amarchinthevines

Learning about wine, vines and vignerons whilst living in the Languedoc


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Run To The Hills

View from Anton van Klopper’s home

I’m biased because my great friend James Madden lives and makes great wines in the region but, given a free choice, I’d always choose Adelaide Hills as my favourite Australian wine centre. In the first place it is a beautiful area with rolling, sometimes steep, green hills just a few kilometres from the centre of Adelaide. Small villages, fruit orchards and vineyards present much greater variety and wildlife than regions such as The Hunter and Yarra Valleys.

Visiting the Adelaide Hills in 2018 I was fortunate to be taken by James to meet very good winemakers such as Gareth Belton (Gentle Folk) and James Erskine (Jauma), falling for their great wines and the natural beauty of their vineyards with spectacular views across valleys and greenery. Changes afoot in the Hills though and that ties in with a trend against natural wine in Australia. James had mentioned to me that most winemakers, even when producing 0/0 organic, sulfite free wines, are not using the word ‘natural’ as there has been a kick back amongst Australian winemakers. This matched a comment from Howard Stamp, owner of Bar Thyme in Melbourne, who no longer describes natural on his wine list. It’s a great shame to me that people have to almost surreptitiously disguise their clean winemaking but people have to make a living. Gareth still farms organically but has become interventionist and conventional in winemaking practice though people like James Erskine and James Madden still work ‘naturally’.

Views from the same point looking to the Barossa (above) and Eden Valley (right)

A scheduled visit to Jauma had to be put aside unfortunately, due to family circumstances, but we made an enjoyable trip out to the Barossa and Eden valleys. The Eden valley, despite its name, looks much more desolate than the Barossa, its landscape looking almost parched even in Spring. It is home to excellent Riesling and Shiraz such as the famous Hill Of Grace. We drove around the Barossa and visited tourist oriented wineries such as Seppeltsfeld and towns such as Tanunda and Lyndoch, home of famous wineries such as St. Hallett whose Old Block Shiraz was a key wine in my education. Unfortunately modern producers such as Mac Forbes were unavailable for visits but good organic wines such as Kalleske’s Moppa Shiraz were much enjoyed.

Left –Me outside St Hallett’s cellar door and the huge tanks behind. Right – Old Block, a wine which taught me a lot about wine in my early wine days

By good fortune we managed to meet up with winemaker Brendon Keys, proprietor with his wife Kirstyn, of BK Wines based in Uraidla. Brendon kindly invited us up to his winery and new cellar door, so new that James hadn’t been before, and he led us through an extensive tasting from barrels, eggs and bottles. The wines were consistently very good right across the range. Brendon has somewhat bucked the trend I mentioned above by becoming less interventionist and the results were energetic, clean wines full of fruit, character and complexity.

The grapes are bought in and included many varieties including some interesting Nebbiolo in barrel. Personal favourites were The Fall Chardonnay from Carey Gulley, the 23 from bottle and 24 still in barrel showed fruit, minerality and freshness and the beautifully made Yellow Wine Blue Sky, a Savagnin made under flor and tasting fresh, yeasty and persistent. A fortuitous meeting, much appreciated.

We were staying with James Madden and his family in their new home which happens to be next door to perhaps the region’s most famous natural producer Anton van Klopper of Lucy Margaux wines. He kindly invited us up one evening and whilst the children enjoyed the homemade pizza Anton shared a number of bottles. I will confess that some of Anton’s wines have been a bit too unpredictable for me at times but I can honestly say that every one of the bottles opened that evening were clean and, simply, excellent. Certainly amongst the best wines of the whole month in Australia.

Anton’s scattered parcels including a precipitous one overlooking James’ house (right)

From the parcels of vines spread across the hills to the carefully produced labels Anton puts his heart and soul into the wines. He also has a new market garden venture partly run by Andrew Douglas who did harvest with us at Jeff Coutelou’s in 2023.

Anton himself is often portrayed as a wild man of natural wines. That may be the case but I met a generous, thoughtful, searching man passionate about nature and the wines he makes, always wanting to learn about them and about life. I had a great time and enjoyed bottles such as the Gamay of Noir de Florette, the terrific Sauvignon Blanc Sauvignon Sensual and especially the Homeblock with its Pinot Noir and lots of other grapes mixed in. Such a beautiful place to live too.

I’ll conclude with James’ wines which stand tall with any others. When I visited in 2018 he was working under the name Little Things but a big company objected as they called one of their wines by that name. He changed to Scintilla which essentially means the same thing of course. I was thrilled by James’ first wines back then, have tasted one or two of the Scintilla wines since but was happy to share a number of the wines with him and with Andrew who has done a lot of work to help James.

left – James outside his winery right – James and Andrew

The wines are consistently clean, vibrant and a pleasure to drink with good fruit and complexity. He puts a lot of time into the sourcing of his grapes and getting the highest standard with which to work. He is also starting to buy vines and, on his new property, is planning where to plant more vines of his own, together with his partner Sam and their two lovely daughters. The small winery on the property is just big enough to cope with the production and he works with barrel and eggs to cultivate his wines before bottling and labelling by hand.

I liked his Mountain Pinot Noir 23, true to the grape in being light and fruity with a nice acidity but the whites were the big hitters. Sauvignon Blanc again, this time skin contact made was a treat, just enough maceration to give texture whilst bolstering the fruit, Moontide Maceration 23. My favourites though were the single vineyard Chardonnays, River and Forrest, both different and reflecting their vineyards with generous fruit and a clean, refreshing finish. Good man James, be proud.

