amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Off notes

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Before and during the salon of Millésime Bio I attended six offline events. They are proliferating, probably too many of them in all honesty. Yet during those six events I tasted some of the best wines of the whole week, just as I did at the offs last year. So, I am torn – are the offs good for Millésime Bio?

Well, they do distract and take away attention from the growth of organics and the benefits of organic viticulture as well as the very good wines in the salon itself, some of which I described in the last article. Would I have tasted more good wines in the salon if I hadn’t attended the offs?

On the other hand, I’d be less tempted to go along to the whole event and spend four days in Montpellier if it were not for the offs and the chance to taste wines not to be found in the main salon. Last year wines from the likes of Huët and Zind-Humbrecht were major attractions for me. This year there were a lot of natural producers especially whose wines I wanted to try. The offs create a buzz around the main event, drawing people to it. It can stand the opposition, producers such as Kreydenweiss (père et fils!) and Pittnauer were at least the equal of anything tasted at the offs.

As there were so many events and so many good wines I have decided to split the report on them in two parts. In the next article I shall deal with those centred more around the natural movement. So here I shall be describing Outsiders, Carignan vs Grenache and Biotop.

Outsiders

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Jon Bowen (right) talking to photographer Ken Payton

Louise Hurren does a great job in promoting the Outsiders group of vignerons, producers in the Languedoc-Roussillon who originated outside the region. Held at La Panacée on the eve of the salon this was very well organised in a bright, modern space with excellent food served as a bonus. I am a fan of many of the producers in the group, some of whom I think of as friends. I have described the wines of Turner Pageot and Cébène many times in these pages. Both are sources of outstanding wines. Manu Pageot was in discomfort having cracked some ribs but it was good to catch up with him. Brigitte Chevalier’s wines were well on form across the whole range, Bancels 13 was especially good here.

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It was especially pleasing to see present Simon and Sara from Mas Sibert as guest producers. I first wrote about Mas Sibert last February and hope that I have helped to spread their name a little in the following year. They now have a UK importer and higher profile and I couldn’t be more pleased. The wines have a freshness and depth of fruit which is rare. New planting of white grapes (as ever unusual cépages) will widen the range and I can’t wait. I would drink these wines happily every day. Incidentally, their rosé, Saramon (mainly Sangiovese!), is amongst the very best in the Languedoc.

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Talking to Simon in animated form

I also enjoyed the Pouilly Fumé wines of guest Jonathan Pabiot. They are classic wines from the appellation but with extra steeliness and minerality. I have had the good fortune to visit the domaine in the past and recommend them heartily. Especially good were the Pouilly Fumé 15 and the excellent Aubaine 14 grapes selected from special parcels, matured in gentle oak, more concentration and white fruit flavours.

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Finally, Domaine Modat in the Roussillon produces very good wines. Lucioles 14, the white wine from mainly Grenache Gris was lovely, fresh and fruity with a little texture. Comme Avant and Le Plus Joli 11 were rich, spicy and clean from classic Roussillon grapes varieties. Great website too.

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Hats off to Louise for such a well run event.

Bataille Carignan – Grenache

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I like the idea of this, pitting two great cépages against each other. The venue was good, Salle Pétrarque, a 14thC building with beautiful vaulting. However, truth be told I didn’t really enjoy the event. The room was packed, it was hard to get around the tables, there was (very) loud hip-hop music playing some of the time which made it hard to talk. It was also difficult to taste the red wines, most came across as heavy and tannic. I was not alone in thinking so from the conversations I had.

I went mainly to meet up with my friend Jonathan Hesford of Domaine Treloar in the Roussillon. You will have to trust me that when I say his wines were amongst the best that evening that I am not saying so out of loyalty. Le Maudit is the Treloar Carignan dominated wine and was spicy, fresh and very good. Jonathan also had his One Block Grenache on tasting, a proper interpretation of the event’s title.

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Another which came out well from the evening was Domaine Sainte Croix, coincidentally one of the Outsiders producers. Jon and Elizabeth Bowen produce very good wines in the Corbières, I have enjoyed them many times. Tonight the Carignan was very good, cherry fruits and spice. Star of the night though was La Part Des Anges, a late harvest Carignan with deep fig, coffee and chocolate notes. Lovely, a little sweetness matched by freshness on the finish.

