on. I won’t name names here but would share my thoughts if anyone wants to get in touch.

However, I felt that the majority of wines were of at least good quality, with fruit, freshness, balance and complexity – all that you would want from any wine but certainly the features which make natural wines appeal to me. There were wines which really were top class and I put my money where my mouth is by buying some.

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Top of the podium was undoubtedly Cyril Fhal of Clos Rouge Gorge. His vineyards are high in the hills, gobelet and exposed to the elements. Cyril is a master of Carignan and his wines are relatively expensive though not by comparison with the likes of Burgundy or Bordeaux, and his wines do bear comparison with top class wines. The Carignan was very good indeed, long, fresh, deep and balanced. However, it was the Blanc, made from Maccabeu which really captured my imagination, one of the best wines I have tasted in 2015. It starts zesty and fresh and then the oak adds a little roundness, coating the mouth with spicy notes but always clean and refreshing. Beautiful wine, brilliant winemaking. I happily bought both wines.

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                                     Outstanding

Other top performers from the village included Domaines Rivaton, Mathouans and Trbouley.

Frédéric Rivaton presented a very good white wine, Blanc Bec 2014 which was full flavoured, fresh and balanced the Carignan Blanc, Grenache Gris and Maccabeu beautifully. The rosé was mainly Grenache and the best of his wines today, lovely aromatics of red fruits matched by full, almost textured, flavours. Very good. I liked the red Gribouille too, showing a lot of depth and complexity. I liked Rivaton wines when I have tasted them before but they seemed to be much more complex and interesting today, more purchases.

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I don’t remember tasting Domaine Mathouans wines before, I certainly have no notes, and that is my loss. These wines were very well made with lots of fruit but also much more complexity behind the fruit. Light tasting but structured, easy to drink but with real depth and interest. The orange wine Mine De Rien 2014 made from Muscat Petits Grains had lovely muscat aromatics (plus a little reduction which disappeared in glass), but was dry, clean and not overly concentrated as some orange wines can be. Fresh and clean, very well made. Assureté is a blend of red grapes which are complanted in the vineyard and vinified together. Full, fruity and very good – my question is why on earth did I not buy some? My mistake. And again with Le Bon, Le Brut et Le Carignan which was aromatic, red fruits with deeper black fruits behinid, very complex but always fresh and balanced. Aline Hock is clearly a very talented winemaker, I intend to find out more about the domaine.

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Renaud of Domaine Mathouans, a convincing advocate for the wines

Jean-Louis Tribouley‘s wines have always appealed to me. Today we only tasted the red wines, which was a shame as I love his Grenache Gris. They were all good wines, however, I have to single out Mani 2012 made from young vine Grenache, Syrah and Carignan which was sweet, ripe and very good. Another I wish I had bought.

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My other favourite wines came from outside the area.

I was taken by the wines of Domaine Hausherr when I met them in Montpellier in January. Despite their long journey to Latour the wines were equally good today. Hausherr like to express their vineyards rather than single varieties as most Alsace producers do. Therefore, wines such as Altengarten are a blend, in this case Riesling and Gewurztraminer. They are wines with full, ripe aromatics hinting at sweetness but in fact they are very dry and expressive, really delicious. La Colline Celeste 2012 was my favourite of the dry wines and I also really liked Roc Et Porcelaine 2011 which was made from the same vineyard but with more residual sugar kept to add a touch of sweetness. Sungass 2003 was also very interesting, the hot summer of 12 years ago but the wine was fresh and dry, pure Riesling with petrolly notes.

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                    Talking to Heidi Hausherr

L’Ostal is in Cahors, a small and youthful domaine run by Louis Pérot. The Malbec grape can be tough and often needs aging but Louis has made different styles of wine using, for example, carbonic maceration. There is still a classic Cahors, Plein Chant (2013 bigger than 2014) but I really enjoyed Anselme 2014 which was full, rich but velvety and very good. Similarly Le Tour (not Latour) was bigger than many of the wines but retained a freshness and fruit character. I was happy to buy both of these and enjoyed the other wines too. Particular thanks to Louis who replaced a bottle I broke on the way out, my fault and he didn’t need to, it was much appreciated.

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I’d also like to add Axel Prufer of Temps Des Cerises to my recommendations. The Chardonnay Peur De Rouge 2013 was very good, this is a wine which is coming into its own and Axel confirmed it needs a year or two to do so. His red Fou du Roi 13 was also very good but the Chardonnay was a real treat.

So a great day, lots of music, choices of food (including vegetarian!) and a good atmosphere despite the gloomy weather.  There were my favourite wines, there were others too from Domaine Sabbat and the very promising new domaine of La Bancale.

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Enjoyed talking to Bastien Baillet of La Bancale, a domaine to watch

I do think natural wines are moving on and improving still further and La Bande de Latour provided me with plenty of evidence to support me. As I said I shall be coming back to the whole natural wine debate soon.

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Countdown

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These plastic boxes haven’t appeared for a while, but they are a sure sign of what is soon to come. They are, of course, the cagettes vendanges, into which the grapes are placed when they are harvested. Today (August 19th) and the last few days have seen hard work in cleaning and preparing. I wrote earlier this month about the work which has been carried out to repair and update the cellar and work brings dust and debris which have had to be cleared up. Then everything has to be pristine ready for the start of picking. All vignerons will be doing this but when you make wines without the safety net of sulphur cleanliness is even more important.