A great way to finish our stay in Australia before heading to New Zealand. I heartily recommend the Adelaide Hills to anyone planning a visit Down Under or buying wines and, of course, any of the producers I have mentioned. Love and thanks to James, Sam, Flo and Augie for putting up with us.


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Yarra Valley visit

From Sydney’s most famous wine region to Melbourne’s, the Yarra Valley. Another name which featured prominently in my early wine education. Names such as de Bertoli, Coldstream Hills and Yarra Yering were part of that learning the latter two showing that Australian wines weren’t all big and gutsy. Pinot Noir from Coldstream Hills was a particular favourite.

On a brief visit to Melbourne, and without a car, options were limited for getting to the Yarra but we chose another half day visit with Local Way, a good choice it proved to be as our guide Ray was knowledgeable, amusing and helpful. Other options involved 10 hour days of 6 or 7 wineries and whilst that has some appeal the half day suited well, offering a flavour of the region and its wines.

There are ninety wineries in the Valley about an hour’s drive out of the city. Like the Hunter many offer tourist cellar door visits with tasting rooms, cafés and restaurants, again weekends are peak time for them being open so the visitor needs to weigh up what’s available versus how busy that might be.

Grapes just forming after flowering

The Yarra is perhaps less scenic than the Hunter (my view only) but it opens into rolling hills and grasslands with vineyards spread out, certainly not concentrated in French fashion. Many take advantage of slopes but not all, irrigation seems fairly universal.

Our first visit was to St. Hubert at the entrance to the Valley, apparently the second oldest winery of the area. The tasting room, restaurant and art gallery are in a new building set in beautiful grounds, little wonder that their website concentrates largely on tourism, events, weddings etc. We were offered the basic tasting wines and the estate’s entry level. They were fairly innocuous in truth, clean and light fruited but not a lot of character. The Pinot Noir was well made and the pick of these. In fairness our host did open their Reserve Cabernet Sauvignon 23 which had only been in bottle for three weeks and there was a lot more depth and character there. Highlight though was the art gallery with some beautiful aboriginal art on display.

On to Helen and Joey, just up the road. Another beautiful setting with new buildings and winery constructed just last year though the estate has been running since 1996 having been purchased from someone who grew grapes to sell on. The wines were much more characterful, the Blanc de Blancs having a cleaner, more refreshing fizz, the Pinot Grigio having more depth and aromatics. The 2020 Wayward Pinot Noir here, made in old oak barrels showed good Pinot character, nice to see a commercial winery hold back wines until they are at their peak. There was even a no SO2 Merlot, NoSo 23, which was ok without exciting me.

At this point we had a choice to go into Healesville, try some gin or go to a third winery. Fortunately (and unsurprisingly) we chose the latter and what a great decision, easily the best wines I have enjoyed in a month here in Australia. Payten and Jones is in Healesville and is a small, organic winery and farm, see the photo for their story.

Andy, our guide, opened up a range of wines from entry level to more serious and they were genuinely exciting. Lots of fruit character but serious, complex and well structured with a freshness and drinkability that pleased me after so many fatiguing, woody wines in the last few weeks. The entry level Chardonnay, even more the Pinot Noir, showed good character and fruit but step up to the next level, named Hollow Bone and there was more depth and character. The Hollow Bone Chardonnay 23 was oaked but so well judges, complimenting the fruit not mastering it. The Hollow Bone Pinot Noir 22 was made with 40% whole bunch from a single vineyard and made in a plastic egg! The results were exciting (priced at $40 a real bargain) and the plastic egg seems to work, Adam and Behn praising the way it energises the wine, just as Jeff Coutelou does with his concrete eggs. They have stainless steel versions too.  The Pinot clone MV6 is used because it has been phylloxera free from the start. Seeing all the vines without grafts is quite an eye opener, they look so much thinner and neater. Long may it remain so.

I really enjoyed the Sangiovese with a character much closer to Chianti than the previous examples I have had this holiday, good acidity and freshness to cut through the red fruits. Nebbiolo 2016 was actually made in the winery by a friend of Payten and Jones and was delicious, the years have mellowed the tannins and the wine has fruit and tertiary forest notes.

Chatting with Andy and Behn

Best of all though was the Mataro 22, FFS. Now, I struggle with Mourvèdre a lot of the time, too many examples of leathery, composty notes and I know that it is a grape which can be a swine to grow. It hates water and any serious rain can cause the grapes to turn to much in a few hours, indeed Andy reported that is what happened to them in 23. Thus Mataro 22 though was singing. Dark, plummy fruit, freshness and acidity and definite aromas of mushroom and forest. The grapes were on skins for 8 months and extracted deep colour but still soft tannins. I admire their boldness in leaving the juice on skin for so long, and that bravery has been well rewarded. A great wine. (The name comes from lockdowns, with the wine first made in 2020 names F*** Twenty and the next year S*** Show).

It was good to talk with Behn and swap notes and stories before we had to leave to return to the city. Payten and Jones have a UK importer, ABS Wines, please leave some for when I get back!!