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Incidentally, I met Jon during the main salon as he visited various other stands to taste, his search for wider wine experience clearly promotes his winemaking knowledge. This was also true of Jonathan Hesford who went to the salon simply to taste. It wa she who tipped me off to go and taste Pittnauer wines, one of my stars of the show. I am sure many vignerons do the same but it seemed no coincidence that their wines emerge so well when I see them learning elsewhere, always seeking to improve their understanding.

The other wine I enjoyed at the event was from Mas des Capitelles. A Faugères wine this was 95% Carignan with a touch of Mourvèdre and it was delicious, lots of fruit and spice and very drinkable. I shall look out for Capitelles in the future.

Biotop

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The Phare, home of Biotop

Fifty vignerons gathered in the lighthouse at Palavas. Organised by Isabelle Jomain, Biotop was one of my favourite events in 2015 and no doubt it will be one of my highlights this year. Once again time caught up with me and I was unable to get to the tables of many vignerons I would have liked to visit. My friend, sommelier Sandra Martinez from La Table 2 De Julien near Uzès, accompanied me round some of the tables and it was good to learn from her expertise. Incidentally for a different account of Biotop have a look at the blog of Michel Smith.

Highlights included the champagnes of Fleury and Franck Pascal. Michel was underwhelmed by Fleury but I enjoyed the range, especially the Pinot Noir dominated wines Nature and Bolène 05 both marked by round, fresh fruit and the latter, more expensive of course, having real depth and gravity. The Sonates Nº9 was especially good, delicate fruit, fresh, long. Pinot Noir 100% and no added sulphur. Sorry Michel, I enjoyed these wines.

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Franck Pascal’s champagnes were an eye opener for me last year, I selected the cuvée Quintessence as my favourite sparkling wine tasted last year. Not surprisingly it was once again a favourite here, beautifully aromatic from the Pinot domination (Noir and Meunier) this was fuller than the Fleury wines, still structured and yet fresh and fruity. This was the 2005 rather than 04 but the quality is undiminished. I also loved the Sérénité 2010, sulphur free Chardonnay and Pinot Meunier, dry, clean with lingering delicate fruits. The price tag of 120€ is a bit of an issue however.

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From champagne to dessert wine. Domaine Juchepie‘s Coteaux Du Layon wines are just lovely. The dry wine is good but it with moelleux and liquoureux wines that they shine brightest. The word ‘lovely’ reappears through my tasting notes for every wine. The 2011 and 2014 moelleuxs have a light touch whilst being rich, mouth filling pleasure. Take a wine like Quintessence 05 (yes the same name as the champagne above). Yields of 5-10 hectolitres per hectare are miniscule, the grapes hand picked with great care and vinified with enough acidity (pH 3.84) to cut through the 223 grammes of residual sugar. In other words it is a sticky, sweet, explosion of flavours with a refreshing finish. And those flavours go on and on, stunning.

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Saskia van der Horst is another familiar name on this site with her Domaine Les Arabesques. I tasted her wines first at Labande de Latour in November 2014 and they have been favourites ever since. Yet even within the last year those wines have improved in quality and, as the work in the vines done by Saskia and her partner bears fruit, they will continue to improve. The refreshing white Elianon 14 is good but the reds are the stars. The pure Syrah Lou Pal 14 had lovely raspberry notes; Champs d’Andrillou 13 (Grenache and Carignan) plummy and spicy; Les Arabesques 100% Grenache with rich tannins and chocolate flavours. All very good wines. Saskia is 8 months pregnant, I wish all concerned well and congratulate them on their wines and personal futures.

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Old photo of Saskia’s wines

And so to the Rhone Valley. One of my wines of the year for 2015 was Cornas Brise Cailloux of Domaine Coulet made by Matthieu Barret. It was Sandra Martinez who introduced me to it. So, I was delighted when Matthieu was present at Biotop and was rewarded by the range of his wines. The structured, fresh and elegant Crozes Hermitage 2014 was very good, the 2013 Brise Cailloux spicy, aromatic and fresh (every bit as good as the 2012), the Cornas Billes Noires was darker, spicier with fresh, dusty tannins. Even simple wines like the Mourvèdre 15 were elegant. Matthieu is a very skilled winemaker, these were top wines by any standard. Thanks Sandra.