And in case you think that I simply turn up to take photos and drink the wines:

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Well it is one way of staying cool on a hot day. However, job accomplished.

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Inside the cellar the new cuves have to be prepared too with new equipment, Michel and Julien were busy with that.

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Jeff was busy too, moving some of the fibre glass and stainless steel cuves into position so that when harvest begins the grapes can be moved as quickly as possible into tank for fermentation.

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Indeed everyone was busy except for one member of the team who decided that this was all beneath him, besides that water is not something which appeals!

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The harvest itself is likely to begin next week, Monday or Tuesday. Recent weather has been cooler at night and this will help keep the grapes in good condition but they are not quite ripe just yet. Having tasted a few in recent days the juice is getting sweeter and but the pips are still green and hard. They are healthy though and some, like the Syrah, look tremendous.

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Evening sky over Puimisson

As the hard work will begin shortly it was a timely occasion to celebrate last week. Jeff’s father and niece celebrated birthdays and a very enjoyable party was held on Sunday at Rue De La Pompe. Some bottles included a 100% Mauzac from Plageoles, a Gaillac wine which confirmed for me that Mauzac is the best of white wine grapes in that region. (See here). And two lovely champagnes from Drappier with no dosage of sugar added and in one case no sulfites. Natural wines are beginning to influence all regions and some big names.

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Naturally the stars were closer to home however. Lots of great wines including Coutelou classics such as Classe, La Vigne Haute, Vin Des Amis but also some new ones for me. Grenache Mise De Printemps was lovely velvety and fruity, a great rejoinder to those who say Grenache can’t make good wine without blending.  And it had the most lovely aromas. ‘Snowball’ is a white wine of real texture and depth, very long.

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The celebrations went on long into the night and things got a little hazy including my camera so this photograph is not one of my best. This was Jeff’s first sparkling wine made in 2007 and in fantastic condition, fresh, clean and very full. So much for natural wines being only for the short term.

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Now the countdown is really ticking so that this year’s grapes can produce wines of such quality all over again. Or indeed, even better.

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Gaillac – wines of character

The annual Fête Des Vins de Gaillac was held this weekend and as it was almost 20 years since I last attended and now live just 100 miles away it was a welcome opportunity to return. This photo taken at the time shows that the event then was a simpler affair but I always remember it fondly.

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No less so this year though my damp shoes and muddy trousers may take some sorting out. It poured down. Most of Saturday afternoon and a little more on Sunday morning for good measure. The vines needed it but it was less than ideal for an outdoor wine tasting.

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Wooden lodges replace the tents.

 

Anyway the weather failed to spoil the event which was well organised with plenty of food tents, handy cycle powered rickshaws to carry wine back to your car, (fortunately powered by someone else!) and wooden lodges for each producer with handy panels to provide a roof which was, mainly, waterproof. Certainly a step on from the tents 20 years ago. Plus free delivery within France if you bought 24 bottles, a very helpful gesture.

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Straw to dry up the muddy walkway which made Saturday afternoon resemble the Glastonbury Festival

I enjoyed the Fête, I enjoyed some of the wines and bought two cases of various bottles. I could have bought more, so though I do have some negative comments please bear in mind that I am a fan of Gaillac and its wines. Tough love.

So, to the wines. One reason I remember Gaillac so fondly is that it was the first time I had come across white grapes such as Loin D’Oeil (sometimes written as Len De L’El), Mauzac and Ondenc and red grapes such as Duras, Braucol and Prunelart. These provided a welcome change to the Chardonnay, Cabernet Sauvignon and Merlot wines which dominated in the 80s and 90s. In fact local winemakers had started to take out some of these local varieties and plant the more common grapes along with Syrah and Sauvignon Blanc. Commercially this made sense at the time but it has left the region with a bit of an identity crisis which this weekend highlighted for me. The local varieties still dominate but winemakers differ as to the use of the new varietieses, do they use them to blend or to dominate their wines. It was noticeable that many wines are moving back to the traditional varieties, suggesting the incomers are being taken back out? Lots of different routes being taken but choice is good, there are some wines you might not like but others which you certainly will. Just a little confusing in places. More can be read about these grape varieties on this excellent site from the Gaillac wine organisation.

Some have also gone down the route of monocépage, single varietal, wines which did not show that well to my taste at least. Blends worked best and often the ones using local grapes only. Or is that my prejudice at work in that I prefer the idea of using vieux cépages?

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A third issue was the use of oak. It is very common in Gaillac to age wine in wood, usually oak though some acacia barrels too. I found some good examples of well judged use of wood to enhance flavours and add complexity but there were quite a lot of wines which were dominated by the wood which had only served to dry out the wines and make them feel a little tired. There were some good, fresh wines but it seems to be a badge of honour to have used oak, you’re not a serious winemaker unless you have. Again for my personal taste I disagree.

The sheer range of wine types also offers some sense that this is a region trying to do all things. I tasted the range of wines from around 20 vignerons, around 130 wines in total. Yet I didn’t taste the sparkling wines and only a few sweet wines. There are so many different white, red, rosé, sparkling and sweet wines that I was a little lost, and that despite being based in the Languedoc with its great variety.

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To add to the difficulties facing Gaillac winemakers they have suffered two fairly poor years weather wise. 2013 was bad, very wet and many reds didn’t ripen sufficiently, one owner I spoke to said she had written off all reds that year, others have reduced their production to preserve quality. 2014 was better but not much. So, the wines on show tended to be 2012 or older, interesting for the taster to drink more mature wines though, in fact, many would have offered 2012 wines in any case due to the amount of barrel ageing that takes place. I wish them well as the damage inflicted by the weather will be a big financial blow in the next few years.