Stainless steel egg

There was a lot of beautiful scenery in the Yarra, it would have been good to spend more time there and visit some of those educational producers from my younger days as well as the excellent producer Mac Forbes who is based here though does not offer cellar door. And, with Payten and Jones, I have a new favourite to remind me of this visit and another excellent wine region.


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Hunting my wine past

I have recorded on here before how Australian wines formed a big part of my introduction to wine. One of the regions which cropped up repeatedly in those days was Hunter Valley with producers such as Tyrrell’s and McGuigan amongst others. Unlike the Barossa with its big, oaky wines the Hunter was a little more restrained though still in thrall to the power of oak. As we embarked on another trip to Australia I thought it would be good to visit a region which I thought I knew.

How little I really did. Arriving in the valley the first question was, ‘where are the vines?’ I had lazily expected a valley like the Loire or Rhone with vines on the slopes of a narrow strip of land bordering the river. Well, the Hunter is huge and looks nothing much like a typical valley. There are hills but it is a flattish area with sporadic patches of vines planted, seemingly at random. There are around 160 wineries producing about 3% of Australian wine, based on a mix of five soils, from alluvial sands to limestone and basalt. The wineries are generally geared around tourism, proximity to Sydney bringing large numbers out especially on weekends. We were there midweek and most of the winery restaurants were closed but it was less crowded, plan for your preference. It is Spring here in Australia and the vines are just in flower, a lovely time to visit.

24 to the left, the 2012 right

On arrival we went for a drive around armed with a fairly useless map but the wineries are all over and it was a question of which one to try. We settled on Tamburlaine, an organic winery with white wines made here in the Hunter and its reds up in the Orange area. A warm reception in the visitors’ centre from a knowledgeable and friendly woman who led us through the white wines in particular. The name Tamburlaine refers a Mongol warrior though it was named in honour of the first owner’s son and his battle with cerebral palsy. The wines were fresh, clean and characterful. I had forgotten how Semillon is such an important grape here yet all those years ago it was a regular purchase. We were kindly served a 2012 as well as a 2024, Semillon ages so well developing all sorts of complexity and a golden hue. Verdelho too was to feature on many of the visits of the next two days and became possibly my favourite grape of the visit.

How to sample wines with a car? Well the answer was to book a tour, there were a number available though I opted for Two Fat Blokes and their half day experience and what a good decision. Three wineries with different approaches, a cheese and wine pairing and a very enthusiastic and helpful guide who drove our group of six. First up was the Two Fat Blokes themselves (sadly only one is still with us) whose wines are called after the seven deadly sins. Good, well made and honest wines matched with a range of seven excellent cheeses, particularly a sensational lime and black pepper labna. Note the patch of Shiraz out the front but the winery was an example of a methodology I had again seriously underestimated.

After so long with Jeff Coutelou and being in France I am used to producers making wines from their own grapes. Of course many French winemakers do négociant production too from bought in grapes but here it was the norm. That Shiraz patch produces around 400 bottles, nowhere near enough for a commercial venture. Every producer seems to buy in grapes often from great distances. If it comes from out of state then the grapes must be transported as must or juice as The Hunter has no phylloxera so no whole bunches can be brought in to lower any risk. (Not sure how that makes a difference but there we go).

Oakvale winery was next on the tour and another organic producer though only around 6% of Australian wine is made this way. I liked the wines here and it was interesting to compare the Semillons and Verdlhos from the three producers, the Verdelho here was richer but had a nice clean streak of acidity. The winemaker is James Becker who has his own winery with his wife but unfortunately they were closed for visits as it was probably the winery I most wanted to try. He is just starting to experiment with amphora and concrete egg at Oakvale. The Shiraz 22 was very good too, good weight and red fruits and persistent.

Finally we moved on to First Creek winery. I thought these were the best wines of the morning overall but especially an older Semillon (2015) which was kindly shared with us and revealed again how this variety really takes on another character with age, adding much more concentrated citrus notes. The Verdelho was very good. Chardonnays generally disappointed all morning, oak seems to be de rigueur and though its use was moderate and carefully judged the wines lacked real character often a little flabby. Here though First Creek aim for a more mineral, lean style and the wines benefited, clean and fresh with nice fruit.

The Cabernet Sauvignons were also a little underwhelming, lacking mid weight. The Shiraz wines were nice, often more akin to French Syrah, avoiding the big blousy style and aiming for more subtle fruit and balance.

After a suitable break we headed to one last winery and decided on Brokenwood, one which I know from purchases in the past. This was a serious visitor centre with tasting bays all around a large hall and several young people in charge.

We struck lucky with James who poured us fourteen wines instead of the seven we should have had. I was on sip only duty being the driver but this was a very good tasting. Three Semillons, three Chardonnays, different Shiraz wines and others too. It was good to be able to compare the bottles and see the quality levels. Once again James explained that much of the fruit was bought in to make some of the bottles though Brokenwood has some extensive vineyards of its own including the Graveyard which provides one of Australia’s iconic wines according to expert James Halliday. Top of my class was the Tallawanta Shiraz 2019 with layers of flavour, red fruits, plums, fresh acidity too. Unfortunately, I have expensive taste, $150 a bottle! To be fair I liked the Oakey Creek vineyard whites more than the more expensive bottles. All of these were from local grapes, maybe home production wins out after all. The Cabernet was from Margaret River in Western Australia, a huge distance away!