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I was unfamiliar with the Brézème region south of Valence though I must have driven through it many times. I can only say that the wines of Domaine Lombard will make me stop off in future. Julien and Emmanuelle Montagnon are making superb wines. From the dry, textured Viognier 14 to the top of the Brézème range Eugène de Monicault 13 every cuvée was clear, full of character and a pleasure to taste. Marked by fruit and freshness they reflect their terroir and the Syrah in particular is classic Rhone Valley, as good as it gets. Whether whole bunch fermented such as Grand Chêne 14 or made from old vines like that top cuvée they are wines to please the palate and the brain. I would imagine their Hermitage wines are very special. I really loved these wines, thanks again to Sandra for introducing me to them.

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From the Yapp Brothers website, Lombard’s UK importer

So many great wines, so many domaines which deserve more space and time devoted to them. And there were other lovely wines too. And that is why the offs are a valued part of the whole Millésime Bio experience. They are separate but I feel they add more choice and more experience of good wines.


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Millésime Bio – the salon

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A small part of one of the three halls in the salon

Austria, the Rhone and Alsace were the wine regions which impressed me most over the four days I was in Montpellier and this was reflected in the main salon and the offlines. The main event hosts 900 winemakers, impossible to get around them all and I didn’t even manage 10% of them. As stated in my previous post the plan was to taste wines outside of the Languedoc-Roussillon in order to widen my understanding and appreciation of wines generally and to place my region in context more accurately.

The overwhelming feature of the wines I tasted was freshness, a common feature of so many organic wines. It was also interesting to note that 250 or more of the producers are biodynamic. Some were also experimenting with natural wines, offering a cuvée or two which had no sulphites added. Proof to me that natural wine is making inroads and winning the argument and that there is a market for natural wine which winemakers are eager to supply. Warning however, some of those cuvées were not very good, the exceptions were from Domaine Py in the Corbières and, also, the Austrian producer Pittnauer, of whom more later.

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So to my favourites.

Kreydenweiss (Alsace and Rhone)

I want to start with a father and son team with a difference, they work in different regions of France. Marc moved to the Gard where he produces a range of wines whilst the domaine in Alsace which bears his name is now run by his son Antoine. I found the wines of both domaines to be completely thrilling.

Let’s start with Alsace, the home of the family. From the basic Riesling 2014 to the Grand Crus all the wines are marked by round fruitiness but with a core of clean, fresh acidity which leaves you wanting more. I can honestly say I liked every wine on tasting but especially the Clos Rebberg Grand Cru Riesling 14 and the Kastelberg Grand Cru 2014 Riesling. The Pinot Gris and Pinot Blanc wines were also excellent. I had tasted the range before and knew how good they could be, what I did not know about was the Rhone range of wines. Again I loved every wine here. From the fruity, herbal long maceration white Ansata 14 to Chateauneuf Du Pape 08 these were wines marked by elegance, precision, fruit and cleanliness. Thrilling. Single variety wines such as Ansata 13 (Syrah) and Ka 13 (Carignan) were lovely wines but so too were the pure Grenache Chateauneufs 08 and 09. If I had to choose the range which summarised Millésime Bio 2016 this was it. Great wines of character (like their producers), elegance, liveliness and sheer enjoyment.

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Marc Kreydenweiss

Aimé Stentz (Alsace)

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Marc and Etienne

Whilst on the Alsace theme I was very impressed by the range of wines from Domaine Aimé Stentz. I spoke with father and son, Étienne and Marc, for some time whilst tasting and they explained how being organic was a moral rather than commercial choice. Those hoping that it would bring a premium would need to consider the extra work involved. The wines themselves were very well balanced, a fine edge of acidity running through the fruit. They taste of the classic grape flavours but have a nice dry edge. Other producers I tased from Alsace such as Jean Becker go for much dryer styles, very gastronomic, other such as Bott Geyl seemed to prefer more fruit and sweetness.

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The Stentz wines pleased me more because of the balance. All three domaines were good but these were my preferred wines. When the entry level wines taste long, fresh and balanced you know that the higher wines are going to be special and Grand Crus wines such as Riesling Sommerberg 13 and Pinot Gris Hengst 12 delivered everything I had hoped for. Full but elegant, fruit but dry, very well balanced. The Vendanges Tardives were also balanced, lovely sweet notes but clean and fresh leaving you wanting to drink another mouthful.