The white wines were, sadly, mostly disappointing. The weather should have made less difference to these in 2013 and 2014, the vintages which were usually being shared here. Loin D’Oeil and Sauvignon Blanc blends dominated but somehow lacked a fresh edge. This was true even in the perlé wines, the local speciality where fermentation is stopped to leave some sugars to ferment a little in bottle and produce a spritz or pearl of bubbles, And then there were the oaked whites, often dominated by the wood. Nevertheless, there were some very nice white wines. Mauzac was often behind some of my preferred wines, a grape I normally associate with Limoux sparkling wines. That was a concern to me as I am not a fan of Limoux sparkling wines but Mauzac proved to be a grape which really attracted me.

Best white wines for me:

Labastide de Levis, the cooperative, – Homage A La Truffe Blanche 2014, Loin d’Oeil, Mauzac and Sauvignon Blanc with 4 months in wood. Very zesty, very fresh with a big grapefruit aroma, well made and very good. 11,50€

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At the stand of Labastide De Levis

Clos Rocailleux, only 4 years old but producing some of the best wines on offer at the Fête. Their Reserve Blanc 2012 is 100% Mauzac from old vines and was a wine I bought. White fruits, round with a clean, direct finish. Lovely. 10€

L’Enclos Des Roses, Blanc Sec 1er Cotes, once again 100% Mauzac. The vintage was 2009 as the producer stocks her wines until she feels they are ready, a brave and no doubt expensive decision but it certainly paid off here. This was round, appley and fresh but long with almost creamy and toasty notes developing from some oak age. 13,80€

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Castel de Brames, Len De Lel 2013, fresh, white stone fruits, almost liquoricey finish. 6€

Domaine Rotier, Renaissance 2012, Loin D’Oeil with 30% Sauvignon Blanc, white fruits, peachy and a clean, direct and fresh finish.  11,40€

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Domaine De Lamothe, Blanc Sec 2014, Sauvignon Blanc and Mauzac, nice dry, clean and zesty. I liked their Perlé 2014 too, it was much drier than others at the Fête with a real spritz. Fresh. clean and quite long. Both of these wines were just 3,80€, real bargains.

Domaine De Brin, Pierres Blanches 2014, Mauzac and Len De L’El. Very round and full, long flavours of white fruits and a dry, clean finish. Natural wine, tiny amount of SO2 added at bottling, but would please non natural fans. 12€

Rosés were possibly the unexpected star of the show for me. I like dry, citrussy rosés which really do refresh, preferably with a little texture and body from contact with the red grapes. And that’s what I found in many cases. Perhaps the red grapes which suffered in 13 and 14 had been used to make the rosé quality higher but they were, more commonly, of a good standard. Highlights included:

Clos Rocailleux, Rosé Braucol 2013 and Rosé Duras 2014. The Braucol was  textured, fresh yet full, good rosé at 6€. I actually preferred the Duras with a little more zesty character and plenty of red fruit flavours. 8, 50€ and well worth it, indeed I bought some.

Domaine D’Escausses, Sous La Tonnelle 2014, fruity, round with strawberry notes but a clean finish, 5,10€

L’Enclos Des Roses, Rosé Des Roses 2014, Duras and Braucol with a very dry, zesty character, almost citrussy. 6,50€

Domaine De Brin, La Vie En Rosé 2014, Gamay with full flavours of ripe, red fruit, lovely dry finish with a long lasting strawberry note. Good, I bought some. 6,50€

Red wines provided the very best single wines however, though not always consistently. It was interesting to hear Duras described by different producers as either rustic and big or light and elegant, another example of the differences between the wines of Gaillac. Braucol was the other main grape used, this is often known as Fer Servadou in other areas of South West France. At their best the wines offered complexity, good red fruits, soft tannins and long flavours often with spicy, interesting aromas. My favourites were:

Clos Rocailleux, the Classique 2012 was good with a real balance between fruit, freshness and depth of flavour. Nice, long, very well made red wine with interesting flavours from Syrah and Braucol, good at 7€. Even better was the Réserve 2012 with Braucol added to the Syrah and Duras and 9 months barrel ageing. Here the wood added to the roundness and flavour, it was a nuance not a dominant flavour, chapeau to Jack and Margeret for learning to use the barrels so well so quickly.

Domaine Ramaye / Michel Issaly, is a natural wine producer whose wines I had tasted before. Vrille 2013, Braucol, Prunelart and Duras produce a raspberry, fruity and very long flavour which was fresh with complexity. 14€. La Combe d’Avès 2009, Braucol and Duras was also fresh and round wearing the years very well and the 24 months of barrel ageing were discreet, 16€. Le Grand Tertre 2012 is 85% Prunelart with some Duras. Aromatic, almost perfumed with deep rich fruits, very good though 25€. Top of the range is Le Sang 2012 85% Braucol and the rest Prunelart, raised ina variety of new and older barrels. Very deep, complex and long, 45€. Fair to say I really enjoyed all of these and they showed off the local varieties very well. A perfect riposte to those who say that natural wines mask the true varietal flavours.