My second favourite Shiraz from the visit, from Margan in the Upper Hunter and some of that delicious Labna

A hugely enjoyable trip to The Hunter Valley, it more than matched any expectations while confounding them at the same time. If you were planning a visit think about weekends when there will be more open restaurants and wineries but it was much quieter midweek. I left wanting more, always a good sign.


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Domaine du Partage, made for sharing

Wine should be about sharing. Pleasure, knowledge, thoughts, skill, friendship and passion to name but a few. Nearly all of my favourite wine moments have been shared with others, around a table, at a tasting, on special occasions. The name of Steeve Dejardin’s new wine venture is, therefore, well chosen and apposite. Not least because Steeve himself has always been one of the most generous people I have ever met. Back in 2015 he came to Jeff Coutelou’s cellar with a few bottles and cheeses from his native Jura and we enjoyed a great evening. We met a few times in similar circumstances at Jeff’s including a Saturday lunchtime where Jeff shared a few bottles of older wines including the legendary ‘Roberta’ and several vintages of La Vigne Haute.

Saturday sharing, 2018
The last case of 2021

Steeve decided a few years ago to change his lifestyle and become a winemaker. He came down to Jeff’s and spent over a year working alongside him, learning the ins and outs. He had already spent time with the excellent Michel Gahier in the Jura and after his time with Jeff returned to his home region to work at Domaine De La Loue amongst others. Eventually though he returned to the Languedoc and has started his venture in the Minervois.

The decision was taken to rent around 2.5ha of vines and part of a cellar in that region from Julien Audard and Laure Boussu who run Monts et Merveilles. They were making wines under that name and retain some vines but are starting to concentrate on brewing beer and their ecotourism business. The couple have been a great help to Steeve who is eternally grateful to them for the opportunity to fulfil his ambitions.

Camplong

We visited on August 22nd reaching St Julien des Meulières in the Haut Minervois after a lovely drive through that area with its limestone scenery and beautifully clean air. In the plains we had passed early harvesting in the heavily herbicided vineyards, dust flying everywhere. The contrast up in the hills was marked, vineyards covered with plants of all kinds surrounded by forest. Unfortunately the bulk winemaking of the plains has given Minervois a moderate reputation, winemakers like Steeve face a challenge to change that image in order to sell their wines. And sell they should because, I’m happy to say in all honesty, that Steeve’s first wines are excellent. Yes I am biased towards my friend but I wouldn’t have written that sentence unless I meant it.

Carignan in Camplong

His two vineyards are a few miles apart and named after their nearby villages. We headed to Camplong first, around a hectare of vines divided mathematically and physically half and half between Carignan and Syrah. The Carignan vines are around 50-60 years old and in gobelet, free standing on a sloping hill. The top part of the vineyard is argilo-calcaire, limestone and clay, whilst the lower slope also has schist mixed in. That lower part has a few vines which have struggled and Steeve is working hard to improve the soils there using compost based on nettles. A fence separates the two parts with their different grapes, in the Syrah the vines are trained on wires.

Syrah, Camplong

The other vineyard, Cassagnoles, is on the other side of Steeve’s home village and even higher in the hills. Just over a hectare of Carignan vines on a steep hillside greeted us. They are 60 years old and gobelet trained too. The vineyard is surrounded by a small electric fence because the forest has a lot of wild boar living in it. At Camplong there are no boar but badgers have been eating some of the bunches! Once again Steeve has found the lower parts of the parcel have needed more work to improve the soils, he’s used some manure but not too much and more nettle and organic composts. There are a few white grape vines such as Grenache Gris and Steeve is hoping to develop more white grapes.

Carignan, Cassagnoles with steep slope and electric defence

Both vineyards were a joy to visit, surrounded by lovely oak trees and countryside and views to lift the soul whilst working there.

Winemaking is simple and natural, a small destemmer and basket press make up the equipment and the wines are fermented and aged in a variety of containers from stainless steel and fibre to a small concrete amphora shaped vessel. The Carignan from 2023 fermented easily and is bottles but the Syrah has stubbornly not completed fermentation with 25-30g of residual sugar remaining. One caviste, impressed by the Carignan, offered to buy all the Syrah even with its sugar but Steeve is confident it will complete, perhaps when the 2024 grapes are fermenting in other tanks. I have seen it happen before, where one tank seems to trigger others so, fingers crossed.

Steeve had generously been busy baking, a delicious tomato and goats’ cheese tart and blackberry clafoutis accompanied our wine tasting. His Carignan from Cassagnoles, bottled as Nouveau Nez, was excellent. Red and black fruit aromas and flavours abounded with real energy and freshness to the wine meaning that you were eager to try more. I kept the remainder of the bottle until the next day and it was still in prime form, suggesting that the wine would easily keep for a few years if you could resist its bright purple colour and fruitiness right now. For a first wine this was exceptional, it brought back memories of the first wines from L’Ostal Levant in Cahors at La remise salon in Arles in 2015. I know Steeve has a few bottles left but events such as ViniCircus have helped him to get his name out there to cavistes. I was delighted to hear that the excellent Picamandil in Puissalicon near to Jeff has some bottles.