Domaine des Aphillanthes (Rhone)

Run by Daniel and Hélène Boulle, it was good to talk with Hélène whilst tasting the wines. The various Côtes Du Rhone, such as Plan De Dieu 13, were marked by fruit, freshness and length. The grape varieties such as Syrah, Grenache, Carignan and Cinsault are the same as Languedoc wines and there was resemblance of course. Like the best of both regions the wines had elegance and balance, fruity but dry with fine tannins. None of the Aphillanthes wines come from the more famous regions of the Rhone yet the wines carry a quality resembling the big southern villages such as Cahteauneuf or Gigondas. That they are to be found on the wine lists of top restaurants shows the respect they richly deserve.

Preisinger and Judith Beck (Austria)

Austria was the origin of many of my favourite wines throughout the Salon and the offlines. Claus Preisinger and Judith Beck run separate domaines in the same Burgenland region but share similar biodynamic philosophy and practices. Their wines make something special out of Pinot Blanc, Chardonnay and Grüner Veltliner grapes, I particularly enjoyed the white wines of Preisinger, for example the amphora matured GV. All again showed the fruitiness and freshness I love. The red wines were the real revelation however. Zweigelt, Blaufränkisch and St. Laurent are particular to the country and they showed great power, elegance and balance, great with food and yet good to drink on their own. The two are part of a wider group of nine producers making a series of wines called Pannobile which are designed to reflect the local grapes, soils and characteristics. Wines such as Beck Ink 2013 and Preisinger’s Zweigelt 2012 were top class wines, heartily recommended. I also recommend the website of Claus Preisinger, a model of innovation and information.

Pittnauer (Austria)

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Producer of probably my favourite series of wines in the whole salon, Gerhard Pittnauer has the appearance of a wild rocker with restless personality and his wines reflect him. There is a touch of wildness, unpredictability and of being on the edge. The wines are alive, full of long flavours and aromas, truly delicious. The entry white wine was called Mash Pit (that rock reference again), whole bunch maceration, no sulphites, natural, clean and sharp. The reds were the standout however. Light, Pinot like, the St Laurent 14 carried sweet fruit with freshness. The Pannobile 13 (Gerhard is in the same Burgenland region as Preisinger and Beck) and single vineyard St. Laurent Rosenberg 13 were equally good. Much richer and darker plum flavours in the Blaufränkisch Ungerberg 2010 showed that this a domaine producing a good range, every one of which would deserve to be in my personal wine stocks. Outstanding wines.

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Others

More recommendations for Austria, wines from Jurtschitsch, Weininger and Weninger were very good, especially the white wines based on Riesling and Grüner Veltliner. This is a country which is really on the move in the wine world, top of my list for wines to explore and to drink.

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Italy had its good producers too. Le Carline is a producer in the Veneto whose wines I praised last year and I enjoyed them again especially the local grapes such as Lison. From Abruzzo, mainly using the Montepulciano grape, very good wines by Villa Reale. The rosé Cerasuolo 15 was the best rosé I tasted in the salon, the red Montepulcianos from simplest to more complex were all delicious. From Sicily the Frappato and Cerasuolo di Vittoria made by Feudo di Santa Tresa were lovely wines.

The Chablis wines of Domaine Bernard Defaix were lovely. The Premier Cru wines in particular were lovely, fresh, dry and truly reflecting their vineyard such as Vaillons 14 and Côtes de Lechet 14 with varying degrees of mineral, saline and fruit characteristics.

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Most surprising wine of the salon was from Greece, I liked the Giannikos wines generally but my heart sank when I saw a Viognier, surely Greece would be too warm for this grape which often becomes flabby and heavy? Yet they have made a delicious dry, fresh wine with apricotty, citrus flavours. They harvested on July 25th last year, to capture the freshness of the grapes. Their new sweet wine was also lovely and fresh.

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It was a very good salon. I will undoubtedly have overlooked many excellent wines due to the size of the event but I tasted some fantastic wines, notably those mentioned above. I reiterate my praise for Austria, the Rhone and Alsace and I believe you will find that the various offline events offer further support to the wines of these exciting vineyards.

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With Denis Jamain of Chateau de Reuilly, very good wines