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l-r Le Sang, Grand Tertre, Combe d’Aves, Vrille, Pech De La Tillette

Domaine Rotier are organic producers who now make a nice natural red, Esquisse 2014, classic fresh notes and raspberry fruits, not obviously natural this would appeal to those wanting to try a natural wine, 8,60€. The Renaissance 2012 is raised in oak from Duras, Syrah and Braucol. Round, full red fruits, eg strawberry, fresh and very good, 12,10€. I prefer this to their top of the range L’Ame 2010 which is much bigger and complex, 24,40€.

Domaine De Brin, I liked Vendemia 2013 but preferred Anthocyanes 2013, Braucol and Syrah showing well with a perfumed nose of red fruits and forest fruits. Round and long it developed very nicely, 10€, no rush to drink up. Brin De Temps 2013 of Duras and Cabernet Sauvignon had deep, spicy notes with round fruits and long lasting too, 14€. Proof that even in 2013 good wines could be made, clearly a very talented winemaker.

L’Enclos Des Roses, Roses 2008, further proof of the benefits of ageing. This showed no sign of being old or tired, it had fresh, dark fruits and is very well balanced. 12€.

There were some very good sweet wines and one example of a rarity a Vin De Voile. Vin De Voile is a white wine aged in barrels where a layer of yeast is allowed to cover the wines as they evaporate in barrel. The yeast prevents the wine from being completely oxidised but there is some which adds nutty, sherry like flavours. I really like this style of wine, like the vin jaune of the Jura region. So it was a treat to taste one at Michel Issaly’s Domaine La Ramaye. Almond and hazelnut aromas with dry, nutty flavours and long, complex after tastes. Lovely.

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My favourite sweet wine was also unusual. Made from very very late picked Cabernet Sauvignon grapes, it was a sweet rosé wine from Domaine de Brin called Brin De Folie 2014. Sweet strawberry flavours and yet clean, refreshing after tastes. A great credit to the winemaker to make something so good from such an unusual circumstance.

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Vileo from Albi provided these cycle powered rickshaws to carry you back to the car with your wines

And there lies Gaillac’s great hope. There are many talented winemakers harnessing the best of the area. Unusual grape varieties which should offer the market something different. Making the most of those flavours and aromas, letting them speak for themselves rather than too much oak, whilst concentrating on providing well balanced, refreshing wines. That is what I like about producers such as Rotier, de Brin, Ramaye, Rocailleux but many others too. There are some interesting stories about some of these producers too. Rocailleux with its English owners who are following up their interest and studies in wine and making some of the best wines in the area. D’Escausses and Enclos Des Roses owned by two sisters who run their domaines separately but help each other. Rotier was my favourite domaine 20 years ago and remains one of the best. De Brin is certainly one to follow. I wish them plenty of good weather for a successful 2015 vintage. Meanwhile look out for Gaillac wines, especially from these producers.

Rotier 

De Brin

Ramaye/Issaly

Rocailleux


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Mas Gabriel – 10 / 10

Deborah and Peter Core have been making wine in Caux (34) for 10 years, a cause for celebration. I was truly honoured to be invited to share their celebration evening with a vertical tasting of their Carignan led wines and a dinner held in their cave and garden. Present were luminaries such as Rosemary George, Michel Smith, Andrew Jefford, Catherine Roque of Domaine Clovallon, Gary Voss and Annette Atkins of Voss Estate in Martinborough, New Zealand along with Helen Deneuve who works for Coteaux Du Languedoc and other wine groups and is a good friend of Deborah’s, as well as Wendy Gedney, owner of Vins en Vacances, a wine tours company, Christopher Gallaway, wine expert and Bernard Degioanni, wine and food journalist, so it was a true privilege to be amongst their company.

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l-r Christopher, Gary, Annette and Wendy

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Michel, Andrew and Rosemary at work whilst Peter pours

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l – r: Bernard (just), Peter, Catherine and Helen

Mas Gabriel has long been one of my top Languedoc wine domaines and I have purchasing from there over many vintages. I have huge respect for the Cores who gave up successful careers in London in law and finance to follow their dream of making wine. Having trained and studied in New Zealand and France, they decided on the Languedoc as the region which would offer them what they were seeking in making their wines. Land was bought around Caux and the work began. What courage to embark on such a venture and the going must have been immensely difficult at times in the ten years which have followed. Learning about your vineyards, making wine in different vintages, mastering the bureaucracy in a second language and, not least, finding markets. That they remain so passionate about their land and wines whilst being the most courteous and charming people is testament to two people of strength, determination and talent. Their wines are produced organically, indeed biodynamically, and are marked by freshness and fruit.

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We gathered in the cave for the tasting and began with a flight of 5 vintages of Clos Des Papillons, the white wine of the domaine (though joined by a new white cuvée in 2014, Champ Des Bleuets). Papillons has long been one my favourite white wines of the region so this was a special treat for me.

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Until 2014 the Carignan was given a small 5% addition of Viognier but in 2014 the Cores changed this to 15% Vermentino. Around a third of the Carignan Blanc is aged in acacia barrels to add a little complexity without oak flavours. There is no malolactic fermentation as they seek to reflect the freshness and natural acidity of Carignan Blanc. When the wine was first made yields were tiny at 12 hl/ha but much work and even more cow manure has helped to boost yields to 20-25 hl/ha. There are only around 0,4ha of the vines (more have been planted) and this is a variety with only about 40ha in the Languedoc so Mas Gabriel has around 1% of them all. Peter and Deborah actively sought out the parcel after tasting the Carignan Blanc of neighbour Conte De Floris, who does make excellent wines also. The parcel they found is made up of 40 year old vines in gobelet on a sandy, limestone soil.