A nice touch of humour, ‘Might contain traces of sweat’

With the Syrah forcing a delay Steeve was happy to discover an organic producer in the area who was selling her Languedocian varieties to the local cave cooperative. He found the grapes in excellent condition, Aramon, Terret Noir and Gris to name just some. It reminded him of the Couleurs Réunies cuvée of Jeff with its vast array of local grapes and so, Steeve bought up the grapes to make a wine which he is calling Arc En Ciel. It was full of black and red fruit notes, upfront fruit but also some tannins for longer keeping. Very good indeed and those grapes deserved their own moment in the spotlight rather than being blended in with inferior grapes like the ones we saw in the plains.

Steeve had made a few bottles of Syrah given to him by Julien and Laure and he put it into bottles but also magnums to see how it developed. It too was very good, I promise. Very Syrah like, with upfront fruits but a nice backbone of tannin and acidity.

It was a real delight to visit Steeve, someone I admire so much and value as a friend, it was good to see that he and his son Martin are happy in their new environment making friends and contacts and becoming part of the community. The vineyards are lovely and Steeve will improve them with his care and passion for them. Meanwhile he has already shown his skills as a winemaker and when the new grapes are picked around the second week of September I am sure they will confirm that promise and Steeve will share more great wine with the world.


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Vendanges ’25 – winning resilience

After all the hard work of the first week and a half with the main picks completed successfully there remained lots of the more interesting grapes to bring in. The main picks remaining were the Carignan of Rec D’Oulette and Mourvèdre of Segrairals. Of more interest were the multitude of different cépages / varieties which make Jeff Coutelou’s vineyards and wines so fascinating.

Jeff, his niece Flora and Linus (see previous posts) shared lots of pictures of these picks on their social media and I share some of these here.

Clairette Blanc and Rose (by Flora Rey)

Jeff sent me the analyses of the wines and he was very positive, more so than usual, about the harvest overall. The wines are fermenting at a good pace and consistently, the alcohol levels at 13-14% are spot on for balanced wines. Everything is looking promising for the ’24 vintage which maybe Jeff and the rest of us were not expecting just a month ago.

photos by Flora Rey

The parcel which excited me most when I toured the vineyards in August was the Xarel-lo at the top of Peilhan. Despite being only 4 years old the bunches were full and ripening well and this is a variety which is making some of the best white wines in Spain and Catalunya in particular. I was, therefore, delighted to see the grapes being sorted and looking so well, I can’t wait to taste the resulting wine.

Reaching the finishing line in such style was a real boost, it was so good to hear Jeff so happy and positive. Therefore, it was doubly disappointing and infuriating to hear from Jeff that vandalism had returned on Sunday September 15th. Peilhan is the usual target as it is isolated and well away from the village of Puimisson. Once again someone had set fire to the hedge at the side of the main vineyard with its planting of trees and shrubs. I get so frustrated and angry about this and it must hurt Jeff but he was quick to respond with a message headed ‘RESILIENCE’ and a promise to replant even more trees and shrubs. Why someone hates Jeff’s desire to introduce biodiversity into a vast expanse of vineyards I cannot understand.

A sour note on which to finish what had been such a successful period of vendanges. We can only lend our support to Jeff. His resilience is one of many factors which make him such a talented vigneron.

photo by Flora Rey


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Vendanges ’24 – challenges and opportunities

After a traditional Sunday of rest week two of harvest with Jeff Coutelou recommenced with a LOT of fruit. I had only two days left before I started the journey back to North East England but there are some busy days ahead, more later.

I wrote last time that by getting a strong base of wines in tank Jeff is in a handy position to finish this year’s harvest well with plenty of options. I did, however, mention that there would be challenges ahead and that was another reason to get those early Syrah and Grenache tanks full. There was a little bit of rain on Sunday and the forecast contained the threat of a lot more and even storms at the end of this week. That would bring a temporary halt to picking as you don’t want grapes with a lot of water on them which would dilute the wine flavours. It would also make it more difficult for vehicles to get in and out of the vineyards to bring back the grapes. Therefore, Jeff was pushing us to work even harder to try and get ahead of the weather, as much as can be done without compromising the quality of the grapes. No picking early and under ripe just to avoid the weather, for example.

Aramon

Rain would also increase the threat of damage to the grapes from rot. Though much of the Syrah was very dry and healthy it lacked volume in some vineyards such as Peilhan. The Cinsault on Saturday afternoon was picked just in time from a parcel of Segrairals where it ripens earlier than other rows of vines. A day or two of rain would have quickly made it go over the top though.

There has been some oidium (powdery mildew) in some parcels but nothing out of the ordinary. The main damage to some bunches has come from the perennial issue of ver de la grappe, grape worm. I have written about this many times before and it continues to be a problem with no real organic solution. Jeff has tried using tricholine, a white card containing the eggs of many tiny wasps which predate the grape worms. However, he seems resigned to them not having enough effect. The grape worms lay their eggs inside a bunch and they damage the bunches by piercing some grapes for food, the juice then runs on to other grapes in the bunch and this causes rot. Have a look at the bunch and the black powdery rot which results, up to the pickers and sorters to keep this out of the wine. Rain would simply compound that risk of rot.

Aramon
Aramon too
Aramon Gris

On Monday we brought in the grapes for one of Jeff’s most successful new cuvées in recent years, Ploutelou. This is mainly Aramon, the traditional Languedoc grape which is having a small scale revival in recent years. The Aramon, from Segrairals vineyard, provided probably the best quality grapes of my six days of work. Lovely big, conical bunches many a dark black, others shining like rubies. Mixed in were some Mauzac, Aramon Gris, Clairette and Cinsault grapes.

One interesting point to emerge was the grappillon. These are bunches of grapes which grow from secondary flowering, after frost damage or pruning. They don’t ripen fully as a consequence but harvest brings some in, most have been removed as they will use up the vines’ energy at the expense of the main bunches. They will add acidity to the wine rather than flavour and depth. The photograph below shows a grappillon on the left and a full bunch (grappe) alongside. We don’t want to add many though.

Tuesday brought around seven tonnes of fruit, it was full on. Mostly this was the big, juicy Cinsault grapes from Segrairals from the older plantings than the Cinsault mentioned earlier. Once again there was Mauzac and Aramon Gris from a few vines planted in the parcel. The tanks were filling fast, a contrast to the meagre Syrah yields. Clairette was also brought in from Segrairals and direct pressed, it was already showing the slight bitterness which means that the resulting wine stays fresh and dry even with low alcohol.

Cinsault
Mauzac

The other big challenge Jeff now faces is utilising the team to best effect. Those full tanks require care and attention too, for example remontages to keep fresh the cap of skins floating on the wine. Bart, with his experience of winemaking in Tasmania, is taking charge of those jobs, helped by Flora and others. The balance has to be right between picking and processing grapes too, Jeff doesn’t want grapes piled up waiting to be processed because too many are picking, but he equally doesn’t want the sorting team to be standing around waiting for grapes. People, climate, machinery, pests – no wonder Jeff gets stressed. Fortunately he has been in good humour, things have gone well so far. Hopefully, that will survive the challenges and he and the team can finish vendanges with style.


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Vendanges ’24 – getting into prime position

Looking for the prize

In a horse race (or any other race for that matter) as the start falls behind you need to get into a prime position. Not too fast or you’ll use up all your energy before the finish. Not too slow so that if things go wrong you’re caught out and in no place to achieve what you want.

That’s how it has felt as the first week drew on at Jeff Coutelou’s this year. The Syrah grape is a fundamental part of the domaine. It is grown in four different vineyards and is used to make pure Syrah wines, such as legendary La Vigne Haute, or for blending into wines such as Classe and Le Vin Des Amis. It also matures relatively early and has formed the bulk of this week’s picks.

Syrah from Segrairals left and La Garrigue right

The grapes from Peilhan were suffering as I described in an earlier post but since then we have sorted several tonnes of lovely, fresh but ripe grapes in good condition. The sorting table has been mainly a question of sifting out snails, sticking to grapes for any water they can get, earwigs and dried leaves. The vibrating table means that the snails shells rattle and it easy to pick them out whilst it lets the smaller leaves, peduncles and any grit drop through the grilles. We remove larger detritus and any bunches affected by grape moths or oidium. The Syrah from La Garrigue was in very nice condition, Jeff even teased about making La Vigne Haute, I’ll try not to get too excited just yet.

Me working on the sorting table (video by Bart Johnston)

Jeff decided on Thursday to pick some Cinsault which was a little underripe and only around 9% alcohol potential. Why? It will be used to balance some of the riper and higher alcohol yields such as some of the Syrah, adding freshness and energy as well as lowering that alcohol level. It’s decisions like these which mean that Jeff has put us in that pole position going into the second week. The base is there and now we can add the grapes to make very good wines.

Tank ready for grapes, Cinsault right

White grapes were not ignored, I described the Muscat in the last post and since then the Clairette and Macabeu from Sainte Suzanne has been harvested too. This is a young plantation still, only four or five years old and the heat has got to it a bit. Macabeu had a downy underside on its leaves to help dissipate heat but even that has found 2024 a wee bit much. Nonetheless, early picking and direct pressing means that we have nice, fresh white wine in the tanks, just not enough of it really, the effects of the summer.

Picking in Ste Suzanne and some Clairette grapes
Clairette into press with Bart and Jeff and right, Bart using the basket press for some less perfect Macabeu

On touring the vineyard of Segrairals Jeff felt it was necessary to bring in the rest of the Cinsault, just a couple of days after the previous pick. In those two days there had been great changes, amazingly. The grapes were fuller and riper but they were threatening to go over the top just as quickly. Cinsault has very thin skins and full grapes which provide a rich target for grape worms, wasps and other insects and if they get to work then spoiled grapes in a bunch can turn the rest to vinegar. So, Saturday afternoon brought a lot of Cinsault, its size and generosity means that the big bunches soon fill the cases and we were working flat out sorting to get rid of any potential problems. Again, having that in tank to use for the cuvée 5SO or for blending to add lightness and fruitiness, means that Jeff has greater options in the coming days.

Macabeu, a 500g bunch right, oidium hit at the top and some mildewed grapes left. Fortunately there’s more of the first.

Saturday, in particular, was full on and the temperature hasn’t dropped below 30c any day this week. Sunday, and a day of rest, is a welcome break and chance for Jeff to look at the analyses and make his choices for what comes next. Back to the race analogy, the pace has been rapid but steady and we are placed well to go on and finish the race with energy and success. Problems and decisions remain, there is a threat of rain this week and the machinery has felt the pace of work and given a few headaches and lessons in French swear words with occasional breakdowns.

left to right – Linus, Dario, Flora, Gilles behind Jeff

On to the prize!