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So, the wines:

2014 – The first Clos Des Papillons with 15% Vermentino, which is grown in soil with galets, large round flat stones. The wine is very young still and a fresh, lively aroma is matched by a dry, very mineral initial taste. Fresh, fleshy fruits then fill the mouth to round out the dry core of the Carignan, like a peach with the fruit around the stony centre. The Vermentino certainly appears to provide that fruity roundness though the Carignan was slightly less acidic than usual in 2014 too. The wine comes together to form a lovely, refreshing, clean taste. It is very young, it will fill out further and I really like it.

2013 – A big rush of freshness leaps from the glass. Green and yet apricotty. It settles down quickly and lovely fruity, dry aromas emerge. The harvest was quite late in 2013, September 16th, so the nights were fresher as the grapes reached the optimum ripeness, and this is reflected in the fruit itself. Huge flavours of yellow and white fruits mixed with fresh acidity – always in balance, always with a delicious tension. Lovely, a very good wine.

2012 – Yellow, almost light golden in colour. I could detect a little more evidence of wood on the nose but nothing out of balance and it provided yet more complexity, there was no obvious taste of wood. The acidity appeared less obvious, though it was actually a lower pH than usual, the result of an extra year in bottle? Juicy, yellow fruits, with an edge of citrus and agrume. Stony, clean and delicious. I smiled in relief that I have resisted temptation and kept a bottle or two of this vintage, excellent.

2011 – Woh, what a nose, almost ‘Riesling’ in character with hints of kerosene. Happily, Wendy Gedney agreed with me, it’s not just me! Full flavours, lingering lime and lemon fruit flavours add that delicious freshness, definitely more so than 2012. Long, refreshing, balanced, poised! This was the earliest picked vintage (August 24th). It has years of life ahead if anyone still has a bottle (sadly, not me). I loved this.

2010 – Lively, this is certainly not on a downward slope, far from it. Still a yellow/green Starburst citrus edge. the highest acidity of any of the Carignan vintages yet the wine has rounded out a little. There is a saline, mineral edge in there too but then as you drink (and I did drink some!) an almost waxy, oily finish which helps to coat the mouth with the yellow and white fruit flavours. Lingering, clean and lovely.

Clos Des Papillons ages well, no question about it. The freshness and acidity surely help this and whilst difficult to resist drinking in a year or two I am now determined to hold back some bottles. Interestingly, Andrew Jefford was slightly less in agreement with most and would welcome some malolactic fermentation to round out the flavours more. For me, I love it as it is. To choose one vintage? I really like them all, there is nothing here to which I would not give at least 4/5 on my personal scale. 2011 perhaps but maybe 2013 just wins with the freshness, sorry Andrew.

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In the Trois Terrasses vines with Peter in 2012

So to Trois Terrasses, the first of two red wines made at the domaine, the other being Clos Des Lièvres, a Syrah led wine which is bigger and more powerful, and also excellent I hasten to add (deserved Gold Medal winner at Millésime Bio this year). The first two vintages in 2008 and 2009 were 100% Carignan but in 2010 came a change with 20% Syrah  and afterwards up to 30% of the wine is Syrah and Grenache. These are vinified separately in cuves, the Carignan cuve being cement the others fibreglass. Peter explained that yields of the Carignan were only 10 hl/ha at first but they have built this up, with more hard work and cow manure, to 25 to 30 hl/ha on average. This is reflected in gradually lowered alcohol levels in the Carignan with slightly higher acidity.

2013 – Slightly reductive at first but that blew away within a few seconds to leave a torrefacted nose with plummy, dark fruits which carried over into the flavours along with those coffee notes. There was an almost citrus freshness on the finish refreshing the palate. Spicy, peppery notes developed too and though this needs a little time yet, it is already good and will grow into something very good in a couple of years.

2012 – Rounder, darker, deeper. Complex nose of dark fruit with freshness evident even on the nose. Full in the mouth, rounding out with lots of fruit and minerality and always the trademark freshness which I love so much in Mas Gabriel wines. It is a characteristic which reminds me so much of biodynamic and organic wines, dare I say natural wines too! It certainly appeals to me.Still youthful, this is a wine which has been a big hit with friends and family when I have shared a bottle with them. Very good.

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Here’s one I shared earlier

2011 – Rounder aromas, hints of cassis. Perfumed and fruity, very heady in a pleasing manner. It tastes round and full too, ripe plums and a raspberry fresh note. Liquorice with pepper sprinkling the range of flavours too. As the wine evolved in the glass there were even smoky notes emerging. Very complex, but all working well together, always lovely to drink and, yes, that fresh finish. Very good.

2010 – The year in which Syrah was first added to the Carignan. Fruit aromas spring out from the glass, cassis, blackberry and red fruits too, lively acidity. Ironically, given the blending, Carignan characters emerge, a slightly leathery, wild edge to add to the complexity. Plummy but not too fruity. No sign of being old, still very much a wine reaching its peak with a long time to enjoy it. Harmony despite all the complexity, balance and freshness, of course. Very good.

2009 – 100% Carignan. Almost restrained on the nose, the wine colour is garnet and fresh, no signs of starting to age. A wine reaching its prime but still plenty of life ahead. Pure, direct, lovely fruit with some dusty, round tannins. The acidity is still fresh but beautifully balanced with fruit profiles such as raspberry, cassis, blackberry, plums – round, ripe and delicious. Deep, complex, full. Superb. There was a noticeable lull in conversation as we tasted this wine, it stopped us in our tracks and we had to simply stop and admire, hallmark of very, very good wine.