Photo by Bart Johnston


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Vendanges ’24 – and they’re off

Le patron

Eleven years of coming to vendanges (minus covid year), my tenth experience. Is there anything new to say? Well, yes, of course. Each vintage is different, the weather, the new plantings and the people. Jeff Coutelou is the central figure and around him there come and go people from all over the world, each bringing new eyes, new stories and they become an extension of the Coutelou family. There are quite a few who have gone on to make their own wines, some who move into different aspects of the wine world and others who simply put it down to experience.

Gilles and Bart unloading the first cases

When I tell people that I do wine harvest each year the most common response is that it must be lovely, how romantic the idea is. They obviously don’t recognise the brutally hard work which harvest brings, the aches, pains and cuts which follow and the heat! It has been a hot start to the ’24 harvest, every day well into the 30s centigrade. I drank many litres of water yesterday (August 28th) and still felt parched. Clothing covered in dirt, grape juice, sweat and blood are a commonality between many of us. As I have reached 65 years of age I am starting to feel such days take their toll so have taken today to recover from yesterday’s sweltering conditions and hard work, but I shall be doing six of the first seven days of vendanges.

After so many harvests it has got to the point where Jeff and I reminisce about past experiences, how we had to work differently, problems that arose in the past and which recur – shall we do the same thing this time? Something which did come back was the sorting table which broke down twice last year and had to be replaced. It is high tech, vibrating to winnow the loose debris from the bunches together with insects and snails and it makes sorting bunches a lot more straightforward. Hopefully it will continue to work for the whole season in 2024.

Linus and Tys
Bart and Thijs admire the Segrairals Syrah
Old sorting table, new use

Tuesday was, as many first days have been, a day for Syrah. The grapes from Sainte Suzanne vineyard were somewhat lacking in juice because of this year’s drought. Healthy bunches but small grapes and Jeff felt they would be best vinified in whole bunches to bring out the fruitiness of the grapes. Normally we have sorted such grapes by hand straight from case at the top of the fermentation tank. However, Jeff decided to hang on to the original sorting table and so this was used inside the cellar to make it a more comfortable and efficient operation. Joining me at the table were Tys, a Dutchman who lives in the Auvergne and is considering winemaking for his future. He was there for just one day. Alongside him was Bart Johnston, an Australian, the fourth in my time with Jeff. From Sydney originally Bart now lives and works in Tasmania, running a wine operation as well as making his own wines under the L’Appel label. He was all set to come and do harvest with Jeff in 2020 but, for obvious reasons, that had to be postponed. His experience will be a big help to Jeff this year.

In the afternoon the pickers moved to the large Segrairals vineyard and its Syrah. As I mentioned last time this vineyard has suffered less from the heat and drought than the other side of the village so the grapes were bigger and juicier than those in the morning and by balancing them out Jeff hopes for a good base of Syrah wine, probably for blending into classic cuvées such Le Vin des Amis. The team of Moroccan pickers returned and were joined by Flora, Jeff’s niece. Dario, an Italian who has been working in Puimisson since March after coming for harvest last year forms another experienced hand. Linus, from Sweden is here for the harvest, he works in the wine business there and is looking for more experience of real winemaking. Gilles, as ever, ferries the grapes to and fro and keeps Jeff up to date with how the picking is going.

Muscat going into tank
Learning how to operate the press

Day 2 brought a change of personnel. Another familiar face returned for a day. By coincidence the person who replaced Bart in 2020 was Louis from Narbonne and he ended up working for Jeff for a year or so. As it happened I had seen him at Jeff’s in April and it was good to catch up. He and Linus did half a day each of sorting and picking. The morning brought white grapes. Muscat À Petits Grains from Peilhan was collected and pressed directly into tank.

Muscat grapes after being pressed

Back to red grapes and Grenache from Sainte Suzanne which, as I wrote last time, had fared much better than the Syrah. Good, healthy and full bunches meant a lot of work and, hopefully, a fuller tank than the Syrah from there which Jeff had estimated to be about half the usual yield. It was a sapping, hot afternoon and I must admit, a tiring one but it was good to have had a successful day.

Compare these two pictures to see how much sorting the grapes has become more mechanised and efficient.

Jeff sorting by hand from case straight into the destemmer in 2016. On the right is the equipment for 2024, watch the video below.


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Here we go again

It’s that time of year. the harvest is just around the corner. We’ll be starting next Monday at Jeff Coutelou’s domaine. I’ll be here for some but not all of the vendanges as I have a lot of travelling coming up and a much busier time here on the blog lies ahead. I shall be updating about the harvest whilst I’m here and with reports passed on to me when I return to the UK.

It’s been an ‘interesting’ year here weather-wise in the Languedoc. When I was here in April it was grey, damp and colder than average. Since then though the region has a long period of hot weather, it was still 38c when I arrived a week ago and that was cooler than the previous fortnight. I toured the vines and talked with Jeff who was rather downbeat about the vintage.

Tell tale mildew signs, the brown spots on the leaves

Mildew, the powdery version, has been prevalent from Spring onwards, the humidity and warmth setting it off. There is downy mildew, oidium, too. The vines look parched, the grapes struggling to swell because of the dry summer. A couple of storms last week offered a brief respite, sadly no more rain is forecast. It reaches a point where you just have to harvest as the vines are struggling and their long term health needs to be protected.