2008 – The first ever Trois Terrasses, pure Carignan. I detected a little more alcohol on the nose but nothing off putting. Soft, easy to drink with black fruits and a little gaminess, tannins still present but soft and supportive to the wine. Very much alive and kicking, it will continue to grow. I liked it, a lot, though perhaps overshadowed by the previous glass of 2009.

My favourite, most peoples’ favourite, was the 2009. Joyful wine, the sort of glass which makes you realise why you find wine so fascinating and rewarding.  Of the blends, I particularly like the 2010 and the 2012 but I am happy to have some bottles of all of them left.

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At dinner in the garden with a refreshing breeze

An interesting discussion followed as we compared favourites. Andrew Jefford had chosen the 08 and 09 and suggested a return to pure Carignan. Much thought for Peter and Deborah but they must have been delighted at how well the wines all performed, worthy of anyone’s cellar, certainly in the top rank of the Languedoc. I was so pleased for them, they deserve every little bit of credit and praise. I gather the thought of a pure Carignan was already in their heads, maybe this evening will influence them.

And so to dinner, made by Deborah and her friend Helen Deneuve. They even provided me with a superb vegetarian main course which was one of the best I have eaten in a long time. To accompany dinner the Cores served their Carignan rosé, Fleurs Sauvages, so popular that it disappears very rapidly out of the cellar every year, and justifiably. Various bottles of Clos Des Papillons and Trois Terrasses also appeared on the table to be drunk not just tasted. A fitting end to a fantastic evening. The conversation flowed, Michel entertained us royally (am I allowed to use that adjective for a Frenchman?) and then provided a beautiful Banyuls Mas Blanc 2003 to accompany a delicious chocolate gâteau.

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Deborah, Michel and a photo of Rosemary taking a photo

Thank you so much for the invitation Deborah and Peter, it was such a privilege to be present. There was talk of reassembling in another 5 years for ten vintages and that would be a dream. So raise your glass to Mas Gabriel, and make sure it is filled with one of their wines, you deserve nothing but the best, and so do they.

Mas Gabriel website including where to buy the wines around Europe.

Michel Smith’s blog

Rosemary George’s blog

Andrew Jefford weekly on Decanter 

Wendy Gedney’s company through which you can visit Mas Gabriel

Books by Bernard Degioanni


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Wine and me, a journey to the Languedoc

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I was reflecting on two wine blogs which I read recently (Frankie Cook and David Crossley) Independently they were writing about how we got into wine and how, over the years, our tastes have changed.

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Pat and myself with our tasting guide at Olivier Leflaive, Puligny Montrachet

I was brought up in a County Durham small town, Crook. My family were teetotal and brought me up as a Methodist. This meant that alcohol had virtually no impact upon my life for many years, the pub was not a part of lives other than the occasional meal whilst on holidays. Wine was an alien concept, something which posh people and foreigners drank. Even during my time at Liverpool University I drank some beer but never wine. That I should turn out to be horse racing fan with passion for wine may be seen as something of a reaction to that upbringing though it should be said that my childhood and youth were wonderful and I would not change anything about them.

So it was a school trip which ignited my interest in wine. As a teacher. I was asked to accompany a visit to the Rhine Valley in Germany in 1982. The hotel where we stayed was big and old fashioned, in the centre of Bacharach not far from Rüdesheim.

Bacharach am Rhein

The hotel owner was a very sociable and generous host and every evening he would offer us wine to accompany our meal and then he would teach us about the local wines and how they could vary in levels of dryness or sweetness and according to site and winemaker. (I hasten to record that two teachers would abstain to supervise the children). Well his teaching was a revelation! As far as I knew wine came in two types, red and white just as there were different flavours of soft drinks such as Cola, lemonade etc. Our host opened up a whole new world of how wines could vary so much even within the same place and vintage never mind from other regions. How I wish that I could remember the name of that German tutor, he set me on the road which leads to the Languedoc in 2015.

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With Oz Clarke at a London tasting, his books taught me so much

From Germany to Australia. 1980s Britain saw a boom in wine interest in Britain, fuelled by television coverage, magazines and books. My chosen guides were Oz Clarke and Hugh Johnson, different in approach but knowledgeable and with a great ability to communicate their enthusiasm and to educate me with their words. At the same time the arrival of New World wines, especially from Australia, and Oz’s championing of those wines widened my tastes from German Riesling, though that remains my favourite white wine type it should be said. Huge stonking Shiraz, colourful Chardonnay and cassis-heavy Cabernet Sauvignons were the order of the day. Wyndhams Bin 222 and 444, Penfolds Bins 128 and 389, then cheap! Massive amounts of oak (often from wood chips added to the barrel) which today would make me shudder and wince. 

 

Add in the Sauvignon Blancs which were starting to arrive from New Zealand, tropical fruits, cut grass and cat’s pee aromas. Cloudy Bay Sauvignon was the bottle to find, indeed it was rationed out. And trips to Oddbins, the most dynamic of wine retailers, who offered Penfolds Grange Hermitage for around £20 (now over £200), why didn’t I buy it all?

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Iain and I using Oz Clarke and Hugh Johnson to help us navigate Beaune

From the Antipodes to France. By the mid 1980s I was a regular holidaymaker in France, profiting from school holidays in summer. The Loire was the first region visited and particularly tasting wines in Vouvray. Dry, appley Chenin Blanc wines which could magically also be sweet and luscious vins moelleux in the hands of winemakers such as Huët, Foreau and Fouquet.

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A startlingly youthful me with my brother in law Iain in the Cave Madeleine, Vouvray.

My first wine fair was in the troglodyte Cave Madeleine on August 15th. I assumed you drank rather than spitting the wines and rolled happily down the street back to the accommodation. Then onto Burgundy, Alsace, Beaujolais, the Rhone Valley, Bordeaux and Jura. Some were more welcoming to wine drinkers than others. Great welcomes from people like Martin Schaetzel in Ammerschwihr who opened bottles generously. I met lovely people whose passion for their work and wines was freely shared with visitors. Louis Champagnon in Chénas was always a man who greeted you with a smile, food, a joke and great modesty.

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With the great Louis Champagnon, Chénas

The Échezeaux producer who shared her Grand Crus, knowing that as a young teacher I couldn’t afford them (sadly I still couldn’t 25 years later!). Sadly, Bordeaux was different, most producers kept their doors firmly closed, though I still loved the wines. I tasted first growths such as Haut Brion at generous merchants such as Hungerford Wines. I bought en primeur in 1990 and struck lucky with a great vintage and wines from La Lagune and d’Angludet at just over £100 a case.

My experiences broadened, more tastings, more wines from around the world but especially France. As a teacher my budget was limited and I relied upon Oddbins, The Wine Society and supermarkets to find good wines. Plus I got bolder in knocking on doors, a remarkable visit to Didier Dagueneau and his wonderful Pouilly Fumés for example. In Germany trockenbeerenauslese wines were offered and I even learned to pronounce it.

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A March in the vines of the Loire

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A March in the vines of the Rhone

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A March in the vines of Alsace, golden autumn 2001

Blind spots remained however, Italy and Spain in particular, much to my brother in laws’s disbelief. California too though a visit to the USA (South Dakota and Seattle) showed me that good wines were abundant there, and oh those ice wines in Canada! Lovely. A trip to Sicily also opened my eyes to the possibilities of Italian wines, the Frappato grape and Etna wines were revelations.

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Well 30 years of wine drinking brought joys and disappointments, bargains and rip offs. Memorable bottles, glasses and also corked wines, a whole case of expensive Chablis was one painful low. A hundred bottles stored away has turned into five hundred. And then with age the question, when will I drink it? Why buy expensive en primeur which won’t be at its best until I’m too feeble to drink it or indeed incapable of drinking it.

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Sorting and happy (and hair!)

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Wine fair in Cahors

Tentative steps further south in France in the last decade. The Languedoc. Rosemary George was my guide through her book and blog to discovering the well priced and under rated wines of the region. Wines which offered pleasure but also, from many producers, complexity. A chance visit to Puimisson and Mas Coutelou as that was the domaine Rosemary wrote about when I was in the area. The expected half hour visit turned into three and a half hours. Even after visiting hundreds of vineyards and cellars I was flabbergasted. Vineyards without chemicals, wines without sulphur, a solera! In Puimisson?? All true. Above all a generous, passionate man and generous friend who happens to be a great winemaker. And a teacher about the vineyards and winemaking who encouraged my interest and deepens my understanding and who agreed to being the focus of a blog to keep me busy. Le Vin Des Amis indeed. Retirement, the chance to spend a year, indeed more, in this fabulous region. Learning, living.

Cheers


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Taste and art

Version française

Love of beauty is taste. The creation of beauty is art.

(Ralph Waldo Emerson)

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In recent months I have been honoured to be asked to take part in a number of wine tastings. Mostly these were regular tastings of wines where the producers present some of their cuvées and the tasters choose which stands to visit and to taste at. It is good to chat to the producer to try to get some idea of how they work and some background to the wines. Of course there are drawbacks, if you don’t like the wine then you have to choose how to respond. I have seen some people simply walk away without comment but personally I tend to be diplomatic and utter bland statements such as “Interesting”. Alternatively, I may ask questions to avoid making a comment before thanking the producer and moving on.

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I am always wary of how much I have drunk at such events and I think it is important to remember that wine is an alcoholic drink with consequences. At a recent event in St Saturnin I tasted around 60 wines, spitting of course. This was a paid for tasting and as well as the glass the organisers provided a bag which included an alcotest, a breathalyser. I decided to try mine after the tasting and was surprised to see that it measured only around half the drink driving limit of 50mg per 100 millilitres. Not that I was driving back to Margon I hasten to add. Even spitting wine after tasting it absorbs alcohol into the body. I had expected it to produce a higher reading but was unprepared to drive with even that amount.

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St Saturnin

At other events I have tasted many more wines, up to 450 in one day at Millésime Bio in January (where I used the tram to get back to the hotel). The question people ask is how can I taste the wines properly after even a quarter of that number? In years gone by I attended big tastings in London and Edinburgh for example and I remember palate fatigue setting in. I tried strategies such as whites first, then sparkling wines to refresh and finally reds but I often found that I quickly tired of the reds even after short breaks. These days I have become more used to larger tastings and my palate is more trained. I can’t argue that my tasting ability will be diminished but I do feel able to assess wines reasonably well for much longer than I used to do.

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A different problem which does affect that ability is that of getting used to wine styles. Tasting a lot of Languedoc reds for example I do begin to expect certain flavours and styles and so look for them rather than treating each wine on its own merits. Indeed, if a different sort of wine is then presented, eg a dessert wine or a different grape variety, the change is often very welcome and so the risk is of giving it more credit than perhaps it deserves.