Couloure in Flower Power vineyard

There was also a lot of evidence of the difficult Spring with coulure. This is caused by strong winds damaging the flowers and buds at that time, which was exactly what conditions were like when I was there in April. The result is bunches with a lot of gaps.

Jeff was clear that not all vineyards were equally effected. Peilhan, to the West, has suffered most whilst Segrairals, to the Eastern side of Puimisson, has done much better. There will be good grapes and good wines from 2024.

There were also a couple of other observations I thought to pass on. One vineyard area which was in good condition in Peilhan was the new plantation of Spanish grapes such as Parellada, Malvesia de Sitges and Macabeu. I assumed that they must have been irrigated as they are in their first year, they were a lush green in colour and looked strong, holding their branches out wide. Jeff corrected me though, they were watered on planting and then once in their early weeks but not since then. In vineyards such as La Garrigue and Sainte Suzanne it was also noteworthy that Grenache, (Spanish origins) was also doing well compared to most. Similarly, the Xarel-lo, now 2 years old, was looking strong with good, full bunches. Perhaps the deliberate policy of Jeff in moving towards grape varieties more adapted to hot and dry conditions is already proving a wise one?

Visiting the cellars on the 20th Jeff had emptied all the main concrete tanks and they were being cleaned thoroughly. The harvesting machinery is also being prepared, checked and cleaned. Lots of hard work to get things ready. there will be plenty of triage for me to do next week but fingers crossed for a successful harvest despite the worst nature can throw at it.

One last oddity. In the midst of the good looking Grenache vines of La Garrigue, one vine has mutated to offer Grenache Gris instead.


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A fine wine

This isn’t a post I had expected to write but sometimes you find a wine which makes you want to tell everyone how good it was. It happened back in February at Noble Rot in London when I had a bottle of the excellent Domaine Aux Moines’ Savennières 2021 and I made a beeline to the domaine in April. Then, last week we went for a week to Cambrils on the Costa Daurada near Tarragona. A week intended to be simply restful but with gourmet interludes. Well, at the excellent Miramar* restaurant I ordered a bottle of local Grenache Blanc and was blown away by it.

The bottle in question was from the Terra Alta region, Edetària’s, Finca La Terrenal 2020. It is made from old vine Garnatxa Blanca from a single, steep vineyard on clay soils. The winery is the work of Joan Àngel Lliberia who studied and worked in wine in France before returning to the area and eventually establishing his winery. It is organic wine production, harvesting by hand with careful sorting at the cellar. The wines are fermented in small tanks before ageing as appropriate for the various levels of wine they produce. The Finca wines are their top level wines aimed at expressing grape and place. Certainly, this bottle certainly achieved those goals.

The Terra Alta wine region is just west of Tarragona in the foothills of the Pyrenees. Overshadowed by other local regions, such as Priorat and Montsant, it is beginning to gain recognition. Checking back on the Spanish tasting I attended in London in February, Vinateros, there were no Terra Alta producers present so it is still relatively unknown. One interesting fact, a third of all the Grenache Blanc in the world comes from Terra Alta.

Over the next few days I deliberately chose other organic Garnatxa Blanc wines from Terra Alta to see how they compared.

LaFou Celler’s Els Ameleres 2022 is made of a blend of young and older vines, aged in various types of container to add complexity. It was a nice bottle, fresh acidity and citrussy notes, a little flabby perhaps on the finish but perfectly decent. The producer’s website claims the wine shows aromas of the local almonds which give the wine its name, I didn’t pick that up.

Better was a wine made especially for the El Posit restaurant chain by Estones Vins, a project based in Priorat but with vineyards in Montsant and Terra Alta. Salvi Moliner is the winemaker and he makes his own Garnatxa Blanca as well as this one for the restaurants. Grown in the typical sandy ‘panal’ soils, Aproppòsit Garnatxa Blanca 2022 had good acidity and freshness to accompany seafood, its raison d’être of course, but with more yellow fruit notes and complexity than the LaFou. Nice bottle.

Grenache Blanc grapes from Jeff Coutelou
Grenache Blanc with some Grenache Gris

Nothing special then, perfectly decent bottles of wine but can we expect more from Grenache Blanc? After all production of this grape has fallen by two thirds in France since 1980 so it can’t be that great? Why was La Terrenal so special?

For me, and wine taste is personal, a top white wine brings a range of characteristics. This wine had aromas of white flowers and fruit, a sense of cleanliness but also a citrus note with stony texture. At first it tasted light, citrus again, but then it built in the mouth to add peachy notes, nutty too, suggesting some oak barrel ageing. There was no heaviness, no flabby notes to leave the palate overwhelmed or tired. Instead the freshness cut through again and the wine, from first glass to last, walked a fine line between the acidity and the fruit. It developed and changed but maintained its interest all down the bottle. A balanced wine, capable of being drunk on its own or with food.

So top marks from me, it was a bottle to remember along with that excellent Savennières. And one final point. Miramar was one of several excellent restaurants we visited in the area*, whisper it quietly but a standard higher than you’d generally find in France. The wine retails for around 40€ and the restaurant listed it at 49€, I wish other restaurants had similar pricing! I know it wasn’t cheap, yet it was a bargain. Now to hunt some down!

Edetària

* Miramar, Can Bosch, Maccarilla, Casa Quadrat (Tarragona)