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I was also asked to taste series of wines for Guide Hachette, an enjoyable experience and definitely an honour. These tastings are carried out blind, the wines wrapped in covers so that the tasters cannot see the name of the producer to avoid conflicted interest or bias. Divided into groups of four we then compared notes after writing copious notes on appearance, aromas and taste as well as thoughts on possible food matches, and an overall judgement and mark out of 5. Happily the tasters were usually fairly consistent in their assessment of the wines, the training and experience of the jurors came to the fore. I was relieved that my marks were in line too! Even then the fact that the vintage and grape variety was given, so some level of expectation and prejudgement is in evidence. Overall though I felt reasonably confident that the marking was fair.

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Wines waiting to be judged at Sudvinbio

Then last month I was asked to judge at a competition for Sudvinbio, organic Languedoc wines. I was on a jury of older vintages of Languedoc red wines. Again the mix of vigneron, oenologue, journalist, sommelier and blogger (ie me) were fairly much in agreement. Three wines stood out and deserved some recognition. However, we had been asked to award 4 medals which I did find a little odd. How can you decide in advance how many medals should be awarded? In the end a 4th wine was given a medal, but this was much more disputed with some liking it, others (including me) not liking it. I remain unconvinced by competitions though it again gave me some confidence of my own tasting ability.

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Judges at work

Tasting is a personal experience, what I like you may not and vice versa. Experience of tasting wine does help us to appreciate and, for want of a better word, judge wines. We do bring prejudices to tasting, for example I know that I find Merlot and, especially, Cabernet Franc difficult.

There are all kinds of psychological and physiological factors which affect our ability to taste, from temperature to mood to patterns of tastebuds. Jamie Goode’s book ‘Wine Science’ has a fascinating chapter on the psychology of tasting, highlighting the work of Read Montague in Texas for example in showing how our prejudices can affect our taste.

All I can do is build on my experience, try to be aware of my own prejudices and be honest about my assessments as snapshots of wines at a particular moment in time and to my taste. It is however, a most enjoyable databank of experience to compile. Thank you to all those who are helping me to do so. Meanwhile don’t forget to enjoy the art of the vigneron.

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Exploring the 7Cs – Day 2

Cabrières

Version francaise

Excellent map of Languedoc Roussillon wine areas by Quentin Sadler whose blog can be found at https://quentinsadler.wordpress.com/

Just over the hill from Caux is the AOP Languedoc Cabrières vineyard and village, protected by the stunning Pic de Vissou. This is a village which until recently was best known for its Cave Cooperative, its rosé wine and seemed to be living on past success. However, new blood has revitalised the village’s wines.

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Véronique Atout (on the right) explains the wines of Mas Coris at a tasting in November.

Mas Coris, run by Véronique and Jean Attard, use organic methods and modern technology to produce a series of good wines in their small cellar in the heart of the village. A new Clairette has come on stream this year. This was a grape for which the village used to be renowned and I know that the Atouts went to great lengths to ensure that theirs has the AOP label. The story of the domaine is really interesting and it is well worth reading about it on their website, as well as buying the wine!

Mas Coris wines 2015

Another domaine making waves from Cabrières is Clos Romain, which also produces olive oil and rents out ecogites. Their vineyards are run along organic lines and Romain Cabanes is experimenting with vinification in amphorae. I will be visiting the domaine in April and will report back, but the domaine has received some very good reports including in La Revue des Vins De France.

So, if you want to discover a wine village which is on the up and off the beaten track,head to Cabrières. I’m sure you won’t be disappointed.

Vachement, c'est Gobelet

Pastoral vineyard scene in Cabrieres

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Pic De Vissou in the distance seen from Margon


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Exploring the 7Cs (Day 1)

Excellent map of Languedoc Roussillon wine areas by Quentin Sadler whose blog can be found at https://quentinsadler.wordpress.com/

Version francaise

After 6 months in the Languedoc Roussillon I have been thinking through my experiences and impressions about the wines of the region. I shall be publishing them one at a time over the next seven days. I have had a few conversations about wines recently centred around some villages, areas and grape varieties and I noticed they had one thing in common, all 7 began with the letter C. I shall be posting one each day over the next week.

Caux

This village in the fairly new AOP of Coteaux du Languedoc – Pézenas seems to be the centre of some very good winemaking. I have mentioned Mas Gabriel, owned and run by Peter and Deborah Core, several times in the past as it has long been one of my favourite domaines in the region.

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A recent Gold medal at Millésime Bio for Clos des Lievres 2012 was richly deserved and a sign of the improvement they are making to both their vineyards and wines.

Their property was once part of Domaine La Garance, whose wines also have an excellent reputation, though I have thus far only drunk the white vin de table which was delicious in a natural style. I know that the Cores and Leon Stolarski rate them highly, and I trust their judgements.

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The wines of the Conte De Floris were amongst the highlights of Millésime Bio (see my notes) seemingly light in body but powerful and long lasting, delicious wines. I was delighted to find some of the domaine’s wines in Le Vintage, a wine bar in Pézenas to stock up.

I have also enjoyed a couple of wines from Lacroix Vanel based in the village. The estate whose wines I really want to get to know are those of Fontedicto a natural wine domaine whose owner uses horses to plough. I am told they are very good wines. So this small village is home to a number of very good domaines, Caux is a centre of excellence.

Caux